ericanddaniel

Native Instruments CEO, SoundCloud CTO talk music’s future direction

With each creation tool, each means of broadcasting audio via the Web, the force of music technological access accelerates. What was once limited to an elite able to make use of studios and labels spreads to more corners of the globe. But what will that democratization mean? Earlier this summer, I got to speak to two people whose companies have been instrumental in the ways in which people make and share music today. Eric Wahlforss is co-founder and CTO of SoundCloud; Daniel Haver is CEO of Native Instruments. Those jobs keep them pretty busy, so this is the first time …

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stemscreator

Here’s how to start making your own Stems for sale or DJing

We’ve heard a lot about Stems, a distribution format providing four separate, DJ-ready parts. And we already go to the point where you could buy a range of Stems music online. What you haven’t been able to do is try making your own Stems, unless you were on one of the early label partners. That changes today, with Native Instruments’ public release of the free Stem Creator Tool. This is officially a beta version, but NI reports the files are created correctly and you should find it stable. This also means whether or not you’re sold on Stems yet, you’ll …

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reaper

Here are ten reasons Reaper 5 upgrade will make users happy

Reaper 5 is out today. It’s the compact, tight, powerful music and audio production software whose users would like to know why more of you aren’t talking about it. And they have a point. Reaper 5 is US$60 with a bunch of included free upgrades, or a voluntary $225 for “commercial” use. Even the demo runs a full 60 days with no restrictions. Yet Reaper does a lot of things other DAWs don’t – even some of the priciest out there – in a compact tool that has exhaustive hardware and OS support, plus complete scripting. Now, what Reaper 5 …

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studio_one-song_page

A powerful version of the Studio One DAW is now free

The very fact that a tool is called a “digital audio workstation” rather than “music making software” tells you something. Historically, these have been tools that do a lot of things in a fairly complex interface. And so a lot of DAWs seem to be counting how many windows and views and tools they can provide. PreSonus’ Studio One is among a handful of tools that has bucked the trend, putting everything in a streamlined single window view. The notion is to provide the multitude of features producers demand, but keeping everything close at hand and operating quickly. And now, …

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SONY DSC

A New Online Platform Gives You Expert Music Tech Training, Free

Every feel like you wish you could go back to school? Or… go to a different school? Maybe you want to learn at CalArts, or Princeton, or Stanford, or Goldsmiths. Maybe you wish Robert Henke would sit at your side and teach you about Ableton Live. Or maybe Perry Cook would teach you synthesis. Or Casey Reas would talk to you about creative coding and Processing. Digital learning gives us some of those chances – without running into campus security, that is. And so we’ve seen some great learning platforms, including iTunes audio courses from Stanford and people like Steve …

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chrisconnected

Watch iConnectAUDIO4+ Connect Absolutely Everything

I know you’ve been there. Somehow, even with a small assortment of gear, you find that you have exactly the wrong combination of plugs. It’s actually even worse if you’ve bought into the inexpensive mobile music revolution. iPads are chock full of apps; little boxes like the KORG volcas can be great fun. But… the iPads don’t have any ports, and compact devices (including our own MeeBlip) often have just MIDI in to save space. And then there’s trying to clock everything. That’s why I’m really excited by the promise of the iConnectAUDIO4+. (And I know from feedback, I’m not …

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Auxy, the iPad’s Simple Music Creation Tool, Quietly Gets Better

iPad creation tool Auxy may have come with a lot of fanfare touting its simplicity and elegance when it launched. The piano roll-turned-touchable music maker first launched on the merits of doing less, better, then turned into something more of us might use with the addition of MIDI. But a rather significant upgrade has come without any trumpets or bolts of lightning. I can’t post a screenshot, because all the work is under the hood. For all the power of today’s mobile devices, though, there’s a significant effort in coaxing optimal performance. So, sometimes this behind-the-surface stuff matters a lot. …

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zachpush

Mad Zach Has Tips on Finger Drumming, Production, and His Free Live Pack

All those pads – it took virtuoso finger drummer Mad Zach to take advantage of them. Mad Zach’s five free Drum Racks accompany today’s release of Ableton Live 9.2. Since he, frankly, makes most of us look bad with his agile use of the Push hardware, I wanted CDM to talk to him more about what he’s doing. He joins us to share some tips for live performance, production, DJing, and more. 64 Pad Lab by Mad Zach

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drumreplacer

Watch Creative Stuff You Can Do With SONAR’s New Drum Replacer

Soon, music features could arrive the same way episodes do in Netflix. Since unveiling its “Membership Program” at the beginning of the year, Cakewalk has been putting out free monthly updates for its members. And now there’s one that’s pretty newsworthy. We are spoiled for choice when it comes to powerful music tools, but getting features baked into a DAW offers some additional convenience and integration – and, let’s face it, you might wind up using a tool that you otherwise wouldn’t buy on its own. “Everett” (sharing a name with the make of piano I had growing up) released …

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izotope-rx4-denoise

Here’s How RX4 Can Save Your Bacon By Fixing Sound – Even on Hit TV

It’s sometimes tough to write about audio tools precisely because they tend to bundle together a lot of features. So let’s step back and consider why they tend to do all of those things. With audio repair, it’s a pretty easy explanation. From your perspective, your sound is $#*$#ed up. You want to get it un-$#*(&ed up. Of course, in reality, there are tons of variables. The context can change: You might be repairing sound from a recording of instruments. You might be fixing dialog. You might know what you’re doing – even on big-budget TV and film, recordings can …

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