Beautiful New Music from tehn, the Maker of the monome [Interview]

Brian Crabtree, alongside partner Kelli Cain, nicely exemplifies a lot of this site’s raison d’ĂȘtre over the the past ten years. Artmaker and toolmaker are indistinct roles; they’re both flipsides of the act of making. The monome, the invention for which Brian is best known, is at first blush nothing more than a box of buttons. It’s even lifeless until connected to a computer. But in its design is a statement that draws a thread from the design of tools to the design of music. Ideas about compositional technique are embodied in the software; notions of aesthetics are evident in …

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Expressive Soundplane Touch Instrument: Decibel Video, Preorder, Tour, Images

Touch on devices like the iPad is functional, but limited in its expression – there’s no pressure or tactile feedback. That’s why we’ve enthusiastically followed Randy Jones’ “continuous capacitive sensing” technology on the Soundplane for some time. Sensing pressure, it behaves more like an acoustic instrument might – that is, if such an acoustic instrument were possible beyond the imagination of the digital realm. As advertised, it “transmits x, y and pressure data for every key continuously at 12 bits of resolution and about 1000 samples per second, letting players move beyond the ADSR envelope model of synthesis and articulate …

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Plug-in Watch: New Urs Updates and Videos, Images, and an Aalto Update

From the wonderful world of plug-ins, we’ve got some good news for soft synth lovers. I covered the forthcoming Z3TA+ 2 release from Cakewalk last week, and a number of readers pointed to the brilliant work of Urs Heckmann. As it happens, Urs has a number of updates releasing this week, adding 64-bit support, compatibility fixes, and new tutorial videos. Check out the mapping generator and “tap map” LFOs for one terrific example in ACE (the modular Any Cable Everywhere). New features in the ACE modular and More Feedback Machine delay/multi-effect:

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3D Touch Linnstrument, an Update: New Features for Roger Linn’s 3D Note Expression Controller

The latest iteration; image courtesy Roger Linn Designs. Moving beyond touching a screen as two-dimensional plane, Roger Linn’s concept music controller, the Linnstrument, adds tactile response and expression. Roger calls it “3D Note Expression,” but in lay terms, it means pushing harder on the controller makes it respond differently, as you’d expect from a physical instrument. Roger this week posts an update on how his development is going and what he imagines – good timing, as this week we also saw another design on the same lines, the Soundplane. The sensing methods are different, enough so that I can easily …

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