How MIDI Works on the Linnstrument, or “Sometimes 14 Bits is Enough”

“How can an instrument be truly expressive if it only supports MIDI?” This seemed to be a frequently-asked question in our coverage of the upcoming Roger Linn Linnstrument. While OSC certainly has its merits, however, it is possible to get higher-resolution data via MIDI. You’re likely most familiar with MIDI’s standard 0-127 values, or the 7-bit data, as used in simple Control Change messages. A 14-bit message, by contrast, gives you over 16,000 levels of resolution – most for most tasks. The way the Linnstrument works is to send that higher-resolution data for pitch, via standard pitch bend messages. And …

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Reason 7’s New Tools for Slicing, Stretching, Retiming Audio: Q&A, Tutorial Vid

Far beyond the simple sampling that first appeared in hardware, slicing, re-timing, and stretching audio keeps getting more sophisticated, manipulating recorded sound in musical ways. But a lot of the popularity of this technique traces back to Propellerhead and their ReCycle tool. By bringing together smart digital slicing with its REX file format for loops, ReCycle helped launch the looping craze in software. REX support has always been part of Reason, since the start. But the way sound works in Reason has gradually evolved, particularly as Swedish developers Propellerhead made Reason into less of a rack of synths and more …

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When Reason Met MIDI Out: How MIDI, Virtual CV Work in the New Reason 7 [Pictures, Details]

It’s been a long time coming, to say the least. But you can be sure that even when Propellerhead do something as basic as MIDI output, they’ll do it in, well, a Reason way. So, it was intriguing to hear Reason was adding MIDI out precisely because in Reason it’s integrated with virtual patch cords and connections that make it work differently than in other hosts. And that means we wanted details. Propellerhead’s Leo Nathorst-Böös answers some of our questions, as CDM awaits the beta version. Most helpfully, we have some new images, so you can see better what’s going …

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Hands-on with Korg MS-20 Mini: Exclusive Review, Q&A, Images, Video

Even as technology rolls forward, sometimes the old is more cherished than the new. Perhaps this should come as no surprise in music. Musical relationships span many years – the records you love, the hours you spend practicing and producing. And so it is that we’ve heard a common refrain from electronic musicians: with many makers of the 70s and 80s still producing today, why not re-release the classics? Korg has done just that with the MS-20 mini, in a way many rivals have not. Due soon for $599 in the USA and elsewhere in the world thereafter, it’s also …

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Looping Technique: New BOSS, VOX Loopers Will Do One-Shots

So, you’re the fastest one-shot sampler in the West, huh? We’ve got good news for you, then – you can now proceed to spend money on new gear. Photo (CC-BY) William Clifford. What was the most-asked question around new music tech announcements earlier this month, coinciding with the industry’s NAMM trade show? Was it, “What’s the best accessory for my iPad?” Was it, “what was the game changer for music workstations?” Nope – not among CDM readers, anyway. It was, “can I do one-shot samples with the new loopers? A one-shot sample – for those of you thinking of True …

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WMC: Moby Q&A Session at the Wyndham ‘Hotel’

In support of his new CD, "Hotel", Moby gave an exclusive Q&A session for Winter Music Conference attendees. From his new album and musical tour, to his appearance on NBC's The Apprentice, Moby has been all over the place and in the musical limelight. It was a great opportunity to see Moby up close and personal (there were about 100 people there). Moby "loves questions," and fielded quite a few from the audience. He related his philosophies about music that "the act of making music is precious" going on to say that "if you make music you are proud of, …

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