pt1

1GB Free Music Mixed by Function Will Take Your Brain to Berghain

Techno right now has a problem. It’s kind of a nice problem to have. There’s some music that’s just terrifically well-produced in the spotlight, so much so that it’s tough to say no to it. It’s a bit like having the number to a Chinese takeout place and knowing every time they deliver it’s going to be delicious. Yeah, tonight you should really cook a nice, heal– oh, come on, though, sesame chicken. What I mean is nicely summed up by the latest mix from Function. This is about as perfect a snapshot you’ll find of a particular mode in …

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verbatim

If Record Store Day is Dead, Maybe We Can Celebrate Music

Record Store Day has come and gone over the weekend. But 2015 will surely be remembered as a year in which Record Store Day did less to increase the visibility of vinyl records so much as to increase the visibility of how much everyone has grown to hate Record Store Day. And that seems it’s time for a post mortem – and a call to action. I watched closely the reports from this weekend, just to see if there was anything positive – and there was. For every Foo Fighters (Grohl was this year’s ambassador, weirdly), there’s something with more …

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noah

Sophisticated Rhythms: 2 Mixes, 2 Approaches, For Your Listening Pleasure

Mixes have become another essential reflex of this age of overabundance, a way of navigating in material form the rhythms that come our way. I turn this weekend to mixes by two close friends. Matt Earp, aka Kid Kameleon (top), has been a CDM contributor in the past; his background spans music and technology and a wide breadth and depth of knowledge in those areas. Noah Pred is simply one of the finest DJs and producers I know, the ever-tasteful mind behind the massively underrated but prescient label Thoughtless Music. Each mix is singular in purpose, full of the sort …

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MOMMusikFabrik010

Explore a Hyperactive Explosion of Sound, As Mouse on Mars Turns 21

Musically speaking, Mouse on Mars are like that kid who can’t keep still. In a good way. But perhaps now is a perfect moment for that nervous energy, that quirky, disruptive approach to sounds. It can be refreshing colliding with the duo’s endless, too-much-coffee-when-saying-yes-to-projects collaborations, and anarchic playful love of noise. Because the anxieties of music can leave people creatively constipated. It can drive people to either a chin-stroking disdain for audiences at one extreme, a sort of retreat into abstract sounds with fear that anyone might feel a physical urge when listening, or buttoned-up commercial conformity at another. This …

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A Dreamy Video, Remix with Loscil, and Other Christina Vantzou Gems

You know that feeling, on a hot day, of someone running an ice cube down the back of your neck? Or perhaps, going deeper, the dream of plunging into a frozen lake? That visceral, primeval emotion, that chill that prickles the hairs on your head – that might start to describe the eerily-lovely wonderlands of Christina Vantzou. Brussels-base artist Vantzou was the visual imagination behind The Dead Texan (with Stars of the Lid’s Adam Wiltzie), releasing an epic audiovisual masterpiece that paired cinematic ambience with video realizations. Vantzou has continued as a composer, with two records on Kranky Records (easy …

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Holly Herndon, Ethereal and Heavy-Hitting, Creates Video World as Deliciously Surreal as Auditory One

Holly Herndon – Chorus [Official Video] from RVNG Intl. on Vimeo. Electronic music has, since the beginning, been at the razor’s edge of science and artistry, somewhere between radical noise and classically-derived engineering. But few artists have managed to meld the dark thump of techno with the intricate constructions of post-minimalist new music quite like Holly Herndon. Her rapid-punctuated, ethereal vocals are float above complex, dance music-inspired machinery, producing an effect that is arrestingly gorgeous and frightening all at once. In short, it’s damned good stuff. Indeed, Herndon was for me and many others one of the highlights of CTM …

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Marcel Dettmann: When Sci-Fi Futurism and Continuity Meet, in Sound [Video]

Techno icon Marcel Dettmann has just released a second full-length. While associated with insistent-symmetrical dancefloor rhythms and phrases, it may be sound and timbre that are worth appreciating here. Dettmann did a wonderful interview for Electronic Beats (released in the summer, shot last winter, below). And the timing of that release makes it a perfect moment to listen to what he has to say. (You do have to get past a distracting faux film effect, an odd choice for the usually-tasteful video productions from EB.) Dettmann’s perspective: Techno “still is music for the future, it’s science fiction.” But to get …

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Cristian Vogel, Still Dazzling Ears, Two Decades On [Listen]

There are few artists as thoroughly credentialed across dance music and Classical new music as Cristian Vogel. But what’s astounding about Vogel is, having ventured out on the precipice of those bleeding edges of both worlds, he still stands on tiptoe there now. Chilean-born, UK-raised and academically-trained in the 80s, and now a leading voice in Berlin’s scene for the past 20 years, he’s no less prolific today than in the past. But let’s not just wax poetic – let’s have a listen to the latest. We can love the fact that Jamie Lidell, Vogel’s former mate in Super Collider …

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We Travel The Space Ways: Hear Erika’s Stellar, Synth-y, Space-y Solo Debut [Listen, Video]

What if you would strip away the latest fashions, the murky layers of effects and gimmicks, and just get out to the otherworldly pleasure of listening to machines transport you into outer-space grooves? The solo debut of Detroit-based artist Erika, Hexagon, could give you just that liberating feeling. It’s arrestingly minimal in its materials, not only because it’s been sequenced entirely on hardware with a single vintage sequencer, but because the tracks themselves are so beautifully economical and direct. And that makes them no less imaginative. Retro without succumbing to nostalgia, always with an alien-chic groove, Hexagon feels like an …

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Deconstructed Dance Floor: EVOL’s Strange Experiments with Light, Sound, and Acid

For all the years of “classical” electronic music performance from academia, the experience of entering a club or dance music program can be awfully avant garde and surreal. There’s a barrage of sensory input – flashing lights, strange, repetitive sounds. The Spanish/British duo Roc JimĂ©nez de Cisneros and Stephen Sharp, aka EVOL, have taken that feeling to its extreme. And the results are weird, wonderful fun. (The two play Berlin Thursday night at N.K. on a diverse program including Chris Douglas and Bill Kouligas; N.K. is one of Europe’s most consistent venues for electronic experimentalism, and somehow will keep feeding …

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