Reaktor - and any Reaktor Player instrument/effect - meets easier hands-on control. iPad, no brainer. Images courtesy Native Instruments, for createdigitalmusic.

Reaktor 5.8, with OSC: Now, Easily Control Reaktor-Built Sound Creations with Touch – Even in Play Mode

With any instrument, getting your hands on the sounds is essential. Reaktor is a platform for all kinds of strange and wonderful instruments and sound makers. It’s been that for Reaktor DIYers in particular, but it also powers a variety of creations used by Komplete owners and built in Reaktor Player. Today’s update to Reaktor 5.8 might easily fly under the radar. But make no mistake: improving control capabilities is potentially huge, because it makes it easier to make sound hands-on. Adding a few cool new ensembles, for instance, is nice. Being able to control Reaktor creations more easily is …

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Native Instruments’ Razor Synth: Dubstep to Ambience, Free Tutorial and Loops

Native Instruments has a new synth based on the Reaktor engine, and it’s one about which to be genuinely excited. Taking additive synthesis to a new conceptual level, it works with the concept of per-partial control but adds functions like wavetables, enveloping, and effects to each partial individually. The result is a synth that gets sonically surprising in a hurry, and it represents the sort of multi-dimensional thinking I hope catches on in synthesis. In a step forward for Reaktor, this synth doesn’t just sound different – it looks different, too. Whereas incredible sonic creations have been hidden too often …

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Tim Exile’s “The Mouth,” Reaktor-Built Creation for Your Voice

Tim Exile is a mad, Reaktor-patching genius. What I love about his instruments is the emphasis on performance. THE FINGER put you at the helm of wild, keyboard-based effects. THE MOUTH continues the MIDI keyboard triggering, but focuses, as the name implies, on using your voice and microphone as the main input. See some of the effects in the goofy video below, but know this: a wide range of sonic mayhem is possible with this instrument. I got to spend some time with Tim in Berlin early in the summer as he was still building The Mouth, and it was …

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