For years, the criticism of laptops has been about their displays – blue light on your face and that sense that a performer is checking email. But what if the problem isn’t the display, but the location of the display? Because being able to output video to your hardware, while you turn knobs and hit pads, could prove pretty darned useful.
Isotonik’s £22 PrEditor is the powerful mapping functionality Ableton forgot. It lets you customize the mappings of a variety of controllers to your music software, opening up custom controller arrangements and tailored interactions to support the way you play. And the latest version does still more. Hackers and patchers will love this – whatever tool they use. If you use Reaktor, that environment is available – doubly useful now because of Reaktor’s beautiful Blocks modular environment. (There are quite a few things I prefer in Reaktor, so being able to map its controls to my Push means I may completely …
It’s about time to solve this power problem on music gear once and for all. Here’s the thing: USB has quietly simplified powering everything else. Look at your phone. Now, a USB cable not only means you can charge from your laptop, but also various travel adapters – and, crucially, from battery power. With mobile batteries getting steadily better, that’s huge. You can just pack a battery and not worry about finding a wall socket, for hours or (with high capacities) even days. And those batteries are getting better as products, too – you can buy some nice looking, nicely …
This one’s too good to wait. Gustavo Bravetti, the Uruguay-born producer and DJ, is already something of a maximalist. He’s the sort of person who can rock alternative controllers live on a mainstage in front of massive festival crowds – the powerful counter-example to the notion that such high-pressure gigs have to be press-play. And now, he’s been hard at work on a powerful tool for expanding the possibilities of performance on Elektron’s hardware, all using Push for control. I could ramble on, but the best way to follow this is to watch the extensive tutorial video he’s just posted:
Techno is a thread in Europe that can bring people together, and be a lingua franca. That phenomenon can earn detractors and champions alike; the common currency threatens to devolve into sameness. But one thing I’ve found looking beyond centers like Berlin: there’s extraordinary talent on the horizon, answering to the beacon capital techno cities. If techno is giving people musical commonality, it’s also encouraging people to push their music such that they can extend beyond a hometown or home residency.
By letting you get creative with audio, Ableton’s Simpler and slicing workflows have always opened up musical possibilities, and they got a lot more powerful in Live 9.5. But it could do even more. Developer Mark Egloff has released four clever Max for Live patches that let you slice without Push, chop in new ways, and more.
There may be an Ableton logo splashed on it and integration designed specifically for Live. But one of the nice things about Ableton’s Push and Push 2 hardware are that, at their core, they’re open. Everything sends and receives standard MIDI messages. As we’ve seen, even the display is hackable. And that is admirable not only from an engineering standpoint, but because it means the hardware you invest in has a life beyond just specific drivers and software updates. Now, that extends even to rival software Bitwig Studio – which means you can even use a Push 2 on Linux.
Yesterday’s Push 2 review covered what Ableton is bringing to users via new hardware. But what does that mean if you have the original Push – or no Push at all?
The new Ableton Push is here. From a distance, it looks like the same rectangular grid with some color screens. But using it person is an entirely different experience. We’ve gotten to spend an extended time with the new Push, so we can let you know what that’s like. Here’s the simplest way to put it: Ableton has kept the same basic layout and form factor of the original, yet somehow made every single detail better. From hardware refinement to software integration and functionality, everything feels like 2.0. Ableton repeated that they’ve completely re-engineered Push themselves. But even if they …
You’ve watched in awe as artists dazzle on hardware like Ableton Push, Maschine, and the MPC. But maybe your fingers just haven’t been as nimble, haven’t been as quick. Now, that might change. In a love child of Guitar Hero and a drum lesson, Melodics is here to save your pad-drumming chops.