kelp

A Remix Crosses the Globe, 64 Bars at a Time [Ninja Tune forum Release]

Come on in; the water’s fine. A chain of remixers cross oceans as they remix “Oceandrift,” by Kelp. Photo (CC-BY-SA) Derek Keats. The opening track is aptly-named, a diving bell launched into aquatic depths of ambient sound. But on this release, it’s just the beginning of the journey. From Kelp’s track “Oceandrift,” a set of remixers chart very different musical worlds. They connect across geography via the NinjaTune forum. It’s the latest proof that electronic production need not sound like cut-and-paste templates and presets – and the most recent example of the phenomenon known as the remix chain. What’s a …

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glitch_apclayout

Glitch Factory: A Complete Performance Environment for APC40 + Ableton Live

Some people release remixable stems. Some people release little tools or utilities. Glitch Factory is a complete tool set for live performance, combining performance presets, an Ableton Live set, and even remixable track stems. It’s like getting to borrow someone else’s computer to see how they play – after they first cleaned everything up and made it usable for you. It’s a chance to break out of your performance world and walk in someone else’s shoes for a bit, then use that starting point to warp things into your own musical aims. The work of Mr. Bill and Will Marshall, …

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zeldaswords

Sword & Sworcery, Remixed By Japanese Game Music Legends [Preview]

This may sum up how I feel about this project. It almost certainly embodies how composer Jim Guthrie must have felt, as a who’s who of Japanese game music takes on his work. Photo (of the Tokyo Game Show, natch) (CC-BY) kanegen. Sword & Sworcery, the iPad album-as-game, has gotten plenty of love from this site before, and recognition for friend-of-the-site composer Jim Guthrie. (See Jim open up about what happened behind the scenes.) Now, it seems the Canadian songwriter and soundmaker will meet up with some of the biggest game composers from Japan in a unique remix album. In …

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worldsoundmix

A Small World, After All: Freesound.org Sounds on Earth, and an Ambient Musical Laboratory

Through the eyes of satellites, roving Google trucks, aerial imagery, and more, we have plenty of eyes on our planet. But what does it sound like here on Earth? In a Web application and accompanying art installation, the world turns as it echoes sounds recorded around the world on Creative Commons-licensed site Freesound.org. It’s stunning to hear our world’s acoustic diversity – in some strange way, even more than seeing it, in that sounds can instantly give you a sense of place and time. You can load a version on your browser or on the iPad; then, from the world’s …

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willits

From a Wide Palette of Sound, Christopher Willits’ Remix Project, Sample by Sample

Christopher Willits playing live at San Francisco’s Public Works in October of this year. Photo courtesy the artist. Sound and light artist, guitarist, Max patcher, and all-around sonically-fascinating guy Christopher Willits has opened up his “Tiger Flower Circle Sun” record on Ghostly to remixing. Halfway through the project, we talk to Chris about what’s going on – and what the results so far sound like. And we share, from earlier this fall, a composition in which you can recharge. The project begins not with stems, but with samples, the raw materials on which the album was based. Christopher walks CDM …

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Choppertone, Wooden Ableton Jazz Controller, and Folk Music of the 21st Century: Video

“Folk music of the 21st Century” – radio broadcaster, jazz aficionado, and jazz-based Ableton Live instrumentalist / remix artist Nick Francis really sums up what this whole site is about. As he chops up jazz greats in Ableton, his mash-up music chops are as much musical analysis as they are performance. He walks through his controller moves in a pedagogical way, highlighting the meat of the jazz legends he puts into play. It’s a kind of digital transcription, transcribing re-imagined for Ableton’s colored blocks in place of. Of course, you’ll only be able to reflect on this once you can …

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Remixing the World: A Sampler of Sampling, via Readers

The possibilities of a microphone and the world are limitless, so as this week we looked at a recording of music made with playgrounds, a mic, and Ableton Live, readers responded in kind with a fantastic spectrum of sampling-inspired, real world-produced musical wonder. From comments, a few examples: Diego Stocco, a favorite sound designer on this site, ventures in his latest installment into a dry cleaner. Clean, wrinkle-free clothes and great music – see, you don’t actually have to choose. See top. “Vega” by CDM reader Cordovan Music (Gregory Reeves), is an eerily-lovely ambient score made from LA’s freeways – …

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Remixing a Playground in Ableton Live

Sonic and musical inspiration are never far away, especially with a microphone in hand. For the latest example, Ableton Live meets a local playground. Jason Richard, aka “bassling,” used field recordings in the park to compose a track. He writes: I’ve been recording playgrounds and remixing the sounds in Ableton Live to create tracks. To help people understand what they’re hearing, I’ve been making short videos showing some of the process. It’s an idea I’ve had in mind for a while and the centenary is deadline to work towards. I’m inspired by the Italian Futurists and Alan Lamb, who mentored …

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tarabusch

Remembering Bob Moog: New Album, Remix Contest, Blog, and Some Bob Moog 101

Synthesists Tara Busch dares you to remix her album. Photo courtesy the artist. It barely seems as though it’s been that long, but synthesis pioneer Robert Moog died six years ago this week. That has brought a whole new wave of remembrances, including a great new EP you can remix. And if you still don’t know what the fuss is about, or want to refer a friend somewhere other than Wikipedia, a guest essay popped into our inbox here at CDM HQ, so I’ll add that, too. The best news, from where I sit: Tara Busch has donated a three-track …

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A Controller Love Supreme: Beautifully-Crafted Wooden Jazz Controller with Ableton Live

Nick Francis poses with his DIY, wooden controller – good enough for jazz. Photo: Justin Steyer for Seattle’s KPLU radio. In a world of disposable computers and electronics, making something “custom” is an antidote to throwaway hardware, a way of putting one’s own handiwork, care, and attention into the object with which you play music. Of course, it’s one thing to say it, and another thing to do it, but Nick Francis falls squarely in the “doer” camp. A jazz-focused radio broadcaster from Seattle’s KPLU, Nick says he’s been chopping up audio since he was doing it with razor blades …

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