battles

Watch Battles Reflect on Loops, Ableton in a Live Band Setting

On some deeper level, maybe it doesn’t matter how something repeats – whether it’s looped in a pedal, looped in software, or simply repeated by a human player, for instance. On another level, given just how much repetition matters to music, maybe that’s why we care so much about how it’s accomplished. Ableton this week released a visit to New York’s experimental rock trio Battles, in a film and interview under the header “The Art of Repetition.” There, we get to learn more about the process behind Battles’ dense, hypnotic sound. The film is a bit long, but there are …

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screenshot_49

These Tools Plus Live 9.2 Could Change How You DJ and Play Live

Ableton Live can be a fantastic tool for playing live, for improvisation, and for studio work. But while some people put together very effective DJ sets, it doesn’t always stack up to other software out there in terms of satisfying certain significant DJ techniques. And that’s too bad. Because if your DJ aspirations include lots of creative juggling of beats, Ableton Live would seem perfect. The DJ Collection from Isotonik Studios – the advanced Max for Live hackers who have been releasing a dizzying array of tools for customizing how Live works – provides some of the tools advanced DJs …

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zachpush

Mad Zach Has Tips on Finger Drumming, Production, and His Free Live Pack

All those pads – it took virtuoso finger drummer Mad Zach to take advantage of them. Mad Zach’s five free Drum Racks accompany today’s release of Ableton Live 9.2. Since he, frankly, makes most of us look bad with his agile use of the Push hardware, I wanted CDM to talk to him more about what he’s doing. He joins us to share some tips for live performance, production, DJing, and more. 64 Pad Lab by Mad Zach

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live92

Free Live 9.2 Arrives; Here’s What’s New – Including Powerful API Changes

A free update to Ableton Live, version 9.2, is now available and out of beta. We covered this in some detail before: Live 9.2 Answers Your Warp, Automation, Tuner, and Pad Wishes Hands on with the Ableton Live 9.2 Tuner [Video] But today, in addition to the release, we get a closer look at the free Mad Zach sample pack included to help you exploit all 64 pads of Ableton’s Push hardware — plus some insider details on changes to the Live API that will impact power users and add-ons for Live. First, let’s review what 9.2 adds. It’s some …

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landostunts

Lando’s New EP Is Giving Drum Machines Their Soul Back

Writing about music feels stupid sometimes, even to me. It’s a cop-out to say that, but it’s true. So I hope you first hit play; the magic of music journalism today is that you can actually hear the music (something that I don’t miss about print is its inability to do that). And yet… I am somewhat obligated here to announce Lando’s new “Stunts” EP, due July 20, and tell you details like the fact that it’s on the Ultramajic label run by Jimmy Edgar. Jimmy and Lando, aka Antaeus “Lando” Roy, are each in-again-out-on-the-road-again artists through Berlin but also …

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Live 9.2 Answers Your Warp, Automation, Tuner, and Pad Wishes

It’s nice to get what you ask for. More than any recent release I can recall, Ableton Live 9.2 feels like it’s ticking off a task list of user requests. The software enters (a very stable, in my experience) public beta this week. There’s nothing earth-shaking, but I know CDM has enough Ableton users that this will matter. To get there, though, be forewarned: Ableton is dropping support for some older Mac and Windows operating systems. (10.6 and earlier / Vista and earlier, respectively.) If you make the cut, though, you’ll likely find some welcome changes in this free update …

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Paula Temple. Photo: Julia Gunther.

A Pounding Free Download, A New Label, and Lots of Other Reasons to Love Paula Temple

For me, one of the best things about 2014 was, simply, Paula Temple. The artist, on R&S Records, consistently demonstrates that you can combine a dedication to heavy, left-field but traditional techno with an expansive appetite for experimentation. And then there are her signature, over-the-top-in-a-good way bass detonations. Her DJ sets were each highlights – check out the GoĆ»te Mes Mix below, heavily featuring her regular collaborations Dadub, Eomac, and Lakker (the latter whom I got to join Friday in Amsterdam, lovely lads). And then there was her audiovisual show with Jem the Misfit, a shining beacon at this year’s …

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Get Your Ableton Grids in Order, Free, with Launchsync

In live electronic music, the endless free expanse of the computer screen tends to run up against the limited ability of your brain to tell just which freakin’ track am I on, anyway? In the studio, it can be annoying. Live onstage, it can be train wreck-inducing. Ableton Live’s Session View has for years exacerbated this problem. You can limit your options to eight (or even four) tracks. But that doesn’t always work. You might need more than eight tracks for particular routings of audio or MIDI. And unless you use Device Racks and chains, you’ll also need extra tracks …

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meeblippush

Learn to Jam with Just One Synth Voice: MeeBlip + Ableton Push vs. Gustavo Bravetti [Video]

Ableton Live and Ableton Push afford new ways of working, allowing you to put loads of parameters beneath your fingertips. Of course, the means of doing that may not be immediately obvious, behind the dance between grid, encoders, and automation envelopes. Leave it to Montevideo-born, virtuoso dance music maestro Gustavo Bravetti to show us how it’s done. Gustavo pairs the MeeBlip SE, the enhanced “digital freak” original version of our synth, with Live and Push. To connect the hardware with automation of the external synth, he uses a Max for Live patch for the MeeBlip (which you’re free to download …

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This Virtuoso Ableton Push Performance Comes Full of Tips for Controllerists

Jesse Abayomi, Ableton Product Specialist, is one heck of a virtuoso Push player. And you can learn something from him, too. Performance technology doesn’t always add to performance, it’s true. But when the machine and human are in sync, it’s beautiful. People can develop their musical chops and machine control chops at once – improve on their musical practice and technique. And when that happens, the quality of performances actually gets better. I’ve seen a funny thing as Push has crept into performances. Just as with the spread of custom controllers in the past, access to more playing technique has …

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