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E-RM multiclock Syncs Everything Jitter-Free, Including Computer

We’ve seen boxes that claim to sync everything you have to everything else you have. But the E-RM multiclock claims to do it even with a computer as the clock source – without jittering. Just announced, the multiclock is the follow-up to the midiclock+, the clever MIDI sync box introduced by Berlin’s boutique E-RM Erfindungsbüro back in 2012. The most important thing to know about the multiclock is that it takes this obsession with getting sync right directly to your computer’s audio card. Whereas MIDI and MIDI over USB from a computer are inherently susceptible to jitter, E-RM claims that …

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airamodular

Roland Confirms AIRA Modular Next Week, Shows Revealing Picture

Roland apparently doesn’t want to leave too much to the imagination – or online leaks. Now, it’s official. Roland has posted a teaser image to their AIRA site. It’s marked with the catch phrase “Start Patching,” plus “Frankfurt Musikmesse 2015” (next week’s industry trade show here in Germany). So, we know a lot for sure now: It’s an AIRA product. It has patch cords. It’s modular. (The filename on Roland’s own site is “b_airamodular.jpg”) They’re doing a rack-mount SYSTEM-1. (That’s the AIRA SYSTEM-1 layout in the device on the top. It seems they’re breaking it out a bit like the …

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Traktor Kontrol D2 with Color Display is Official, Costs US$499

Native Instruments’ Traktor Kontrol D2 deck was all but revealed at WMC, but now we’re finding out more clearly how everything comes together. And we know the price: the unit is US$499 (499€ / £429), even with that nice color display. (If NI is getting their part cost down, I wonder if we might soon see a display like this on a Maschine other than the Studio – which is great, since the Studio is kinda huge.) That price is doubly impressive now that it includes TRAKTOR PRO 2. That’s an impressive deal for new users. (If you already own …

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Versus is a New Performance Controller from Faderfox, Nyma, Magda

What if one controller could pack everything you need for playing creative DJ and live sets in a single, tall, slim device? What if it had the ultra-compact design of German builders Faderfox and Glanzmann? And what if it borrowed elements from previous controllers, but grouped them in a new way you probably hadn’t seen before? We’ve just gotten the first look at Versus, a new controller collaboration built with the artist Magda, alongside Nyma (Nima Chatrsimab), a DJ/producer and technical guru with a long resume here in Berlin, and the builder Faderfox together with Glanzmann DDS. It’s a kind …

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xone43

Allen & Heath’s New Analog Mixer Could be One to Beat: Xone:43 4+1

Allen & Heath aren’t bombarding the market with products. They’re not hopping on lots of new gimmicks. What they are doing is quietly releasing well-designed mixers that dominate the DJ scene. And the Xone:43 looks nothing if not eminently sensible – enough so that I suspect some might eye it as a mixer for live sessions, as well as the obvious club installs and DJ rigs. A&H are serious enough about this tool that they’re releasing a new flagship — on the first of April. (No fooling.) But they can do that: because there’s absolutely nothing silly or far-fetched about …

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Modular Guitar Stompbox: Coming Soon, Eurorack for Your Feet

The modular craze just won’t stop. But why should keyboardists and sound tweakers have all the fun? Pittsburgh Modular wants to bring the revolution to guitar stompbox effects. The Patch Box, teased over Twitter and due at April’s Musikmesse in Frankfurt, Germany, is an attempt at that solution. Basically, instead of being a Eurorack bay for your shelf or desk, this is one designed for the floor, to be played by a guitarist or bass player. At the bottom, you get the usual switches. But apart from accommodating Eurorack modules (on their side) on the floor, the key appears to …

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d2clearer

NI Teases New Compact Traktor Hardware; Here’s a First Glimpse

Stop it! Get your eyes off that screen! We all know the problem: DJing with computers isn’t terribly practical without looking at the computer – a lot. Native Instruments’ Traktor S8, like Maschine before it, promised to liberate laptop users from that vacant computer stare. But it, and rival offerings, have a big problem: they’re back-breaking, checked luggage-triggering, tech rider-rewriting huge. Well, you probably already worked out the S8 “flagship” wasn’t going to be the only hardware from NI to play with this concept. The question was, what would a “half-S8” / “S8 mikro” / “S8 deck” look like. If …

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A New Book from Ableton Wants to Help You Make Music

Imagine if the Eno/Schmidt Oblique Strategies, a music theory book, and an Ableton quick-start manual all got caught in a transporter accident with a bunch of different music producers.* That seems to be what you get with Making Music: A Book of Creative Strategies. In one sense, the aim is to be none of these things. It’s not a manual. It’s not a template for music making. It doesn’t, apparently, rely much on musical theory in the traditional sense. But, then, if you know the man behind it – Dennis DeSantis, a classical percussion virtuoso and composer turned documentation czar …

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The Saw Bench is a 100€ Analog Synth; Here’s What Its Creators Say

The list of inexpensive electronic instruments you can have for a little bit of change continues to grow. The Saw Bench, now on Kickstarter, is a 100% analog monosynth. You get one voice, one oscillator with modulation, in a box with some hands-on control via knobs and MIDI input (for notes and control). It’s so nice, and so cheap, that I had to go talk to its creators to find out the whole story. And that lead to a nice chap from the Netherlands by the way of Pieter van der Meer. I was especially confused about the price – …

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Akai artist Needlz set up this MPC+computer rig with Renaissance ... in a hotel room (to get out of the house). No, no standalone MPC hardware at the moment, but 1.8's software features might help you forget that.

MPC 1.8 Update Expands How You Play; Inside Look with the Developers

“MPC” these days is a name on a lot of Akai stuff, down to even various MIDI controllers that happen to have pads. But to die-hard MPC users, “MPC” means a way of working. So, workflow is vitally important. And MPC users who cut their teeth on Akai’s dedicated hardware have been waiting to see the software/controller combination really come into its own. Native Instruments’ rival Maschine got to the software game first, but now it’s a question of how the MPC can again set itself apart. That makes any software updates a big deal. You’d be forgiven for assuming …

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