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Free Version, Linux Support: 7 Cool New Things About Tracktion DAW

With users loyal to some great tools, how do you get attention as a different music production tool? Well, a $60 price, a solid free version, Linux support, and some cool features will definitely get you somewhere. So don’t overlook the lesser-known options yet – if they can make you happy and get your work done, the choice is up to you. Tracktion is one of those underdogs. Here are some reasons it’s gotten my attention. 1. You can use it for free, then spend $60 for the latest version. On Windows, Mac, and Linux, Tracktion 4 is now completely …

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recuejam

The Joy of Little Boxes, and Lovely Music by Recue x Jolea

From small boxes, big sound, and enormous fun… Something has happened in the evolution of electronic music production. What was once so often a slow process has become a jam, what was carefully orchestrated on screens finds itself embodied in gear. And small and affordable “toys” can often deliver the greatest “switch-on-and-play” satisfaction. Helsinki’s Recue and Jolea first found their way to their album by playing live, so it’s fitting we start with a live set from them. Their fusion is beat-driven, left-field pop – settling into moody, experimental grooves with effortless hooks over top. It’s melancholy surfaces with sparkling …

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Here’s Why the New Version of the Free Ardour 4 DAW is Great

It’s easy to make an argument to any cash-strapped producer that a free DAW is good news. And it’s easy to convince a free and open source software advocate that a free-as-in-freedom DAW is a good thing. But that’s not enough. If we’re going to talk about software, let’s make sure it’s worth using. Ardour, the free and open source DAW, has always been powerful. But it hasn’t always been seamless to use – especially outside of Linux. Ardour 1 and Ardour 2 were incredible feats of engineering, and some people used them to make music, but let’s be honest …

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Bitwig Studio as Instrumental Pack: Cristian Vogel, u-he Deals

Bitwig Studio turns one year old this week, and they’re keen to use the occasion to convince you to try their software. But the pitch takes a different angle, focusing more than ever on the particular bundle of instruments and effects. There’s an artist pack by Cristian Vogel that makes it clear what’s possible (hello, granular) — and, ending on the 7th of April, deals on U-he instruments to sweeten the pot. For soft synth lovers, it might be a haul of Easter candy that convinces you to bite. We’ve already talked about my affection for Cristian Vogel: he’s an …

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syd

No Longer Invisible: Images of Women Working with Music Technology

Coinciding with International Womens’ Day, advocacy group and networking platform Female Pressure yesterday launched themselves on Tumblr. In a stream of photos, they’ve been sharing images of female-identified artists engaged in process with music creation technology. (Some randomly-selected images are here; see the rest via the link below.) The images alone are a humbling and inspiring for me, just because I see so many familiar faces – friends and artists that have been personal role models for my work, including in moments of personal struggle as an artist and writer. The idea, say Female Pressure, was partly a response to …

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brolin

Romance Again: Intimate, Personal Music for the First Warmth of Spring

Who’s ready for some springtime romance? Show of hands? Thought so. Here in northern Europe, at least, we’re at that inflection point as spring first crawls its way out of winter, tiny buds on the trees and ice/rain mixes giving way to faintly warm sunbeams. This is music that matches that mood. And it’s music that finds a voice, that can sing – not just in beautiful vocals (and the likes of Brolin certainly suffices in his latest work), but in music that is crafted from some intimate place. These are productions that are immediate and intensely personal in the …

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Here’s What’s New in Universal Audio’s DSP Software and Hardware System

The line between pain and ecstasy on a computer for music making can often boil down to some key elements. One commonly on that short list is getting the sound you might from a studio. Another is making all your inputs and outputs work in your interface. Universal Audio is one of a handful of vendors that aims to bridge both of those gaps in a single product, with devices that are audio interfaces as well as DSP platforms for hosting high-quality effects. And UA are starting out 2015 with a fairly big benchmark for the company in that software/hardware …

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audiomux

Now, Across iOS and Mac, Everything is Musically Connected [Video]

There’s a high-bandwidth cable connecting that iPad or iPhone to your Mac. And yet … and yet, until recently, music apps treated that very connection as an impossible-to-cross canyon. No more. We already took a look at midimux, a tool that makes everything that speaks MIDI on an iOS gadget available to your Mac, and visa versa. That’s already cool. You can use a keyboard controller plugged into your Mac to play a soft synth on your iPad. You can sequence an instrument on your computer from an iPad step sequencer, with touch control. Hardware and desktop software and apps …

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Live 9.2 Answers Your Warp, Automation, Tuner, and Pad Wishes

It’s nice to get what you ask for. More than any recent release I can recall, Ableton Live 9.2 feels like it’s ticking off a task list of user requests. The software enters (a very stable, in my experience) public beta this week. There’s nothing earth-shaking, but I know CDM has enough Ableton users that this will matter. To get there, though, be forewarned: Ableton is dropping support for some older Mac and Windows operating systems. (10.6 and earlier / Vista and earlier, respectively.) If you make the cut, though, you’ll likely find some welcome changes in this free update …

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deft

No Excuses: Watch Deft Make a Track in FL Studio in Ten Minutes

“But I don’t have enough time.” So, get a camera crew from FACT to loom behind you and watch while you produce, all with a clever ten-minute clock ticking away for their series Against The Clock. Actually, no. Two problems. One, the pressure might make you completely freeze up. Two, yes, you might not have FACT around. But you could imagine a timer. Deft, the aptly-named Croydon, UK artist whose work ranges from cinematic and ambient straight through to footwork, here goes a bit modern drum and bass in a perfectly passable track that he assembles under the clock. Got …

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