apolloconsole2

Here’s What’s New in Universal Audio’s DSP Software and Hardware System

The line between pain and ecstasy on a computer for music making can often boil down to some key elements. One commonly on that short list is getting the sound you might from a studio. Another is making all your inputs and outputs work in your interface. Universal Audio is one of a handful of vendors that aims to bridge both of those gaps in a single product, with devices that are audio interfaces as well as DSP platforms for hosting high-quality effects. And UA are starting out 2015 with a fairly big benchmark for the company in that software/hardware …

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saturation_knob

Add a Free Softube Saturation Knob, Anywhere: Plug-in for Mac, Windows, or Reason

The Christmas gifts keep coming. On top of an excellent free NI delay, a free clap plug-in, and a free retro-inspired Max for Live drum machine, now you can add a free saturation effect – anywhere. Softube are making, simply put, some of the best amp and saturation models anywhere. I’m routinely using their stuff, as I’m sure many of you are, in Ableton and Propellerhead releases on top of dedicated Universal Audio UAD plug-ins. But having the convenience of a single saturation effect, with adjustable parameters, means you can create custom effect chains quickly. Toss some saturation on just …

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october

Make DJ Charts from Traktor, and More Free Playlist Tricks

If DJing with vinyl leaves traces in our memory, recollections of physical handling of album sleeves and crates, then for digital DJing, we must rely on data. Traktor DJ is quietly noting everything you do as you play – at the gig, in the studio. The key is how to do something with that data. The coolest trick came last month from our friend Tomash Ghz – he of the superb Digital Warrior, among others. (Very keen to get back to my desk in Berlin to muck about with the latest step sequencer there, but I digress.) Tomash has whipped …

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Transform Sounds for Free, with Tools Made with MeeBlip anode by Diego Stocco

The technique is called convolution, and it uses the power of digital audio theory to combine sounds, as if one is heard “inside” another. And if you’ve heard of it before, you probably associate it with reverb – rightfully so, as you can produce highly detailed, realistic reverberation with the technique. But as celebrated film and TV composer Diego Stocco has shown us previously, you can use that same potential to create sounds that would be otherwise impossible. And it means you can fuse the sounds of a synthesizer with totally unrelated sounds to create something unlike you’ve ever heard …

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guitarrigplayer

How to Add a Tuner and Other Guitar Essentials, Free, for Ableton Live and More

Computers – a category now very likely including the phone in your pocket – open up worlds of utility that previously required dedicated devices. Audio recorder? Metronome? Tuner? There’s really no reason that shouldn’t be right in the box. That said, our friend Marco Raaphorst was musing on the absence of a guitar tuner in Ableton Live – and in the process, reminds us that that other Berlin developer has quite the freebie for anyone who needs a tuner in Live, or simply wants a whole load of cool effects whether they play a guitar or not. Guitar Rig Player …

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Get a $250 Eventide Channel Strip, Free, for Any Platform

You know those infomercials that tell you to call now – though it makes absolutely no difference when you call? This is the opposite of that. Basically, you can buy a new 64-bit channel strip plug-in from Eventide for US$249. Or, act now, and it will cost … nothing. It’s free, through the 8th of July. I had to read this twice; I thought maybe it was an older version or an existing plug-in. It’s not. Their intro price is zero, and then it goes up to two hundred fifty bucks. And coming from Eventide, this is especially big news, …

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COMMAND LINE INTERFACE!!!

Watch BT Reveal Sound Design Tricks with Free, Geeky CDP – Then Learn it Yourself

From the mysterious underworld of 80s sound software, it’s a library of free sound transformation tools so cool you’ll happily head to the command line to run them – no real-time preview to be found. No, seriously. Even if the fanciest you get is changing a preset in Logic, you want to hear about this. Self-professed addict of sound geekery BT took to a packed room at New York’s Cielo to tell an assembled group of aspiring producers why they should embrace the Terminal. His video is a fantastic introduction to the tool. Dubbed Composers Desktop Project – after the …

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Inside the Dub Machines, Analog Modeling Delays, Reverbs with a Twist, in Max for Live

Can an echo of the old still bring something new? Dub Machines, an Ableton Live pack of delay Devices, is both a painstaking set of digital models of analog delays and a chance to open those old techniques to new possibilities. And its unique flavor is in no small measure thanks to its creators. We got to talk to Matt Jackson (Ableton) about this new endeavor and how it came about – and some of the stories inside its creation, including the involvement of one of our favorite machine music makers, TM404. First, though, about those machines. Developer Surreal Machines …

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Hexonator Resonator Makes Any Sound into Harmonies, Sequences

Resonators are a breed that could use some new life. Let’s not even talk about Ableton Live – use one of the presets in the built-in effect in that software, and any producers are likely to perk up their ears – and turn up their nose. But that’s why it’s nice to see the latest effort from Artemiy Pavlov and Sinevibes. The Ukrainian developer has just been on a roll lately with clever, Mac-friendly (Retina Display, even) creative plug-ins. And the latest is a fresh twist on a resonator. Six tuned resonators already makes a nice resonator plug-in, but Hexonator …

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A Trio of Unique, Colorful Effects Boxes from OTO Machines, Coming Soon

It’s not enough to just release sound hardware. You want something different, something with character. French builder OTO Machines did that with their Biscuit, a gorgeous combination of 8-bit crunch and analog filtering, then later turned it into a synth and step sequencer with nothing but firmware. But now it’s time for a follow-up, and instead of one sequel, we get three. There’s a 12-bit delay unit, a digital reverb inspired by some 80s classics that never get old, and an analog compressor/”warmer”. That neatly covers three bases of things many people want, and seem to target a nice space …

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