Fair Use, Public Domain, Creative Commons Explained in Videos, Tool
When is it legally permissible to sample and reuse content? What’s in the public domain? And what is this Creative Commons thing about?
These questions are perpetually important to anyone in digital media, but there have been a number of resources I’ve come across just in the last few days that may be friendly to those curious about these questions.
Fair Use
Seesmic, the video community, has started a discussion with LA-based entertainment lawyer Michael Donaldson about copyright and the oft-misunderstood Fair Use provisions of US copyright law.
Here’s a teaser video; follow through and the Seesmic community asks questions about what the law means:
Mr. Donaldson has also written up a PDF report on fair use and online video. While it’s video-based, it’s worth a look for musicians, as well.
Via wire to the ear
Public Domain
Public Domain covers works that can be used and distributed freely, without restriction. Lifehacker points (via Ars Technica) to an online tool created by the American Library Association:
http://librarycopyright.net/digitalslider/
Digital Sliderule Makes Copyright Law Dead Simple [Lifehacker.com]
Now, "dead simple" to me would be a wild exaageration — you’ll see that various amendments to US law have allowed all sorts of complex loopholes to keep works out of the public domain. But it does make things more visual — even if it requires that you know whether a copyright has been renewed. Notably, the early history of recorded music is rapidly approaching public domain — that is, assuming labels don’t successfully lobby the US Congress to provide new exceptions.
Those of you outside the US, of course, have different laws, though you are subject to US laws wherever you are, if you’re sampling works that have a copyright in the United States.
Confused by Fair Use (which seems to boil down to nearly nothing) and Public Domain (which seems only to cover really ancient work)? That’s the reason the Creative Commons organization has created their alternative licenses, for artists who want their work to be more freely accessible, or those who want to sample and remix works more freely.
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