Monolake Explains Great Mastering Technique in 44 Seconds

At last, you, too, can achieve great mastering. Mastering – a step by step guide to good sound by monolake Sadly, as Robert Henke concedes: i still think it needs to be louder and it lacks dynamics and punch. I STILL THINK IT NEEDS TO BE LOUDER AND IT LACKS DYNAMICS AND PUNCH! It’s like banging your head against a brick wall. No further comment at this time.

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Apollo: UA Adds Low-Latency Effects in Audio Interface, Proves FireWire, Thunderbolt are Cool

Universal Audio has long had a successful business selling hardware DSP effects, many of them carefully-modeling classic analog gear. These products use dedicated DSP hardware for number-crunching, requiring that you connect an extra box to your computer. UA has certainly had their loyalists, and for fans of the products, the dedicated gear is simply a convenient way to get all of these sound-processing goodies. But it’s fair to ask the question, as many producers have who read this site, what’s the advantage? Why not simply use native processing on your computer? Apollo, UA’s new hardware, answers that question more emphatically. …

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Subcycle, Insanely Futuristic 3D Music Interface, Reaches New Levels of Pattern and Sound

Compare the complex model of what a computer can use to control sound and musical pattern in real-time to the visualization. You see knobs, you see faders that resemble mixers, you see grids, you see – bizarrely – representations of old piano rolls. The accumulated ephemera of old hardware, while useful, can be quickly overwhelmed by a complex musical creation, or visually can fail to show the musical ideas that form a larger piece. You can employ notation, derived originally from instructions for plainsong chant and scrawled for individual musicians – and quickly discover how inadequate it is for the …

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Ozone 5 Arrives: More Visual, Space Age UI, and Updated DSP in Mastering Tool

Let’s get straight to it: Ozone has already established itself as a do-everything mastering tool. It’s a suite of interconnected modules handling frequency and dynamics, designed to work together in an integrated interface. It does so much, in fact, that it’s hard for an upgrade to do more, but Ozone 5 promises new sound and visual feedback that could further entrench this popular tool. And that could explain how Ozone 5 stole the Audio Engineering Society trade show in New York. AES is a flurry of knobs, dials, and faders, but some of the major buzz we heard was just …

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Moog Goes Classic: Ladder Filter 500 Series Module

If you think Moog’s entry into iPad synthesizers is too new-fangled, something for the kids, and nothing compared to the authentic analogness of … uh … analog, you’ll like this, at the opposite end of the spectrum. In the same week they unveiled their first iOS synth, Moog has their first 500 series module – and it’s a classic, derived from Dr. Moog’s legendary Ladder Filter design. Engineering audio isn’t quite like engineering bridges and airplanes: it’s actually the unique flaws in what might have otherwise been a forgettable filter design that led to a distinctive distortion, first heard in …

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Pro Tools 10, Pro Tools HDX: What You Need to Know

Editing gain before mixing. Soon – Human sacrifice, dogs and cats living together… mass hysteria! At the AES show in New York, Avid as expected updated their flagship Pro Tools DAW to version 10, and unveiled a next-generation version of their higher-end HD line. Since it’s Friday, and perhaps not the best day for processing loads of information about new DAWs, let’s see if we can’t boil down the major points. Pro Tools 10 Clip Gain helps you to set gain levels before you get to the mixer. More flexible use of files: mix formats, and in a departure for …

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Csound For Live: Powerful Sound Creation in Ableton, With or Without Any Coding

With great power comes great learning curves – or maybe not. Csound for Live, just announced this weekend and shipping on Tuesday, brings one of the great sound design tools into the Ableton Live environment. You can use it without any actual knowledge of Csound, without a single line of code — or, for those with the skills, it could transform how you use Csound. For anyone who thinks music creation software has to be disposable, you’ve never seen Csound. With a lineage going literally to the dawn of digital synthesis and Max Mathews, Csound has managed to stay compatible …

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New Open Grid Gear: A Hackable, Touchable, Light-up Array – BlipBox

Light-up grids of buttons are nearly commonplace, but the BlipBox is something different: its array of lights is also a sensor, making it both X/Y controller and light-up grid. And it’s designed to be completely open — firmware, hardware, schematics and documentation are all fully GPL-licensed and open source. For those of us who aren’t ninja coders, it’s also easy to customize, thanks to friendly software (pictured below) .k for making nifty interactive animations on its display and support for the artist-friendly Processing code environment. As the creators describe it, it’s three (three!) pieces of hardware in one: a creative …

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Random Fun: Novation Launchpad as Live EQ Display, Built in Processing

If you’ve got a whole bunch of colored lights, it seems only right to do something with them. Cacheflow sends a fun little hack with a Novation Launchpad. Of course, turning a Launchpad into a live EQ display means you can’t simultaneously use its lights to, like, play the Launchpad, but provided you have another controller, this could be a fun way to liven up your stage setup. We looked at a free e-book on Processing last week; if you’re playing with Processing, you can now use a handy, free library to integrate this simple and elegant coding tool with …

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Universal Audio Adds Plug-ins, Pro Tools and Lion Support; Ampex Lives

Universal Audio has a big set of updates to their DSP software out today. It seems worth sharing in part because I find the (faked) look of that Ampex reel-to-reel does give me a warm and fuzzy feeling, even if it mainly makes me want to get in a studio and hear the whir of the actual gear. Here’s what’s in the update: For Pro Tools users, there’s vastly-expanded support, including native RTAS plug-ins (instead of the VST-to-RTAS adapter), control surface support, proper automatable parameters, and correct naming and sorting, plus a quicker installation and workflow. I’m embarrassed to say, …

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