The simple interface of Ableton’s Operator belies some truly lovely soundmaking capabilities. Our friend Francis Preve, a principle Ableton sound designer who has contributed hundreds of presets since 2004, has a new single out that makes use of some of those sonic possibilities, combining Operator with juicy spectral and granular effects in Live 7. As a gift to Ableton users on CDM, he’s giving us both the rack he used and some tips on squeezing noise out of the Ableton instrument. (By the way, I’m open to tips for other platforms, not just Ableton — ask for what you want!)
First, the EP: “Hasown / Less Cowbell” is out as a Beatport exclusive on Josh Gabriel’s new label, Different Pieces. Hasown / Less Cowbell EP
Lots of the sound of “Less Cowbell” comes from some creative recreations Fran made of the 808 Cowbell, using Operator and Live effects (hello, grains). This is the actual patch he used. If you think this is some generic cowbell preset, think again: give the knobs a twist, and some wild sounds come out. I asked Fran to walk us through the patch:
Yes, the Internet moves fast. Just hours after Native Instruments announces a free soundpack, it’s already popping up on Twitter – AudioGeekZinereports happy times with the new Compilations Volume 1 soundpack from Native Instruments.
Here’s the story: because Native Instruments uses the free Kore Player for its soundpacks, you can make use of the included sounds without owning Kore, on Mac or Windows. Soundpack Compilation Volume 1 is packed with nearly 100 MB of 100 Kore Sounds and 800 variations thereof, curated from the various soundpacks they’ve released this year. That includes synths designed in Reaktor, FM8, Absynth, and Massive, percussion, effects, and more. Aside from the variations, you get quite a bit of timbral control over the sounds with pre-assigned parameters, even without owning the software with which these were developed. (In other words, no need to use the presets as-is in recognizable form!) If you own any of the products, you can edit the sounds.
At the risk of pointing out the obvious, Volume 1 suggests more may be coming.
Since it works with everything, I figured it was worth putting here instead of our kore.noisepages.com minisite. Let us know what you think of the pack, and if anyone else has freely-available sounds for the holidays.
And in other news, I suggest being as arcane as you possibly can on social networking services like Twitter and Facebook. For instance, “Peter is … jumping with joy because he’s found exactly the right granular size parameter for his new SuperCollider effect.”
People will think you’re about to cause the end of the universe, along with that Large Hadron Collider. Actually, excuse me while I Tweet that.
Hate soundware and generic downloaded samples? You’ll love this. The “Slice of Winter” sound pack created by Covert Operators for CDM doesn’t have a single sound in it – not one; you bring your own. Instead, install this pack and you get a whole mess of slicing presents for use with Ableton Live’s Slice to New MIDI Track feature. Grab an audio clip (or record your own), hit Slice to New MIDI Track, apply a preset, and you get a new Drum Rack instance with slices mapped to pads, effects, and live controls. (You can see what I mean as Bjorn plays around with the feature in the video.)
Naturally, this works nicely for drum loops, but if you apply to vocals or weird found sounds or other material, you can get all kinds of results. You’ll need Live 7 as it’s a new feature, but you can use the free trial to try it out; the trial is still unlimited time-wise and now even saves for the first 14 days.
It’s not so much that this is something other tools can’t do – even some hardware drum machines have a similar feature. But in the context of Live, slicing takes on a different quality. It integrates with all the clips you have sitting around your session, can map to those warp markers, and gives you virtual drum machines with live controller mappings and the ability to insert effects (including third-party plug-ins) on each pad.
We feature this technique in the CDM Winter Guide for two reasons. One, it’s a perfect antidote to sets that get boring because you have clips looping endlessly. Two, you can get a lot of mileage from this feature musically, so it’s something to live with for a while (which was the idea of the guide). In the guide, we have a detailed tutorial for using the feature, how to make your own presets (which isn’t clear in the manual), and some creative ideas. Francis Preve joins in with some tips; he used this feature heavily on his single “Caboose.” Previously:
Covert Operators also makes other lovely stuff for Live and live performance, including software (like a utility for making better use of the BCR2000 controller), Live packs (free and fee), and an in-depth video subscription series with power tools for Live use.
If you want still more Live knowledge, Grooveboxmusic has a limited-time deal on three hours of free tutorials, on special through the end of the month:
The original microKORG genre-selecting knob, sure to baffle and delight with its nonsensical labels. Careful: you may actually transform yourself with the genres.
Okay, first, a disclaimer: the fact that the upcoming microKORG XL has a “genre” knob for selecting presets isn’t big news. The original microKORG had genre-selectable presets, too. The beauty of the original, though, was how incoherently these settings were labeled. (Retro, or Hiphop/Vintage, anyone?)
Sometimes, the labels that don’t fit are better than the real ones.
“What type of music do you play?”
“I play VOCODER!”
(From here on out, any time the mention of VOCODER comes up, it shall be in CAPS and ITALICS as will anything else we especially ENJOY. For instance: GRANULAR DISTORTION!)
Sadly, it seems Korg has – well, sort of – made these choices rational. (As rational as they can be, anyway, given “genre” is generally irrational.) I think I misread the label “ROCK/POP” as “POWER POP” – you’ll have to use your imagination. (VINTAGE SYNTH? Does that really say HOUSE/DISCO?) Korg explains:
The first selects the musical genre, while the second defines the instrument category. From the familiar "ROCK / KEYBOARD," the standard "R&B / LEAD," and the distinctive "HIPHOP / BASS," a wide range of presets are instantly available. For the diehard synthesists and sound designers, you can use the three performance edit knobs for fast, effective editing in performance. You’re also free to select and assign your favorite parameters.
No idea what “distinctive” means, but since our job is not selling lots of gear, let’s do something more fun. I suggest we chip in and imagine the Most Awesomest Genre Knob ever. You’ll be free to incorporate this into your Pd and Reaktor patches. It will have silly, awesome names on it that we’ve made up or refer to disparagingly. Get your genre brains going, and submit your ideas, and I’ll run the best answers later this week. You’ll have to print out a sticker to put on your new microKORG XL when it ships in 2009.
Now, if only we could use a “genre” knob on bands at gigs… sorry, Emo band, you’ve now just become Avant-electro-noise!
There are particularly large sections for the all-in-one studios EnergyXT, FL Studio, and a number of others. (Correction: Intua BeatMaker for iPhone/iPod Touch is promised, as well, though I got my categories confused — no files there now, so we’ll check in if some get posted! But it could be a great place to upload BeatMaker presets; see the thread on PatchArena’s forum.)
Francesco Silvestri writes CDM to let us know about his latest addition, a huge set for Cakewalk’s awesome soft synth Rapture. He says:
I’ve released Muz3um, a free set of patches for Rapture the virtual synthesizer by Cakewalk.This collection is built on waveforms from vintage synthesizers.
It features:
661 presets organized in categories (Basses, Keys, Leads, Pads, Sequences)
573 waveforms
36 impulse responses, taken from amp sims, cabinets and lo-fi speakers, providing additional colors to the set
It’s great having those impulse responses alone – meaning even if you’d rather program your own sounds in Rapture, this could be a must-download.
Update: This also works just fine with Rapture LE, meaning lots of Cakewalk customers can use the pack. (Thanks, Chad!)
Have a go and let us know what you think, Rapture users!
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Yes, the Internet moves fast. Just hours after Native Instruments announces a free soundpack, it’s already popping up on Twitter – 
