marshall

Marshall Amp Finally Gets Its Official Plug-in – And a Virtual Recording Studio, Too

The Marshall “Plexi” Super Lead plug-in is the first amp to bear the name Marshall that isn’t actually an amp – the first authorized plug-in. It’s been built by Softube for the Universal Audio plug-in of DSP, arriving in May. This is a reference 1959 Super Lead borrowed from Marshall themselves. The model number is 1959, built in the year 1967. Now, it’s nice to have in UAD format, because you can mix and “reamp” and track and add effects and the lot in real-time on UA’s Apollo hardware. It’s also nice to see Softube doing the development; to my …

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No Longer Invisible: Images of Women Working with Music Technology

Coinciding with International Womens’ Day, advocacy group and networking platform Female Pressure yesterday launched themselves on Tumblr. In a stream of photos, they’ve been sharing images of female-identified artists engaged in process with music creation technology. (Some randomly-selected images are here; see the rest via the link below.) The images alone are a humbling and inspiring for me, just because I see so many familiar faces – friends and artists that have been personal role models for my work, including in moments of personal struggle as an artist and writer. The idea, say Female Pressure, was partly a response to …

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Here’s What’s New in Universal Audio’s DSP Software and Hardware System

The line between pain and ecstasy on a computer for music making can often boil down to some key elements. One commonly on that short list is getting the sound you might from a studio. Another is making all your inputs and outputs work in your interface. Universal Audio is one of a handful of vendors that aims to bridge both of those gaps in a single product, with devices that are audio interfaces as well as DSP platforms for hosting high-quality effects. And UA are starting out 2015 with a fairly big benchmark for the company in that software/hardware …

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Now, Across iOS and Mac, Everything is Musically Connected [Video]

There’s a high-bandwidth cable connecting that iPad or iPhone to your Mac. And yet … and yet, until recently, music apps treated that very connection as an impossible-to-cross canyon. No more. We already took a look at midimux, a tool that makes everything that speaks MIDI on an iOS gadget available to your Mac, and visa versa. That’s already cool. You can use a keyboard controller plugged into your Mac to play a soft synth on your iPad. You can sequence an instrument on your computer from an iPad step sequencer, with touch control. Hardware and desktop software and apps …

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Hear Beautiful, Melancholy Christmas Mixes from Nils Frahm

Nils Frahm is a gem in music right now, a sensitive and reflective voice. And infused into everything he does is an unwavering sense of taste. If you’re feeling the weight of the endless rotation of overplayed saccarine-sweet Christmas tunes, Nils can cure what ails you. For the second year in a row, he’s released an achingly mellow mix of favorites he’s dusted off from his vinyl collection. Curl up under the crackling analog fuzz of those records and settle in. Each has obvious touchstones of piano inspiration; last year’s he described as “your mobile campfire.” We have this year’s …

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Fake Your Own Lord of the Rings with an All-Elven Software Instrument

The Lord of the Rings movies have come to a close, but that doesn’t mean the elf sonic action has to stop. Yes, there really is a sound sample library called Shevannai, The Voice of Elves. It’s 3.6 GB of nothing but elven samples, adapted to a Kontakt 5 instrument. From a technical standpoint, it shows what Kontakt can do. For any TV and film composer who suddenly gets a call from a client saying “elves!” (I’m not kidding; I’m sure that happens), it’s an emergency solution that will get you there under deadline. For the rest of us – …

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How the Millennium Falcon Got Its Hyperdrive Malfunction Sound

Old pipes? A vintage airplane? Mechanical equipment? Ben Burtt, Hollywood’s master sound designer, is remarkable for his economy and resourcefulness. That’s evident in this charming video in which he demonstrates how he evoked breaking machinery to realize the sound of the Millenium Falcon… not going into hyperdrive. The cinematic challenge is significant. It’s a bit joke, a running gag, but it has to simultaneously build tension in the film. And like the rest of Star Wars, the future is evoked by the past. (It is, after all, a galaxy long ago – and to impact audiences, couldn’t in fact be …

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MPC Software 1.7: Direct Looping, Better Mixer, Track Automation, Proper Export, and Hybrid Synth

Let’s get one thing straight: now that Akai has made the jump from hardware to hybrid hardware/software, the hardware they make is very, very good. The MPC Studio is slim and messenger bag-friendly, when Native Instruments’ Maschine is big and luggable. The MPC Renaissance is more of a “throw it in your station wagon” affair, but it feels fantastic – the pads are brilliant. The downside has been software. But Akai is making headway there. I’m not convinced the changes are going to make anyone switch, but I can imagine what Akai is delivering here should make existing users very …

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Beautiful New Music from tehn, the Maker of the monome [Interview]

Brian Crabtree, alongside partner Kelli Cain, nicely exemplifies a lot of this site’s raison d’ĂȘtre over the the past ten years. Artmaker and toolmaker are indistinct roles; they’re both flipsides of the act of making. The monome, the invention for which Brian is best known, is at first blush nothing more than a box of buttons. It’s even lifeless until connected to a computer. But in its design is a statement that draws a thread from the design of tools to the design of music. Ideas about compositional technique are embodied in the software; notions of aesthetics are evident in …

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These Apps Use Quicker Interfaces To Encourage More People to Use Sound

Convincing musicians to make use of sound is easy. And electronic musicians are even content with stunningly-complex interfaces, in exchange for deep control of sound. But what about everyone else? Users on mobile are certainly uploading sounds. Part of the intense interest in SoundCloud even outside music and audio audiences is simple to explain: the site is ridiculously popular. By 2012, it had reached 10 hours of uploads per minute. And once sound is uploaded, it attracts listeners. As of last fall, users had skyrocketed from 200 to 250 million users in just a few months. That’s another reason last …

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