reasonshirt

Reason Opens Its Rack To Developers: Q+A with Propellerhead, What This Means for Plug-ins

Reason’s Rack, a walled garden no more. Hmmm… “reason.” “Logic.” I’m calling my next musical creation “Inanity.” Sound good? Who’s in? Photo (CC-BY) Marco Raaphorst. He’s a fan. Users want more: that much is clear. But for years, Reason has famously (or infamously, depending on your point of view) resisted plug-in formats as a way of extending its production environment. At the moment, plug-ins have been dominate largely by Avid (RTAS), Apple (AU), and Steinberg (VST), as open source alternatives have failed to gain wide commercial traction. Those formats apparently didn’t make the cut with Reason. That changed officially tonight. …

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repatchershield

rePatcher: Make Your Computer a Real Modular, with Knobs and Cords; Pd and Max Right Now

For the last few decades, generally speaking, we’ve had computers, and we’ve had physical, modular, analog gear. Computers are endlessly patchable, but not using physical cords. Modulars use physical cords, but they lack the flexibility (and affordability) of a computer. Now, US$25 and an Arduino can change that. rePatcher is a simple, tangible modular interface for computers. It could work with any software, but right out of the gate it already works with two popular (virtual) patching environments, Max/MSP and the free and open source Pure Data (Pd). You use physical patch cords to make connections, and those connections are …

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teenage - 1

Teenage Engineering: Opbox Sensors and Shoes, OP-1 Drums and MIDI Sync

Stockholm-based design technistas and boutique synth shop Teenage Engineering have evidently worked out how to keep busy and brighten those dark Swedish winters. They showed up in Southern California this week with a slew of new stuff to show off. And while mention of their OP-1 synth may elicit controversy in comment threads online, their booths are crowd pleasers. In contrast to the buttoned-up, business-like atmosphere of a lot of tech vendors at NAMM, TE’s whimsical science lab seems to spill out onto the show floor, and – along with more analog-tilted booths Big City and Analog Haven – attracted …

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tipjar

Pay-What-You-Want for Reason 6, Rewarding Record+Reason Early Adopters

They’re not doing this with Reason – don’t get too excited – but Propellerhead are at least adopting this approach for upgraders from Reason + Record. Photo (CC-BY-SA) Oli Shaw. You’ve seen “pay what you want” pricing for self-released albums on Bandcamp, and independent donationware software. But you certainly haven’t seen it in a major proprietary application like Reason 6. That’s what Swedish developer Propellerhead is doing with their Reason 6 upgrade, with name-your-own-price starting at EUR/USD 1.00, through the end of October. (One, not one hundred. Really. Apologies for embedding what’s essentially an advertisement below, but the video explains …

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Propellerhead Balance, in Video, Succeeds in Being Different From Other Audio Boxes

As an addendum to our first look at Propellerhead’s new Reason 6 announcements (including incorporating Record), Propellerhead points us to a promo video of their new Balance audio interface. We’ve seen efforts before to make software more appealing to newcomers by bundling an audio interface, so this is, on the face of it, hardly “stop-the-presses!” sort of news for digital musicians. But there’s some evidence the Propellerheads may have hit on a new formula. One, Balance doesn’t look exactly like every other audio interface on the market. The design is distinctive, and the wedge-shaped form would appear to make it …

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Reason 6 Combines Record Features, Adds Effects; New Bundles and First Props Hardware Interface

Propellerhead today unveils the new Reason, incorporating Record functionality in both the full-blown and “Essentials” versions, a new audio interface in their first-ever hardware, and a beta that will at last make ReCycle a modern Mac tool. Record added some wonderful stuff to Reason, including a terrific analog-style console, modeled EQ and dynamics, the ability (finally) to place racks side by side, and extra effects modules, including nice Line 6 modeled guitar kit. In other words, Record introduced a bunch of stuff you’d really want in Reason all along. Conversely, if you only bought Record, you were left out of …

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For Moog and Propellerhead, New Websites Focus on Videos, Music Making

May has brought two new Web projects from manufacturers – one a titan name from analog hardware, another the king of the software studio. In each, the product itself is downplayed to focus on artists actually making music. That means if you’re looking to kick off your summer music making with a little inspiration, you’ve got some video to watch, and not just the usual gear lust. I don’t think I can be an entirely objective judge of websites, since I do work for The Internet, but that seems like a good trend. (So, yes, I’m not only being partial …

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simplenzar_sequencer

Great First Arduino MIDI Step Sequencer + MeeBlip, More Arduino Sequencing

In our monster MeeBlip round-up the other day, I mentioned the stunning enclosure Michael Roebbeling made for his DIY synth kit. But that’s not all Michael has built. He’s also created a lovely, simple step sequencer with Arduino. It’s a beautiful combination of all open-source hardware, MeeBlip and Arduino. Surprisingly, it’s his first try at all of this: After my first successful experience in electronics, building the MeeBlip, I was hooked. So I decided to buy an Arduino and dive a bit deeper. My first project was a rudimentary sequencer to work together with my MeeBlip. It took me 3 …

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census

Survey Giveaway: Win $2500 in DubSpot Online Training, Reason+Record, or AdrenaLinn Sync

It’s time for a census of CDM readers. But we can give back to you for your time – some prizes, and more investment in the site. Photo of 1940 US Census, CC-BY-ND United States Department of Agriculture; Library of Congress, LC-USZ62-91199. Take a very short survey, and you’ll be entered to win some six months of intensive training in music production and Ableton Live, or copies of some of our favorite recent software, a two-app box set of Reason and Record from Propellerhead or Roger Linn’s AdrenaLinn Sync. Knowing more about our readers helps us develop Create Digital Music, …

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Behind the Scenes of Propellerheads’ Oversized Drum Machine

There’s obviously something about big. In the 1988 film Big, the iconic scene featured Tom Hanks and Robert Loggia tapping their way across FAO Schwartz’s oversized piano. Now, it’s the drum machine’s turn. David Crowder*Band drummer Bwack made the oversized stage version of an MPC-style set of drum pads, seen below and on CDM in 2008. That model featured a rack for a computer, making it a real workstation. This week, to celebrate the launch of their new releases of Reason and Record, Swedish music developer Propellerhead had their own entry. It features not only pads big enough to dance …

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