tipjar

Pay-What-You-Want for Reason 6, Rewarding Record+Reason Early Adopters

They’re not doing this with Reason – don’t get too excited – but Propellerhead are at least adopting this approach for upgraders from Reason + Record. Photo (CC-BY-SA) Oli Shaw. You’ve seen “pay what you want” pricing for self-released albums on Bandcamp, and independent donationware software. But you certainly haven’t seen it in a major proprietary application like Reason 6. That’s what Swedish developer Propellerhead is doing with their Reason 6 upgrade, with name-your-own-price starting at EUR/USD 1.00, through the end of October. (One, not one hundred. Really. Apologies for embedding what’s essentially an advertisement below, but the video explains …

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Propellerhead Balance, in Video, Succeeds in Being Different From Other Audio Boxes

As an addendum to our first look at Propellerhead’s new Reason 6 announcements (including incorporating Record), Propellerhead points us to a promo video of their new Balance audio interface. We’ve seen efforts before to make software more appealing to newcomers by bundling an audio interface, so this is, on the face of it, hardly “stop-the-presses!” sort of news for digital musicians. But there’s some evidence the Propellerheads may have hit on a new formula. One, Balance doesn’t look exactly like every other audio interface on the market. The design is distinctive, and the wedge-shaped form would appear to make it …

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props_balance

Reason 6 Combines Record Features, Adds Effects; New Bundles and First Props Hardware Interface

Propellerhead today unveils the new Reason, incorporating Record functionality in both the full-blown and “Essentials” versions, a new audio interface in their first-ever hardware, and a beta that will at last make ReCycle a modern Mac tool. Record added some wonderful stuff to Reason, including a terrific analog-style console, modeled EQ and dynamics, the ability (finally) to place racks side by side, and extra effects modules, including nice Line 6 modeled guitar kit. In other words, Record introduced a bunch of stuff you’d really want in Reason all along. Conversely, if you only bought Record, you were left out of …

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For Moog and Propellerhead, New Websites Focus on Videos, Music Making

May has brought two new Web projects from manufacturers – one a titan name from analog hardware, another the king of the software studio. In each, the product itself is downplayed to focus on artists actually making music. That means if you’re looking to kick off your summer music making with a little inspiration, you’ve got some video to watch, and not just the usual gear lust. I don’t think I can be an entirely objective judge of websites, since I do work for The Internet, but that seems like a good trend. (So, yes, I’m not only being partial …

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simplenzar_sequencer

Great First Arduino MIDI Step Sequencer + MeeBlip, More Arduino Sequencing

In our monster MeeBlip round-up the other day, I mentioned the stunning enclosure Michael Roebbeling made for his DIY synth kit. But that’s not all Michael has built. He’s also created a lovely, simple step sequencer with Arduino. It’s a beautiful combination of all open-source hardware, MeeBlip and Arduino. Surprisingly, it’s his first try at all of this: After my first successful experience in electronics, building the MeeBlip, I was hooked. So I decided to buy an Arduino and dive a bit deeper. My first project was a rudimentary sequencer to work together with my MeeBlip. It took me 3 …

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census

Survey Giveaway: Win $2500 in DubSpot Online Training, Reason+Record, or AdrenaLinn Sync

It’s time for a census of CDM readers. But we can give back to you for your time – some prizes, and more investment in the site. Photo of 1940 US Census, CC-BY-ND United States Department of Agriculture; Library of Congress, LC-USZ62-91199. Take a very short survey, and you’ll be entered to win some six months of intensive training in music production and Ableton Live, or copies of some of our favorite recent software, a two-app box set of Reason and Record from Propellerhead or Roger Linn’s AdrenaLinn Sync. Knowing more about our readers helps us develop Create Digital Music, …

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Behind the Scenes of Propellerheads’ Oversized Drum Machine

There’s obviously something about big. In the 1988 film Big, the iconic scene featured Tom Hanks and Robert Loggia tapping their way across FAO Schwartz’s oversized piano. Now, it’s the drum machine’s turn. David Crowder*Band drummer Bwack made the oversized stage version of an MPC-style set of drum pads, seen below and on CDM in 2008. That model featured a rack for a computer, making it a real workstation. This week, to celebrate the launch of their new releases of Reason and Record, Swedish music developer Propellerhead had their own entry. It features not only pads big enough to dance …

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Free Shigeto EP Explores More Textural, Narrative Worlds

Michigan-born, Brooklyn-based artist Shigeto is one of my favorite artists on Ghostly International. AKA Zach Saginaw, Shigeto has been making collages of electronic beats, richly-textural releases, many of them following the narrative of his family’s experience in Japanese internment camps here in the US during World War II. “What We Held On To” is a surprisingly-deep EP, following his last “Semi-Circle” and coming before the upcoming full-length “Full Circle.” It’s released completely free for download from Ghostly, and the tracks (included here) have also made it to his SoundCloud account if you want to share your comments on that favorite …

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What’s New in Reason 5, Record 1.5, in a Nutshell

Octoloopy: a new Dr. Rex allows loading multiple loops, at last. But drum synthesis, sampling in Reason may steal the show. As I mentioned earlier today, the big news story in the Reason and Record announcements is that you don’t need Record to record; Reason now does sampling. Here’s the full look at what’s new from Propellerhead’s software music workstations. Highlights: A new drum designer. Drum synthesis, sampling, REX loops, physical modeling, and effects modules drive a 16-pad drum instrument, so you’re no longer limited to faux 808s or samples – you can make your own drum sounds. This alone …

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Reason, Record Updates Revealed Today; Big News – Reason Gets Sound Sampling

In case you haven’t seen already, Propellerhead is slowly doling out new feature information on its website for Record 1.5 and Reason 5. So far, they’ve announced pitch correction and vocal synthesis in Record (because we really don’t have enough AutoTune-style vocals in the world, apparently), multiple loop support in REX, and new block-style arrangement (a bit reminiscent of Cubase’s implementation to me). It’s all good stuff, and I look forward to seeing what the final announcement is later today. I’m still hoping that Record gets ReWire host mode, because I can think of some users who would love to …

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