euclidreaktor

In just a few minutes, mod a Euclidean Sequencer in Reaktor

There are a lot of hugely powerful things you can do with an environment like Reaktor. But that doesn’t necessarily suggest where to begin. The best way to get into a deep tool is often to solve a simple problem. At the Native Sessions installment on Reaktor 6, Nadine Raihani showed us a simple example of taking a user library offering and making some quick changes. The result: a Euclidean polyrhythm sequencer (Euclidean say what?) that you can play from a keyboard. That turns out to be scary useful: like holding down notes for instant improv techno.

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nativesessions

Learn about Reaktor from experts in this two hour video

It’s a marvelous time to be a musician. You can imagine a musical instrument, a compositional invention, and then realize that idea in short order. So I was glad to get the chance to emcee an evening of discussion with Reaktor experts, including the folks who built the tool, last month in the software’s hometown Berlin. That discussion ultimately was partly about Reaktor, but partly about the act of instrument building itself – meaning there were insights for anyone interested in working with electronics or software to dream up new musical tools.

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fleshkeys

Flesh from Tim Exile transforms sounds into performances [Interview]

Working with samples is great fun, but there’s a certain sameness to approach. Load a sample. Play back a sample. Slice a sample. FLESH takes a unique angle: it analyzes sound samples and mangles them into new animals. And it’s the latest from Tim Exile, a one-man live performer of madness himself (Warp, Planet Mu), and one of Reaktor’s greatest patching virtuosos on Earth. His first two instruments, THE FINGER and THE MOUTH, were already weird and wonderful tools for performance, but FLESH could be the deepest one yet. (Yes, that’s just Flesh, not The Flesh. So it could be, …

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nativesessions

Go deep with Reaktor 6 in a free livestream today

Reaktor 6 is a powerful blank canvas that can turn into almost any music tool imaginable. But that much power can be, well, overwhelming. So today, we’re fortunate to have some guides into what that means. Today in Berlin, I’m fortunate to emcee an evening in Berlin featuring both the people who built Reaktor and some top artists finding ways to make music with it. Updated: this event is over but an edited video is coming soon – plus more content/tutorials around Reaktor.

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reaktor-blocks-love-eurorack

Reaktor met Eurorack, and you won’t believe what happened next

Reaktor Blocks Love Eurorack from listentoaheartbeat on Vimeo. Sorry, couldn’t resist. Can you combine computer software with analog hardware? Can you route control signal from computer software to hardware? Can you combine something accessible with a grid (like a drum machine) with more advanced, open-ended machines with wires? Yes, yes, and yes. Does all modular synthesis stuff sound like indecipherable noodling? Do you have to make a religious decision between analog and digital, hardware and computer? Do all modular setups have to be sprawling rigs that eat up all your money and home? No, no, and no. Make what you …

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insider6

Here’s a visual tour of what’s new in Reaktor 6

Reaktor 6 arrives today, and it’s the most significant update to Native Instruments’ deep modular environment in years. Blocks, which we cover separately, are clearly the banner feature. But there’s a lot of new functionality both apart from Blocks and underlying it. Let’s take a tour. First, it’s worth saying: Reaktor is a vital part of NI’s DNA. It’s the software that really launched the company (as Generator, back in 1996). And Reaktor is a prototyping and development tool for the company. Of course, the flipside would be, if NI weren’t taking care of Reaktor, you should fear for the …

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Reaktor 6 Blocks are like getting a modular in your laptop for $199

What if I told you you could have a modular with what would feel like limitless possibilities – and it’d cost just a couple hundred bucks. Oh, yeah, and if you got bored of the existing modules, you could make new ones. Well, that’s exactly what you get with Blocks in Reaktor 6. And, while, sure, you could say the same of past versions of Reaktor could say that, too, as could tools like Max or SuperCollider or Pd, here we mean literally a set of modules that inter-connect in real-time, act as self-contained units, and allow designers to create …

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Watch a Hacklab Merge Science and Live Music Technology: MusicMakers

Documentary MusicMakers Hacklab at CTM Festival 2015 from CDM on Vimeo. With computers and electricity or without it, musical performance has the potential to be expressive, powerful, immediate. Making music live in front of an audience demands spontaneous commitment. What technology can allow us to is to wire up that potential to other fields in new ways. And that was the feeling that began 2015 for us, working in the collaborative MusicMakers Hacklab at CTM Festival in Berlin. Neuroscientists met specialists in breathing met instrumentalists. Think the lightning bolt in the laboratory: it’s alive.

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sw1

Obsessing About Sound and Process: Climb Into Stewart Walker’s Ivory Tour

There’s a Japanese Taishogoto and vintage Lexicon PCM reverb and loads of computer production. But even for us souls tempted by gear lust, it’s the soul of process that has us talking, and talking, and talking – and listening, on repeat – with Stewart Walker. Native Instruments employee by day, prolific producer by night, he was kind enough to give us an extensive window into his world for CDM. In the dizzying flurry of music racing past, Stewart Walker’s “Ivory Tower Broadcast” is one I keep coming back to me. It’s one that somehow I’ve gotten closer to on repeated …

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livetim

Watch as a Live LHC Remix Makes Scientists Start Raving [Tim Exile at TEDx]

Watch the power of science meet the power of improvisation. You know how TED talks – or even DJing – normally goes. Some omnipotent person stands on stage and everyone watches. Well, this one went a bit differently. At at a TEDx event mounted by CERN (TEDx are independent of TED, though borrowing the format), Tim Exile took the stage with a live remix. But keep watching: the beats make the crowd go wild and start dancing, first raving around the floor, then storming the stage. It’s like the nerdiest Boiler Room ever. Tim Exile has been using this Reaktor …

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