Cure Dull Sound and Transform Rhythms By Adventuring Into Convolution [Watch]

Convolution is a process fundamental to understanding digital sound. Any audio can be imagined as the combination of the frequency and temporal domains. With convolution, you can simulate the combination of one sound with another, or one sound with an environment. Traditionally, that has meant reverbs. But it can mean more – a lot more. Apart from simulating instruments, it can synthesize never-before-heard and impossible sound. Our friend Diego Stocco has been hard at work opening up some of those doors to producers. When we last joined Diego, he was teaching you sound design techniques. This time, he has both …

READ MORE →

Learn How Pantha Du Prince Combines Acoustic Instruments with Ableton Live, In C

Before triggering clips and samples on the computer, Pantha du Prince and The Bell Laboratory “trigger” the musicians. Yes, before there were machine clips, there were human patterns, and in performing Terry Riley’s legendary classical new music composition “In C,” the ensemble has to do just that. In a beautiful chorus of chiming tones, that orchestra is augmented with digital embellishment. The result makes for a live performance that expands the role of the computer into a large-scale instrumental ensemble, venturing into territory perhaps not as often associated with Ableton Live as genres like dance music are. But Ableton has …

READ MORE →

Abbey Road at Home? Waves Emulates Double Tracking Made Famous by Beatles, $99 Sale

It all started in 1966 as a way to fake multiple takes – and it works pretty well for any vocals. And now, in one of the more ambitious emulation efforts undertaken recently, software engineers are hoping to recreate a sound you know quite well from artists like The Beatles. And oh, yeah, even if you don’t want to sound like Paul or John or George, this turns out to be a pretty easy way to double up vocal recordings. That is, if they’ve done a convincing emulation. Plug-in giant Waves Audio has partnered with Abbey Road Studios themselves, and …

READ MORE →

Avid Delays Financial Reporting, But Promises Brighter Future, Including Pro Tools and Sibelius

Avid, makers of Pro Tools, Media Composer, Sibelius, and other products was on Tuesday suspended from being traded on the NASDAQ stock exchange because of a failure to issue timely financial statements. And the company by the admission of its own chief executive faces a changing industry. However, our earlier report included inaccurate information from financial analysis site The Street. Their report included outdated financial data. Our reporting was not correct; we have since spoken to Avid. The Street reporting (and thus ours, in building a report on it) was inaccurate and misleading in that financial data for Avid actually …

READ MORE →
FFS01PostImage31

Learn from the Master: Diego Stocco Makes Music with Sound Design, Then Shows You How

Is it sound design, or is it composition? Is it musicianship, or is it technical control? Is it live, or is it Ableton Live? Yes. Diego Stocco is simply one of the best bleeding-edge musicians, composers, and sound designers – all in one. And that has made him rightfully in-demand in the media of technology (Spectrasonics), movies (Sherlock Holmes), TV (The Tudors), and games (Assasin’s Creed). He’s of course also a big hit around sites like this one. Now, he’s sharing his secrets. He revealed about a week ago that he would be offering the first of his sound design …

READ MORE →

Wild, Techie, Wonderful: NAMM’s Gear Delights [Gallery II]

Hardware and software continue to thrive (above). Pro audio lives on. People still make strange, wonderful products for tiny niches of people passionate about every element of sound. Marsha Vdovin is a veteran of the NAMM trade show like few people we know, so seeing the show through the eyes of her camera reveals some weirdness and wonderfulness we always appreciate. And Wonder Woman, too. Magic Kingdom, indeed. Gallery II, go! -Ed.

READ MORE →

Record a Mic, Guitar with UA’s Apollo Twin, and Model Analog Like Never Before [Thunderbolt, $699]

Universal Audio’s new Apollo Twin (in SOLO and DUO variants, starting at US$699) gives you quite a lot of value on a single Thunderbolt connection to your Mac. It’s shipping now. It’s an audio interface, with connections for line, mic, or instruments. It’s a real-time DSP processor, adding the ability to run UA’s suite of (mostly analog-modeling) sound processing goodies. (SOLO/DUO refers to how much DSP muscle you get.) And it’s a bundle of UA models of analog hardware, including a rather nice pair of limiters, an EQ, amp models, and tube preamps. If you think they’re hoping guitarists and …

READ MORE →

Focusrite iTrack Dock is a Serious Lightning iPad Accessory for Recording Music

The iPad could change recording. But first, you have to change the iPad. Docks once reached fever-like proportions in hardware manufacture. Among those, one stood out: I’ve seen the Alesis iO Dock see iPads get more serious studio use, thanks to convenient access to audio and MIDI. (And that, in turn, is something you often don’t get when connecting hardware directly.) Then, Apple switched connectors to the new Lightning Connector – and the hardware world fell silent. Now, Focusrite steps in to fill the void. (We’ll see if Alesis is doing the same.) And if many docks are dubious purchases, …

READ MORE →

This Wearable Necklace Mic Could Change How You Hear – or Record

Listening accurately is all about direction. It’s the power that lets you carry on a conversation in a loud bar, and hear where sounds are coming from. But for anyone trying to record sounds – or anyone who has impaired hearing – those sounds can be lost. Directional microphones can solve that problem, but they have an additional one: size. Some of the more directional mics are simply huge. That’s where Wear becomes interesting. Emmy-winning engineer and AV specialist Eric Rosenthal teamed up with designer and sound artist Michelle Temple, and they’ve created a new solution. (Rosenthal is an ITP/NYU …

READ MORE →

pMic is a 3D-Printed A-B Stereo Mic You Can Make Yourself; Hear It

Now, the next time you want a stereo microphone, you can hit print. Well, okay – that’s not entirely correct. But a combination of last-century DIY (circuits for making the mic) with this-century DIY (3D printing for making a convenient housing) means a custom microphone you can build that’s exactly suited to your needs. And, oh yeah – it’s both cheap and fun. Frank Piesik shares this project via Google+ and his blog. The plans are open-sourced and available on GitHub, so you can try making your own if you like; you’ll just need a 3D printer or 3D printing …

READ MORE →