A Week of Spatial Sound on 4DSOUND at Amsterdam Dance Event; Open Hack Lab Call

As if Amsterdam Dance Event, the electronic music mecca of Europe and the world’s largest festival of its kind, weren’t packed enough already – there’s more. Tucked inside the festival we’ve got five days of programming devoted to spatial audio, on the 4DSOUND system. As part of ADE Sound Academy, itself focusing on threads between technology, practice, and music, the event at Amsterdam’s Companietheater will explore the frontiers of new settings for music and sound. From plumbing the possibilities of the 4DSOUND’s forest of speakers to opening a discussion of immersive sound and music now and in the future, a …

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Me the Machine: Imogen Heap Navigates Music, Music Video with Her Gloves

Watching Imogen Heap dance her way through cyber visuals and glowing-LED percussion, it’s easy to forget that you’re not watching a special effect. What was once a hypothetical, speculative scenario in sci-fi is now just what Imogen is doing with gloves and sensors. At the same time, the lineage to artists like Pamela Z or Laurie Anderson is clear, too. Now the question is, what’s next? “Me the Machine” debuted in a performance on her gloves. The music really is one that she can play with wearable tech. The music video just adds visualization to that performance – and, in …

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A Building-Sized Net as Canvas, Overlaid with Light Paintings from Mobile Phones

“Interactive architecture” has long been a phrase, a future echo – something coming – but it’s been tough to say what it would look like when it arrived. In the collaboration of Janet Echelman and Aaron Koblin this month, we see one form it might take. Koblin and Echelman joined forces to celebrate the 30th anniversary of the TED Conference in Vancouver, in a massive 300-foot literal web (and Web) hung high above the water. Koblin is the well-known digital artist, now at Google, but the material of the work is rooted partly in old-world technique. Echelman – here sponsored …

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MWM is 3D Savvy, Next-Generation Mapping Tool; Here's Why It's Big News

If your computer can visualize massive three-dimensional worlds inside your computer, why can’t it be just as savvy in multiple dimensions on output? That’s the question asked by MWM. Like other mapping software, the idea is to get beyond just a single rectangle as output, supporting multiple outputs and 3D surfaces and warping. What’s unique about MWM is that it sets out to be more fluid with surfaces and outputs, all running “purely” on your computer’s GPU. And the workflow becomes completely different. Rather than crudely mapping some video textures to cubes, MWM lets you bring in entire 3D models …

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MWM is 3D Savvy, Next-Generation Mapping Tool; Here’s Why It’s Big News

If your computer can visualize massive three-dimensional worlds inside your computer, why can’t it be just as savvy in multiple dimensions on output? That’s the question asked by MWM. Like other mapping software, the idea is to get beyond just a single rectangle as output, supporting multiple outputs and 3D surfaces and warping. What’s unique about MWM is that it sets out to be more fluid with surfaces and outputs, all running “purely” on your computer’s GPU. And the workflow becomes completely different. Rather than crudely mapping some video textures to cubes, MWM lets you bring in entire 3D models …

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The Visualized Opera: Vitruvian Melds Dance, Digital with Operetta [unrender]

Get ready for the high Renaissance of the digital. The individual ingredients remain the same. But the threads of transmedia work, spanning everything from traditional costume design and choreography to the latest generative projections, draw ever closer. A new generation of artists treats projection in the theater as something elemental, something that demands exploration. Vitruvian, premiering its latest iteration in Berlin Friday as part of our event unrender with LEHRTER SIEBZEHN, has gradually evolved in the ways it interweaves dance with opera, projected visualization and interactive sound with dance theater. An “interactive opera” in one act, it unapologetically adds digital …

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Wander a Garden of Light, Shape, and Sound, with ANTIVJ's THE ARK

We see audiovisuals routinely in darkened, air-conditioned room. The Ark invites viewers to wander a botanical setting, plant life bathed in hard-contrast light and shadowjo, architectural forms animated through the vegetation. Set in Mexico’s Ethnobotanical Garden of Oaxaca, multiple works from visual label ANTIVJ create an open-ended environment of image and sound. Concept & Visual design by Romain Tardy Music composed by Squeaky Lobster (we’ve heard his fine music before in Mapping Festival trailers, among other places) Project Management by Nicolas Boritch THE ARK from ANTIVJ is a visual label on Vimeo. Presented in April, ANTIVJ has just released their …

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Wander a Garden of Light, Shape, and Sound, with ANTIVJ’s THE ARK

We see audiovisuals routinely in darkened, air-conditioned room. The Ark invites viewers to wander a botanical setting, plant life bathed in hard-contrast light and shadowjo, architectural forms animated through the vegetation. Set in Mexico’s Ethnobotanical Garden of Oaxaca, multiple works from visual label ANTIVJ create an open-ended environment of image and sound. Concept & Visual design by Romain Tardy Music composed by Squeaky Lobster (we’ve heard his fine music before in Mapping Festival trailers, among other places) Project Management by Nicolas Boritch THE ARK from ANTIVJ is a visual label on Vimeo. Presented in April, ANTIVJ has just released their …

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Architectural Drum Machine: Beatcam Makes Rhythm in Space, Sight

hre We are making the first tiptoe-steps from the world of the last centuries – proscenium theater, rectangular cinema, fixed perspective – into one that’s fluid in the way digital technology can be. The techniques are simple, but you can see how our vision can be transformed in the latest work by talented West London-based visualist and effect designer Oscar Gonz├ílez Diez. “Beatcam” fuses the camera’s point of view with the musical rhythms it accompanies, punctuating each bar with shifts in environment and architecture. Those architectural volumes, too, are transformed by layers of projection mapping, making impossible spaces. Diez supplies …

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Ryoji Ikeda's The Radar Transforms the Architectural Circles of Fondation Vasarely in France

If projection mapping often seems superficial, tacked onto architecture as afterthought, Ryoji Ikeda finds the perfect site for his art in the row of circles at Fondation Vasarly, Aix-en-Provence. There, as noise and beeps coolly hum away, a feed of sonic information flowing like a river, circle and square seem not just convenient geometry but genuine signifier. From moments of sublime abstraction, they become discs of data, portals into a microscope and then a telescope, distant worlds and mapped moons and weather patterns and oscilloscopes. There isn’t a distinction between the architecture and the content: the architecture becomes content. For …

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