Mac switchers from Windows, you know why this one matters. Bome MIDI Translator is one of Windows’ most essential utilities, with powerful tools for converting MIDI messages and keystrokes. I know folks (like the awesomely-talented beatboxer Kid Beyond) who sorely missed the tool after switching to the Mac. Happily, it’s on its way. The beta requires an invite, and expires in July, and some important features are missing in this build. But there’s no question this is good news for Mac users:
MIDI Translator on Mac OS X

Be sure to post bug reports and forum posts over there, but we’re curious to know how it works here, as well. (Now, Linux, Bome?)

I know what you’re thinking. Plenty of music applications already have QWERTY input so you can play soft synths with your computer keyboard. Ableton Live does it by default; Logic and GarageBand have the Caps Lock keyboard. Why would you want a dedicated utility?

I thought the same until I saw Tanager AudioWorks’ Mac and Windows utility “Chirp” on Gearwire. The difference here is features, covering the full range of possible MIDI messages:

Bill Van Loo writes to tell us about a QWERTY keyboard that started its life as stock Apple hardware and wound up a custom-configured, custom-painted controller for Ableton Live:

I just finished reworking an old USB QWERTY keyboard to serve as a custom keyboard for controlling Ableton Live, and thought you might like a look. The whole thing is well-documented with photos and comments at my Flickr site:

flickr set: Custom keyboard for Ableton Live

The basic idea: instead of buying an expensive controller to expand my tactile control of Ableton Live (or building something custom with MIDI controllers), I decided to use an old USB QWERTY keyboard and custom-paint it to enhance its use as a live performance device.

The big idea behind the keyboard is that the humble QWERTY keyboard offers a ton of control possibilities, thanks to the flexible keymapping capabilities of Ableton Live. I’ve been using the built-in keyboard on my Powerbook for a while now to trigger clips in performance, but it’s tough for a couple reasons. First, it looks like you’re writing e-mail during a show, and that’s kinda boring. Second, all the keys look the same (minus the markings, of course) – there’s not much that lets you navigate easily in low-light conditions and in the heat of the moment on stage.

You can see a full write-up here:

custom USB QWERTY keyboard for Ableton Live [Ableton forum]

Great work, Bill! There are some particularly handy tips in the forum post about painting plastic — good stuff to know. Bill promises next-up he’ll have a custom-painted 16-fader MIDI controller.

I think we’re going to need a regular Pimp my Studio. I want some undercarriage light effects on my Roland SH-201.

The quest to reinvent the piano-style keyboard continues. Inventors have updated two efforts to design button-covered instruments with alternative pitch layouts. Is this a musical revolution — or just an attempt to play faster scales with less practice that will result in repetitive stress injuries?