Being expressive and productive creatively is all about finding a workflow that fits you. Form factor is part of that, because location matters. (I discovered this when trying unsuccessfully to operate my MacBook on a bus to Boston this week that wouldn’t accommodate my knees. Mobile devices suddenly had more appeal.) Naturally, not everyone has the same needs or interests. So today, we have some survey data on how readers feel about mobile tech, as well as an update to the iPhone/iPod touch Beatmaker app that could have a big impact on how you use that device in conjunction with your primary laptop or desktop computer.

This site has always been about making music with computers and digital technology. Today, we increasingly have access to powerful computers in mobile form factors. But, despite the simple fact that all of these are ultimately computers, I’ve quickly learned that mobile music production is a divisive issue. Some of you are as passionate about hating mobile tech as others of you are about loving it, perhaps propelled by a strong uptick of iPhone hype and accompanying resentment. Don’t worry — I won’t be swayed too much by either group; I’m committed to computers in all forms, tiny and large, and accompanying digital synths. And analog synths. And, really, anything that makes sound.

That said, the survey results we did on mobile tech are very interesting. Story topics for CDM aren’t a popularity contest, but your responses do reveal a lot. (The best reading turns out to be the write-in portion.)

First up, here’s a look at what mobile platforms people own. I expect the survey is somewhat self-selecting (some of you in the “none of the above” category likely didn’t respond), but note how the game platforms dominate.

That’s platforms you already own. But which are you interested in reading about? The margin on each device increases significantly. (Sony’s PSP doubles; Linux triples.) So that demonstrates that people are interested in learning about the larger landscape, and may be basing future purchase decisions on what’s available for music creation. (It also appeared that stronger support for PSP and Linux came from Europe than North America, possibly in part due to painfully-inflated costs for iPod touch and iPhone in that market.)

Zany Write-In Response

Okay, enough demographics. The best part of doing the poll was getting your write-in responses.
Google’s Android platform unsurprisingly got a number of write-in votes; GP2X got fewer, but I expect people just (rightfully) answered “Linux.” We did get some interesting responses, though:

Mobile device suggestions:

• Boss Micro BR
• Buddha Machine
• Graphing calculators (careful; with the readers here, you might get your wish
• Korg Kaossilator
• MPC 500
• Psion organizers
• “steam powered”
• Yamaha QY100
• Speak and Spell
• PlayStation 1 (that’s mobile?)
• Nokia N-gage (but now I know you’re joking)

And then there was the hater/lover argument:
“PLEASE GIVE THE IPHONE A REST! BORING YUPPIE TOY. soz for capitals.”
“Not all of us have tiny little girlie fingers!!!” (ouch!)
“The above statement should be “I really couldn’t care less.” As it happens, I am interested in all of them, so I really could care less.”
“mobile audio coverage is getting ridiculous”
“Just keep it to a minimum, guys =)” (Well, it is by definition miniature, right?)
“more iphone!!!! screw the haters”
“Everything. If there’s something new and interesting done with a C64, it could be worth going out to buy a setup.”
“every - f***ing - thing !”

First and foremost, thank you. In just over three years of CDM — and roughly five thousand stories on Create Digital Music and Create Digital Motion — you have blown me away. You’ve shared countless news tips, ideas, discussion, projects, art and music, and helped create a unique spot on the Web. That success allows us to deliver hundreds of thousands of views each month, and more importantly, has helped CDM be recognized beyond even musicians and visualists as a leading resource for creative technology. That’s really your success: the ideas you’ve given us, and your work in spreading this stuff to everyone else.

Three years is often the point where people experience some fatigue, but we’re feeling quite the opposite. We want to do more than we’ve done in the past. But we need your help.

CDM Costs, and a New Ad Policy

Running CDM costs money. At the beginning of 2007, after a horrible period of site outages that nearly caused me to shut down CDM permanently, we made the move to a dedicated server, because in hosting, you tend to get what you pay for. That server, bandwidth, and other direct costs of the site have cost me thousands of dollars — nearly all of which I’ve paid out of pocket. More importantly, CDM requires an enormous investment of time, much of it behind the scenes administering the site — and to do what we want to do on CDM, it’s going to take more time.

We are tuning our advertising and affiliate models, and we have some other income ideas we’re developing. But we also know we want our ad model to be different, because it needs to fit CDM. We’ve decided that, beyond Google Ads, any direct ads we take on CDM will be considered an endorsement. That means we need to believe in — and personally use — anything we advertise. We want to remain content-driven rather than ad-driven. If you think you would like to partner with us, do contact us, as we have some affordable schemes for providing ads that are useful to readers — just be aware we do things a little differently. We are serious about advertising — but we’re serious about keeping it in the spirit of the site, as we move forward.

And doing things differently means we can’t continue to survive without some reader support.

Real Reader-Supported Content

I want to do better than simply asking for your support, though. I want to make a promise: support CDM, and we’ll turn that support into content. We want to do more on CDM than we’ve done in the past. We want 2008 to be a breakthrough year for the site, and we’ve got a lot of ideas. We will absolutely make it clear that CDM is publishing some reader-supported stories, and we’d love to hear what you’d like that to be. Got ideas for the kind of videos or articles you’d want to see? Let us know in comments here, or on the CDM Forums.

Donating just a few dollars will make a difference.

I also have ten copies of my book Real World Digital Audio, a near-600-page guide to making music on computers, which I can ship to the first ten people to donate over US$50 (which is actually the book’s list price). If you want the book, don’t forget your address and specify an amount of $50.00 or greater.

I know a lot of you are on a tight budget as we are. But we really do appreciate your support — and with your help, CDM can be an even better free online resource in the future.

Pay what you can, pay what you want. Thanks for your support, and thanks for reading.

Happy New Year’s, everyone. It’s been a lazy, rainy day here in New York opening up 2007, but I’m contentedly looking forward to what for me, at least, promises to be a good year for making music. Sure, forming New Year’s Resolutions is a pretty arbitrary activity, but I say any excuse that lets you add to your resolve is a good one. Here are a few resolutions that come to mind:

1. Play out more: I’ve been in a cycle, personally, of going back to develop material and ideas and get out of the playing-out mode, and I’m ready to cycle back and go play some more. How about you?
2. Practice: It’s all too easy as an electronic musician to let your chops go to slush. Fortunately, I have the staff of Keyboard Magazine to intimidate me, and the fact that they’re such brilliant players is easily enough to drive me back to running some scales and finger exercises and getting back in shape. For added inspiration, you can fire up GarageBand or another easy looping program to build some interactive accompaniments (or go to the old-fashioned method and put on a Jamey Aebersold CD). Trust me: scales are a lot more fun when there’s a rhythm section behind you, even as a classically-trained player.
3. Build some software patches: I’ve been spending time teaching tools like Max/MSP and haven’t gotten to build my own performance patches. Fortunately, it’s possible to keep your projects on a manageable scale, something I’ve learned from my students. Find a simple solution and solve that is usually the advice I give, and now I’ll go take it myself. With tools like Ableton Live, you don’t have to reinvent the wheel when it comes to performance: it’s easy enough to add custom tools built in Reaktor or Max/MSP to Live.

I’ll be checking my own progress against some of these goals. But I’m curious what our readers have as resolutions for 2007. What are your goals for the year?

There are lots of fantastic music tools out there, but some of them just inspire love and envy, and the Moog Little Phatty certainly fits the bill. Via Matrixsynth, Melbourne Sydney-based composer / music maven Sofie Loizou has posted her unboxing ceremony and first impressions of the Moog synth. (At this point, I would normally post the various links to coverage at Keyboard Magazine, but the Good Ship Keyboard’s site seems to be down.)

Sofie writes:

This bundle of joy came this afternoon and I couldn’t help but take a few happy snaps to celebrate its arrival. My initial comments are “yay� and “woohoo.� It looks and feels solid, great key action (no skimping on key size depth), it has pink and blue buttons (extremely important) and rotary LED knobs. The layout is simple and easy to use, and its controls are chosen to emphasise its role as a chunky sounding monophonic synth. And above all it sounds like a moog. My thirst for tangible analogue aesthetic has been quenched. Every girl should have one. ;)

Velocipede, our friend and inside man in Takarazuka, Japan, has been writing up a storm on the CDM forums, from providing hands-on impressions of Roland’s hand percussion pad to reporting back from Tokyo’s Music Instrument Festival.

The HPD-10 hand percussion controller by Roland could be a terrific controller for synths and clips, from its traditional purpose (drums) to lots of other applications:

My main interest in getting the unit, though, is as a midi control over softsynths. Its 10 pads can be freely assigned to any note numbers on a per kit basis (64 kits can be saved in the unit). So far, I’ve set up different kits for Live’s Impulse, Reason’s Redrum and an Alesis Micron Setup that I have dedicated for drum sounds.

Check out velocipede’s full review:
Handsonic 10 (HPD-10) [Create Digital Noise]

The news from Tokyo’s Music Instrument Festival is mostly what’s going away as what’s new: Alesis selling off the last stock of Ions in Japan, and Roland discontinuing their cult favorite AX-7 strap-on keyboard controller. Fortunately, velocipede dug up two gems. Vestax’s Guber line has some far-out hardware like this crazy-looking turntable:

And from the non-electronic end of the spectrum, the Xaphoon is an original hybrid instrument that packs sax-like sounds in a recorder body; velocipede assures us that it sounds far better than its toy-like looks suggest:

Music Instrument Festival in Tokyo [Create Digital Noise]
Vestax Guber players [Japanese only]
Xaphoon instruments product page

Reader Nat Slater, aka 601 (see band page and hear some tunes on his MySpace page) responds to our ongoing racked-PC rig series with tips from building his own rig:

Love the blog; thought I would chip in on the current run of articles about rackmounting PCs. I have just done the same thing after many weeks of research. Like most people looking at this, my budget cannot stretch to a laptop at the moment, so rackmounting my current PC ([AMD] Operton 165) seemed like a cheaper idea. I also needed to mount up my mixer as the idea is to live live with my band and be able to mix vocals/instruments through the computer as well as turntables, etc.

As I continue this Reasonable Friday, here’s a reader report on how to use Propellerhead Reason live in performance. He’s making use of the terrific Windows-only MIDI tool Peter Tools LiveSet — more on that in an upcoming story. And he’s taking his one-man band to an environmental-activist music festival outside Sydney in gorgeous environs (pictured).

Stevo writes us:

I have been working on organising Reason for use in a live situation . . . I am a solo artist producing entirely on a laptop. I have a controller keyboard, a [Behringer] BCF2000 controller that is locked to the main mixer, a Korg Kaoss 2 pad, and a copy of Peter Tools LiveSet. I am a loop-based type of artist, meaning I like to mess with ideas as loops and rarely program a song from begin to end, as this ends up doing my head in . . .

I love it when CDM readers win major accolades. So it is with Cris “Atariboy” Pearson of plasq, who’s just scored the prestigious Apple Design Award for Best New Product for OS X at the WWDC conference. The winning app, the brilliant comic creation tool Comic Life got mentioned here on CDM just about before anyone knew about it. Congrats, Atariboy!

Of course, as this is a music site and all, we’re still partial to the very-cool, very-free, very-Mac-only sampling instrument Musolomo, which just got a lovely Sound on Sound review. But that doesn’t mean we can’t send kudos to Cris, and that I’m still not holding out hope that someone will create a digital music-themed comic using this tool. If it helps motivate you, I could point out that the Packrat strip featured on Music Thing got picked up by Keyboard. I’m waiting.