blurredlines

Robin Thicke Judgment: The Day Copyright Law Died, Again [Opinion]

You may not like the song “Blurred Lines” much. But if you find that tune grating, you may find the inability of US copyright law to differentiate degrees of copying even more painful. Here’s the latest strangeness. When we last joined the American courts finding extreme interpretations of copyright, an appeals court decided to blow away the de minimis doctrine for sampling. That’s “de minimis” (Latin), as in “size matters not” (um… Yoda). The idea was, there was no need to measure the significance or size of a sample in the N.W.A. song “100 Miles and Runnin’.” The court helpfully …

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This has never ever happened before with Apple. Well, except all those times it happened before. Photo (CC-BY) Marcin Wichary.

Why MacBook Pro Users Need Not Worry About the New MacBook

If you’re a music maker, a DJ, or anyone working with creative audio and video, you care about connectivity so you can do your job – rightfully so. So, if that has you freaked out by the strange “all-new MacBook,” let me the first person to tell you: relax. You don’t want it, but you don’t have to lose sleep over it. It seems Apple yesterday introduced a new product tier. Apple has done that before, creating different categories for their computers to serve different markets. (It’s what has turned them into a hugely profitable company.) You may still prefer …

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arpodyssey

This Crazy Polish Video Sums Up Why We Want a KORG ARP Odyssey

Analog synthesizers are superior because of their pristine, high-fidelit — Oh, f*** it, who are we kidding? We want to wail on an ARP Odyssey with ridiculous modulation that turns it into a groovy, angry space alien, and then film it on VHS interspersed with some car chase, just because. Someone in Krakow, Poland agrees, and the video above is what happened. I’m going to defend the ARP Odyssey remake. Reader reactions clearly show this is a favorite. And the video reveals why: the Odyssey captures some of the ridiculously, wonderfully diverse noises of the ARP 2600 in a keyboard. …

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synergy

This Movie Clip Sums Up the SFX-Beatport Vision of the Future of Dance Music

Synergy. That’s the direction you can expect from Beatport and SFX Entertainment. And the speech above from the film In Good Company more or less fits. (The plot of that 2004 movie even includes an acquisition by a conglomerate.) Basically, SFX may have solved the problem of how to make money in the streaming business – by making its money elsewhere. Or, it seems that’s the plan. Here’s the problem: music streaming has razor-thin margins versus sales. The artists and labels eek out fairly small bits of change, generally. They can blame the streaming services, but with those services having …

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People Will Come: There’s Already a Free Sample Editor for volca sample

Getting “open” still scares many music manufacturers. Maybe they should double-check those fears. See, if you add simple jacks (MIDI, audio), if you add driver-less operation (via USB and the like), let alone if you design simple APIs or create open source interfaces, you open the door to people making things that work with your creation, for free. They have to want to be there – but we make music. We love music gadgets. If your gadget is worth using in the first place, it’s worth opening up to other things. You know. “If you build it … people will …

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keezyiphone

Simple Isn’t Easy: Keezy Drummer is Easy, Free, and – Maybe Too Minimal [iPhone]

Introducing Keezy Drummer from Elepath, Inc. on Vimeo. Here is a plot line we’ve heard before: Musical interfaces are complicated. That makes them unfriendly to beginners. They give you options you don’t need. (So far, no argument.) The solution, of course, is some new product. Each time we hear this plot line, someone talks about it like they’ve discovered it for the first time. This time, it’s Keezy Drummer, a new, simple drum machine app. You can hear them talking to The Verge about why this will change music technology, and why apparently in several decades of drum machines, they’re …

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Massive Traktor Kontrol S8 Controller is Here – Now Who’s it For?

The Kontrol S8 is now standards bearer for Native Instruments’ DJ line. It’s such big news, you might hear about it outside the world of DJ tech followers. You’ve likely seen it already – this may be the most-leaked, most-teased DJ product in history. But now that it’s fully revealed, the S8 is almost certain to fan the flames of an ongoing debate: Just what is digital DJing, anyway? First, we can at least work out what the S8 is. It’s an audio mixer with control surfaces on both sides. It’s hardware made specifically to sell software (or the other …

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Apple’s One-Click Link to Remove Unwanted U2 from iTunes Marks a Textbook Marketing Fail

Execution is everything. Musical tastes are personal. And it seems that force-feeding people a new album from U2, unsolicited, doesn’t go over well. Apple giving away U2’s new Songs of Innocence is in itself not a bad thing. But there are two problems. One, the album is poorly reviewed – think Paul McCartney “Wonderful Christmastime” rather than Abbey Road. Two, because the album simply appeared in purchased music – and because iTunes (cleverly enough) displays what you’ve purchased from iCloud – it showed up in people’s collections when it didn’t belong. So, we’ve learned something. This doesn’t work. And as …

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discoipod

The iPod is Dead; Now Stop Being So Weepy and Start Looking at the Future

It happened just as Apple was giving us one thing many of us couldn’t imagine wanting (a watch), and one thing we definitely didn’t ask for (“buying” U2’s new record for us). Apple quietly killed the iPod Classic. That is, the iPod touch lives on as an iOS handheld minus a cellular radio, and there’s an app on iOS. But there is no standalone device, with the as-expected discontinuation of iPod Classic. Correction: there is one. The US$49, 2GB iPod shuffle is still available. But it’s a pale shadow of the iPod line. This is a big deal. It means …

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Watch Elektron and Roland AIRA Sing, Live: Dark, Dubby Techno by Phelios [Video, Listen]

There was a time when “live” or live PA meant “I’ve hauled a bunch of gear to this gig and made a mess of cables and I’m going to improvise live for you.” Now, too often, it means “I’m going to DJ with Ableton Live instead of Traktor or CDJs.” Don’t get me wrong. It’s not so much about a laptop or hardware. But there is a spectrum – a useful spectrum, applicable to different artists at different times. And if you really want “live,” you want an artist who constructs music before your eyes out of building blocks. Electronic …

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