In the midst of all this talk of intangible digital intellectual property and arcane licensing and Internet policy, there’s something comforting about thinking of music and art as something you make with your hands and give to someone. It was a discussion of that – even in the context of technology – that first led me to the discussion of “Handmade Music.” (Tip of the hat to my friend, Etsy’s Matt Stinchcomb, with whom this discussion has crossed the Atlantic from Brooklyn to Berlin.)

Via Cool Hunting, here’s an old-fashioned way of making a music object. The music is on vinyl; the book is carved into blocks and hand-printed. Any sense of nostalgia or twee hipness is instantly forgiven once you see the results: the book looks absolutely gorgeous. Kids will have to compete with their parents to get it.

Two stories in a single canvas-covered volume that reads from the outside covers inward, ending at the center. There, a two-song 70 gram 7″ vinyl inside a hand-cranked copper block printed sleeve.

Stories written, illustrated, carved, and printed by Micah Middaugh at Cavern Lantern Wonder Welding (Jordan River Valley, Mich.)

Songs by Breathe Owl Breathe

The story sounds wonderful, too. As CH’s James Thorne tells it:

“The Listeners” is a comic tale of the friendship between an ostrich and a mole who meet by chance one day in a hole. The mole with sightless eyes and the bird with flightless wings join to form a band called “The Listeners,” and perform together in an underground concert for their friends. “These Train Tracks” is a story of metamorphosis, in which a set of train tracks transforms into everything from a caterpillar to the night sky to a set of pajama buttons. Its mood is both whimsical and soothing, a perfect end to a child’s long day.

The Listeners / These Train Tracks: Music and animal hijinks come together in a handmade children’s book by Breathe Owl Breathe [Cool Hunting]

The music is available by Bandcamp, which you’ll see allows you to sell both a digital download and physical copies. Of course, you may want to do a trailer on YouTube to promote it, which means you’ll have to contend with giant lobbying groups and collection agencies trying to destroy the Interne– okay, that doesn’t make a very good bedtime story. Let’s get back to the ostrich and the mole. They’re more likable.

Have a listen to the music:

http://breatheowlbreathe.bandcamp.com/album/the-listeners-these-train-tracks

Cakewalk today did something quite unorthodox for the company: it launched a product on Facebook.

The results are what clearly aim to be a GarageBand killer for Windows users. Music Creator had always, quietly, been a big hit for Cakewalk: it’s cheap, entry-level software for the PC, which has the potential to reach a big audience of computer users. But the software itself was nothing to brag about, with a dated-looking interface.

Music Creator 5 looks stunningly different. The arrangement window has the familiar, GarageBand and ACID-style loop arrangement window. But there are additions you might expect in a bigger DAW: quick in-line access to track parameters, video preview frames at the top, elaborate time displays and editing tools. There’s also a sophisticated-looking mixing mode with graphical EQs and other options.

Cakewalk MusicCreator

There’s also quite a lot of instrumental and effects content for a $35 app. You get preset playback features – a bit like what you get in Kore Player, down to the pre-mapped 4-8 knobs and 4 trigger buttons – with 150 instruments. There’s the rather sophisticated Studio Instruments Drums for some acoustic and electronic drum parts, making it easier to actually program your own patterns rather than rely on loops.

Cakewalk also includes easy Flash-based music player creators, so you can share your finished tracks easily on the Web, and notation publishing features with tablature and guitar chord support.

In other words, you get the power of what might once have been a flagship Cakewalk DAW, for 35 bucks. (Windows-only) Some of the power options may actually be a bit intimidating to beginners – recently, I’ve heard that complaint even applied to the comparatively minimal GarageBand.

As far as value, though, there’s a whole lot in this box, and a nice balance between looping features and the sort of acoustic drums and notation and sharing features that could appeal to bands just starting to add a computer. I actually think the integrated interface in Steinberg’s rival Sequel is a bit more efficient and runs on the Mac, too, but there’s quite a lot of added-in functionality in Music Creator that makes it broader in scope, and some of that added power may be a deal-maker depending on your needs.

The toughest competition for this, I think, is the elegant and flexible REAPER, which also costs just 40 bucks for a non-commercial license. Cakewalk gives you a lot more in the box, but the host itself in REAPER is objectively more powerful and can actually stand up against high-end DAWs.

http://www.reaper.fm/

It’s too bad that there isn’t an entry level app out there that doesn’t fit in the ACID/GarageBand mold, but I can’t really argue with the price.

But I want to hear from you – beginners out there, what do you think? (Not a beginner yourself? Go grab some of your Facebook friends and ask them.)

On-demand isn’t as fast as a retail outlet with a book in stock, but they’re getting faster. Lulu can turn around our new CDM Winter 2008 guide in time for Christmas Eve. If you order by tomorrow, you’ll get the book custom-printed, bound (in a lovely, publisher-style) “Perfect Binding”, and shipped by 12/24:

Order deadline: Saturday 12/13 (note: US East Coast time)

US: Choose US Postal Priority, FedEx Ground

Canada, Latin America, European Union, United Kingdom, Australia, rest of the world: Choose standard shipping

(faster shipping options are available, too)

Print Edition + Free PDF Download @ Lulu.com

And, of course, you get a DRM-free, Creative Commons-licensed PDF with your order, free. (For people charging for ebooks, I’m hoping Lulu adds the option to sell the bundle; CDM of course is giving away our PDF.)

This is just a first experiment for us, but I’m interested not only for CDM and Lulu but what this sort of thing means for content makers in general. (You’ll see a lot of self-published sheet music on Lulu, for instance.) It could make new things possible in publishing.

I’ve rush-ordered my print copy; I’ll take some photos when it gets here.

Also, we’ve just gotten a volunteer for a Spanish-language edition. (Imponente!)

Priority Mail Photo (CC) Harold Neal.