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See the Exquisite Drawings Bob Moog Made of Prototypes, Circuits

We’re all touched by the musical inventions of technologists. But it’s something special to see those creations in their original hand. The Bob Moog Foundation has been posting circuitry, panel layouts, and prototype drawings made by Bob Moog (many in his hand) – and they’re beautiful. Don’t drink a lot of coffee before drawing plans if you want yours to look anything like this. You’ll see a range of creations – oscillator circuits from classic modular units, synth control panels, and even a percussion controller and tape heads. I’ve pasted a few here, but go to the Moog site for …

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Squeezebox of the Future: Playing the Striso [Video]

It’s a beautiful, sunny day in London. A velveteen grassy green field calls out under pure blue skies and lazy clouds. And… you can’t see your laptop in the glare, you’re out of battery, and your music studio is underground. Not only will you be miserable, you’ll be playing alone. So, kudos to Striso, the Italian-dubbed (but Dutch-built) squeezebox, evolved digitally. And it’s an electronic instrument that you can still don to serenade your friends in a picnic. Looking a lot like a free-reed instrument such as the bandoneon or concertina (or, yes, accordion), it’s in fact a purely digital …

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A fully-functioning QuNexus prototype. It may look like the pads on the QuNeo, but Keith McMillen tells us new sensor tech should be more friendly to keyboard technique. And the fact that this is real hardware is important - Kickstarter has recently revised its rules. A look at the new hardware - and actually delivering on Kickstarter - as CDM talks to Keith McMillen.

QuNexus is Touch-Sensitive, Tilt Mini-Keyboard with CV, MIDI, OSC, as McMillen Returns to Kickstarter [Q+A]

Can a compact controller not only shrink the conventional music keyboard, but transform it, too? The layout on the just-announced QuNexus is something familiar to keyboard players. But the QuNexus assumes some new ways of playing, with keys that sense pressure and an instrument that you can tilt. Following in the footsteps (fingertaps?) of Keith McMillen’s QuNeo, the QuNexus is built around a custom-engineered set of pressure-detecting, touch-sensitive pads. But whereas previous hardware used USB for MIDI and high-resolution OSC (OpenSoundControl), the QuNexus adds Control Voltage for modular and vintage lovers, too. The QuNexus returns to Kickstarter for crowd-funding production, …

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Gameplay, With Your Ears: Meltdown Lets You Squash Monsters Using Binaural Sound

Meltdown – Gameplay from Varun Nair on Vimeo. Crack – that snapping wood might just be something about to eat you! There is likely some evolutionary need for human hearing to be good at localizing sound in space. Whatever the reason, human perception is exceptionally precise when it comes to working out the position from which a sound originates. Conventional stereo sound just doesn’t do much with it. Using binaural sound, by contrast, you can position sound more accurately. And then you can play a game with your ears instead of just your eyes. “Meltdown” applies that idea to gameplay, …

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Tactile Touch: Evo Keyboard to Marry Touch Expression, Conventional Keys

A new design launching this week should appeal to keyboardists who want both more expressive touch control and a keyboard – without sacrificing one or the other. Yes, yes, multi-touch on tablets does indeed give your fingers access to continuous control for added expression and pitch. But there’s a reason keyboards evolved keys: tangible feedback about where pitches are, and the ability to control dynamics with pressure (itself with additional mechanical tangible feedback) just isn’t matched by touchscreens. We’ll be looking on an ongoing basis at how you can take the flexibility of those touchscreens and match them with more …

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Tyrell, Web Community-Imagined Synth, Will Be a Real (Soft) Synth

Another gorgeous render by Stephan Gries. I could live in a virtual reality studio made by this guy. At the very least, Tyrell, the synthesizer dreamt up by readers of the website Amazona.de, will be realised in software form – and it might inspire a hardware module, too. That’s the word from Peter Grandl from Amazona, who writes: our project TYRELL will become reality. :-))) First as a Software Synthesizer, programmed by U-He (from the inventors of ZEBRA 2) and hopefully later as an analog hardware device. Urs Heckman (see picture) is working on a Synth-project called DIVA. One part …

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A Vacuum Tube Drum Machine: Eric Barbour, Metasonix at RobotSpeak

Drum machines with tubes: from Wurlitzer’s classic SideMan to a new prototype, drum machines can make tubes rock even harder. What happens when adept sonic inventor Eric Barbour of Metasonix makes a drum machine out of clever circuits and vacuum tubes? Well, in the creator’s words: “It makes noise … a lot of noise.”

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The Mobile Audio Workstation: Trinity Linux Hardware, Now with Free Ardour DAW

For mobile work, your choices have traditionally come down to one of two choices: either lug your laptop and audio interface, or get dedicated recording hardware with far fewer capabilities. We’ve been following the evolution of the Linux-powered Trinity mobile recorder for over a year now because we’re interested in what could happen between those two extremes. Prototype Trinity recorders initially failed to impress on the software side: the bundled software focused on Audacity 2.0, a fairly basic waveform editor. That already allows far more than what’s possible with dedicated hardware recorders, but maybe not quite enough to warrant leaving …

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