Beautiful New Music from tehn, the Maker of the monome [Interview]

Brian Crabtree, alongside partner Kelli Cain, nicely exemplifies a lot of this site’s raison d’être over the the past ten years. Artmaker and toolmaker are indistinct roles; they’re both flipsides of the act of making. The monome, the invention for which Brian is best known, is at first blush nothing more than a box of buttons. It’s even lifeless until connected to a computer. But in its design is a statement that draws a thread from the design of tools to the design of music. Ideas about compositional technique are embodied in the software; notions of aesthetics are evident in …

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These Apps Use Quicker Interfaces To Encourage More People to Use Sound

Convincing musicians to make use of sound is easy. And electronic musicians are even content with stunningly-complex interfaces, in exchange for deep control of sound. But what about everyone else? Users on mobile are certainly uploading sounds. Part of the intense interest in SoundCloud even outside music and audio audiences is simple to explain: the site is ridiculously popular. By 2012, it had reached 10 hours of uploads per minute. And once sound is uploaded, it attracts listeners. As of last fall, users had skyrocketed from 200 to 250 million users in just a few months. That’s another reason last …

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Reason 8 Overhauls UI, Adds New Softube Amp Models [Video, Gallery]

Let’s face it: Reason has started to look a little bit crowded lately. What began as a small rack of virtual effects and instruments has grown to add an enormous mixing console. Sequencing features have, since the beginning, been squeezed to tiny lanes at the bottom of the UI. And a browser floated around in a window. Reason 8’s individual parts aren’t so different from Reason versions you’ve seen before. But it’s the way they fit together that has changed – rather radically.

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Apple is Still Going Pro, from Hardware to Pro App Updates [Editorial]

There’s an oft-repeated conventional wisdom about Apple that I think is just plain wrong, and it goes something like this: The success of the iPhone and iPad means that Apple is now a consumer company, and doesn’t care about pros. Now, let’s parse the above statement and say Apple sometimes makes decisions pro audiences don’t like. Well, that’s certainly true; it just happened to be true prior to the success of iOS. It’s time to face this question again, partly because of the widely-noticed demise of Apple’s Aperture for pro photography workflows, but also because of significant and under-appreciated updates …

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Sonic Imaginings, Assembled Live: Max Cooper’s Sound World, in Mixes and Images

Entering Max Cooper’s sonic world is always a delight. And in a new mix, we hear it pieced together as he imagines his own sonic connections, constructed live. In turns, the Belfast-born, London-based artist can be cinematic and moody, chilled-out and groovy, or angular and glitchy. But everything remains in definition, each sound there for a reason and in sharp relief, able to corner and take you anywhere, on-road or off. It makes sense, then, that when we last caught up with Dr. Cooper – yes, he has a PhD in computational biology, too – he was adding extra dimensions …

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Folk Dub: Listen to Greg Gives Peter Space, Imagine Futures Past [CDM Presents]

Greg Gives Peter Space – A Clear View (Video Teaser) from Erased Tapes on Vimeo. Left with the artifacts of the analog age, the digital revolution now fully commonplace, artists are treating vintage techniques and musical materials as creative colors. Freed from the iron grip of nostalgia or historical accuracy, a record can be simply an ode to the things you love. That feeling is especially alive and well at Erased Tapes, the London-based record label, an imprint experimental in tastes but sharing a focused philosophy of music making. Certainly, their roster includes plenty of things with “post-” as prefix. …

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Cure Dull Sound and Transform Rhythms By Adventuring Into Convolution [Watch]

Convolution is a process fundamental to understanding digital sound. Any audio can be imagined as the combination of the frequency and temporal domains. With convolution, you can simulate the combination of one sound with another, or one sound with an environment. Traditionally, that has meant reverbs. But it can mean more – a lot more. Apart from simulating instruments, it can synthesize never-before-heard and impossible sound. Our friend Diego Stocco has been hard at work opening up some of those doors to producers. When we last joined Diego, he was teaching you sound design techniques. This time, he has both …

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Been there. The artist Dillon, working magic on the studio and stage - but finding her muse in bed and beta waves, half-asleep with no one else around.

Writing Music When You’re Vulnerable: Dillon on Finding Creativity in the Middle of the Night

Electronic music has become associated with over-the-top lyrics, the plastic veneer of party-time superficiality. But in any medium, some people are writing from the heart, and that can obscure a simple reality: writing from your most vulnerable places can be hard. Whatever your music-making medium of choice, you may resonate with artist Dominique Dillon de Byington – born in Brazil, raised in Germany, now goes by the simpler Dillon. Berlin-based, English-language Electronic Beats has taken their superb video series Slices from a hard-to-locate DVD to the mass audience of YouTube, and shorts like this demonstrate why that’s good news. Dillon …

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Bitwig Studio Arrives Today; What Can You Expect?

The long wait for the new production software Bitwig Studio has created anticipation and exasperation in equal measure – people were excited, people were impatient; some drooled over every tiny feature details, some dismissed them and said they’d wait until it shipped. But the wait is over; today is actually the day Bitwig Studio is something you can download, try out, and buy. It’s not a beta; this is it. 299€ / US$399 buys you the full download version; a demo is available. (Boxed versions cost more.) So, what can you expect on today as release day? Well, at least …

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Abbey Road at Home? Waves Emulates Double Tracking Made Famous by Beatles, $99 Sale

It all started in 1966 as a way to fake multiple takes – and it works pretty well for any vocals. And now, in one of the more ambitious emulation efforts undertaken recently, software engineers are hoping to recreate a sound you know quite well from artists like The Beatles. And oh, yeah, even if you don’t want to sound like Paul or John or George, this turns out to be a pretty easy way to double up vocal recordings. That is, if they’ve done a convincing emulation. Plug-in giant Waves Audio has partnered with Abbey Road Studios themselves, and …

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