An Analog Filter That’s Playable for Producers, Guitarists Alike: Waldorf 2-pole Video

Synth maker Waldorf revealed the 2-pole Analog Filter in the USA at the NAMM show. Now, they’re coming home to Germany with more details. The emphasis here is making a filter for everyone: producers and synthesists, yes, but also DJs and guitarists. We already know guitarists like having access to this stuff if it can be playable (see KOMA, Moog), and if Waldorf can sell DJs a buttery filter instead of the awful stuff you get on many DJ mixers, they may be doing the world a public service. The hardware has an all-analog filter path, which makes sense for …

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Record a Mic, Guitar with UA’s Apollo Twin, and Model Analog Like Never Before [Thunderbolt, $699]

Universal Audio’s new Apollo Twin (in SOLO and DUO variants, starting at US$699) gives you quite a lot of value on a single Thunderbolt connection to your Mac. It’s shipping now. It’s an audio interface, with connections for line, mic, or instruments. It’s a real-time DSP processor, adding the ability to run UA’s suite of (mostly analog-modeling) sound processing goodies. (SOLO/DUO refers to how much DSP muscle you get.) And it’s a bundle of UA models of analog hardware, including a rather nice pair of limiters, an EQ, amp models, and tube preamps. If you think they’re hoping guitarists and …

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A Slightly Unorthodox Hands-on Review of Waves CLA-2A Compressor

Just watch it. As you can hear, the vocal’s not moving in and out any more. Consider this your Unicorn Chaser of the day. Yes, it’s possible we’ve watched too many of these sorts of videos… Hope you’re having a good weekend. Thank you, Machinedrum, for the tip. * Disclaimer: No, I do not think this is the original soundtrack of a review video from the WAVES Street Team.

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Leaked: Moog Minifooger Stompboxes, $139-199 [Uninformed Analysis]

American retailer Sweetwater leaked news of Maschine Studio yesterday; today, it’s pocket-sized, affordable versions of Moog effects that seems to be out of the bag. Yes, it’s a rumor, non-official, unconfirmed, yadda yadda – but this one’s hard not to believe at face value, it makes so much sense. The units, many of which appear to be intended for combination with an expression pedal: Delay, US$199: bucket-brigade analog delay. Tremolo, $179: Tremolo pedal with sub. Boost, $139: Both volume pedal and “boost” functions, each with either a more Moog-like voltage-coltrolled amplifier or a classic-sounding operational transconductance amplifier for overdrive. Drive, …

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Daft Presets? Reason 7 Effect is Instagram for Music; How to Use – or Misuse It – and Why [Video]

Propellerhead’s latest cheeky tutorial makes no apologies. Reason 7’s Audiomatic Retro Transformer is, they say, the equivalent of tapping a filter on a phone camera app like Instagram, bundling lots of different sound attributes together into a single push-button setting. Ironically, their example is a send-up of the distinctive sound of Daft Punk’s poppy, fuzzy disco – meaning, they’ve got a preset for the band that says the problem with computers is presets. (And to think, you didn’t need to pay for all that high-end studio time.) This seems likely to produce some controversy. In fact, I’d for some time …

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Voice as Surface and Artifact, in the Experimental Drone Music of Jelena Glazova [Listen]

Experimental noise art, drone music, and other forms – whatever you might call them – can unquestionably be an acquired taste. Absent the normal landmarks of harmonic and rhythmic structure, they raise questions about just what makes form – and accordingly, as a listener you can be lost in a unpleasantly-formless mass. But in the music of Latvian sound artist and poet Jelena Glazova, as in the experimental sound I find most appealing, the experience is not cerebral so much as sensual. There is a conceptual background, but perhaps that’s what sound does so well: it can execute a concept …

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Free Granulator II from Robert Henke for Max for Live; Another M4L Grain Instrument On Its Way

We’re spoiled by modern software as a canvas for experimental sound. Significantly, once constructed and encapsulated, these digital sound devices can fall away, allowing you to explore new noise frontiers through play, not only through calculated sound design. (That very question has come up in very different conversations with developers I’ve had in the last 24 hours or so, so I think it’s worth mentioning – whether it’s something you’ve created or downloaded, you can get to the point where you use your ears and intuition to find sounds.) Let’s talk about that in regards to Ableton Live and Max. …

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Vio for iOS: Transform, Tune, Harmonize Vocals in a Cloud of Particles [Preview]

Vocal modification is a natural app for iOS, yet a lot of the offerings out there are complicated to use. (At least one that springs to mind has options for add-on purchases that can muddle the user experience.) Audiofile Engineering (via a new brand, Square B) has just released an app that looks like loads of fun. Turning the interface into a swirling vortex of particles might not seem to be a step forward for ease of use, but here, the reduction in interface clutter lets you focus on singing. I’m retreating into the studio in a quiet moment to …

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New Instruments with Electricity: Kalimba + Ring Mod, Continuum + Kyma [Videos]

Combining even a couple of pieces of equipment can yield a kind of new, hybrid instrument. Our friend Chris Stack shares the latest in his fantastic ExperimentalSynth.com series, that haven for exploring strange, new sounds, seeking out new life and new electronic civilizations. Above: “Kevin Spears explores new soundscapes playing his kalimba through a Moog MF-102 Ring Modulator.” Below, featuring Sally Sparks: “A quick look at the Haken Continuum and Kyma sound engine.” Enjoy, and have a great weekend, y’all.

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King Britt, performing in the garden. Photo:

The Bee and The Stamen: Complete Live Stream, King Britt Interview, As Nature Meets Electronic Music

For just a moment, take your mind somewhere a bit different. First, imagine the computer as part of nature, not something separate from nature. And then, put your head inside the mind of a bee. (You might not want to operate heavy machinery, just in case you start to imagine you’re seeing things through a compound eye.) That’s the journey we’re on with King Britt, the veteran producer from Philadelphia. He’s remixed everyone from Miles Davis to Tori Amos, but now, he remixes the world of the bee. And given how small we ultimately all are, perhaps that’s a worthy …

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