Electronics and synths are hard and you can’t hug them; plush animals and toys and blankets and pillows are soft and huggable. And we won’t even get started on the slightly-absurd gender associations of soft textiles and hard, toxic electronics. Or at least, so goes the traditional assumption.

But increasingly, designers are becoming interested in soft design. So in a last-minute addition to Handmade Music NYC, Richie Brown has added plush instruments – a ring modulator and two synths, which in turn can be patched together. They’re instruments you can hug. (Next step: make the connections soft, too, I think.)

As this was happening, by coincidence I was checking out a project called felted signal processing [Flickr set], using conductive soft materials for sound. That project is the work of Sarah Grant, and something I hope to cover more. We’ve also seen felt used as a very practical material for a surface and keys on a synth project (with a hard enclosure), and none other than monome creators Kelli Cain and Brian Crabtree did a feature story here on CDM on their felt + circuits project.

Don’t get me wrong: making electronics work with soft things is a significant challenge, and sometimes feels like trying to make an airplane fuzzy. I hope we’ll work on some community documentation and collaboration here – and perhaps we’ll even have a soft-themed hacklab online and with handmade music.

One superb reference: CNMAT’s wiki, particularly the Materials section.

Check out Handmade Music NYC

Squeezable instruments are just the beginning. Handmade Music Brooklyn for July is, quite literally, our biggest, craziest lineup ever.

If you are in the NYC area, be sure you don’t miss Handmade Music tomorrow night (Thursday).

Complete lineup at handmademusic.noisepages.com
RSVP on Facebook or email handmade@3rdward.com

View Larger Map

“UP” Sound for Film Profile from Michael Coleman on Vimeo.

Miguel Isaza has created a must-read new blog for anyone interested in sound design, and much to our delight has put it on noisepages. He’s being incredibly prolific with posts, covering creative projects to get your ideas flowing, terrific overviews of leading people in the field with links to interviews and resources for learning about their work, and tons of links for learning your craft technologically and artistically.

http://designingsound.noisepages.com/

Naturally, Pixar figures prominently, with some of the best sound design on the silver screen in recent years. I’m looking forward to finally seeing UP; Michael Coleman offers the video above. See Miguel’s site for more links and interviews and an overview of the all-star team that did sound for Pixar’s latest.

Thanks for this great resource, Miguel; I’ll certainly be reading daily.

Slice of Winter from Bjorn Vayner on Vimeo.

Hate soundware and generic downloaded samples? You’ll love this. The “Slice of Winter” sound pack created by Covert Operators for CDM doesn’t have a single sound in it – not one; you bring your own. Instead, install this pack and you get a whole mess of slicing presents for use with Ableton Live’s Slice to New MIDI Track feature. Grab an audio clip (or record your own), hit Slice to New MIDI Track, apply a preset, and you get a new Drum Rack instance with slices mapped to pads, effects, and live controls. (You can see what I mean as Bjorn plays around with the feature in the video.)

Naturally, this works nicely for drum loops, but if you apply to vocals or weird found sounds or other material, you can get all kinds of results. You’ll need Live 7 as it’s a new feature, but you can use the free trial to try it out; the trial is still unlimited time-wise and now even saves for the first 14 days.

It’s not so much that this is something other tools can’t do – even some hardware drum machines have a similar feature. But in the context of Live, slicing takes on a different quality. It integrates with all the clips you have sitting around your session, can map to those warp markers, and gives you virtual drum machines with live controller mappings and the ability to insert effects (including third-party plug-ins) on each pad.

We feature this technique in the CDM Winter Guide for two reasons. One, it’s a perfect antidote to sets that get boring because you have clips looping endlessly. Two, you can get a lot of mileage from this feature musically, so it’s something to live with for a while (which was the idea of the guide). In the guide, we have a detailed tutorial for using the feature, how to make your own presets (which isn’t clear in the manual), and some creative ideas. Francis Preve joins in with some tips; he used this feature heavily on his single “Caboose.” Previously:

Free Tutorials, Techno iPhone Ringtone from Francis Preve, Celebrating Single “Caboose”

Get the Guide + the Pack

So, be sure to not only grab the sound pack but download the free PDF, or get the bound treeware version to keep on your desk:

Print Edition + Free PDF Download @ Lulu.com

And for the free Live Pack download from Covert Operators:

http://covops.org/cdm

More Brain Dumps on Live

Covert Operators also makes other lovely stuff for Live and live performance, including software (like a utility for making better use of the BCR2000 controller), Live packs (free and fee), and an in-depth video subscription series with power tools for Live use.

If you want still more Live knowledge, Grooveboxmusic has a limited-time deal on three hours of free tutorials, on special through the end of the month:

Grooveboxmusic.com: Free video tutorials [Ableton.com, via the ever-vigilant Synthtopia.com]

Now pray for a snow day to actually get some Live time for music making! (I know I’m hoping for one. Or an Elton John Day.)

If you’re hungry for some patch content, the download-rich PatchArena has you covered, with a massive library of free, user-created content:

PatchArena Downloads

There are particularly large sections for the all-in-one studios EnergyXT, FL Studio, and a number of others. (Correction: Intua BeatMaker for iPhone/iPod Touch is promised, as well, though I got my categories confused — no files there now, so we’ll check in if some get posted! But it could be a great place to upload BeatMaker presets; see the thread on PatchArena’s forum.)

Francesco Silvestri writes CDM to let us know about his latest addition, a huge set for Cakewalk’s awesome soft synth Rapture. He says:

I’ve released Muz3um, a free set of patches for Rapture the virtual synthesizer by Cakewalk.This collection is built on waveforms from vintage synthesizers.

It features:

• 661 presets organized in categories (Basses, Keys, Leads, Pads, Sequences)
• 573 waveforms
• 36 impulse responses, taken from amp sims, cabinets and lo-fi speakers, providing additional colors to the set

It’s great having those impulse responses alone – meaning even if you’d rather program your own sounds in Rapture, this could be a must-download.

Update: This also works just fine with Rapture LE, meaning lots of Cakewalk customers can use the pack. (Thanks, Chad!)

Have a go and let us know what you think, Rapture users!

Rapture Muz3um OS X

Rapture Muz3um Windows

Hello, coming to you live from San Mateo and the Maker Faire hosted by Make Magazine. If you stopped by the CDM booth today, I hope you stick around a while. This site, for musicians, DJs, composers, and soundmakers, covers the audible side. Create Digital Motion covers VJing and live and interactive visuals (for an audience we like to call visualists). We cover store-bought hardware and software as well as DIY, and love having everyone from beginners to advanced readers around.

Here are some links to more information on some of what I was showing:

Sensors and MIDI: Working with sensors and physical inputs is what some term “physical computing.” We’ve covered lots of physical computing projects here on CDMusic.

I wrote up an introduction to MIDI for Make 07 which would be a good place to start if you’re relatively new to MIDI.

The MIDI sock monkey and infrared and touch sensors are powered by Lady Ada’s MIDIsense, as introduced here:
Sensors-to-MIDI with the MIDIsense Board. See also the Arduino board, which we’ve covered mostly on the motion side.

Barcode scanner to music converter, powered by Processing, a Java-based development language that makes programming friendly for artists. Check out the official Processing site, Processing Blogs aggregator, and Processing coverage on our sister site, Create Digital Motion.

Live visuals: The live video-processing “mirror” via the MacBook was built in Max/MSP/Jitter. Check out our ongoing Jitter coverage on CDMotion. Nope, no “source code” / source patch available yet — it’s a bit too messy, the reason you don’t see more open-sourced Max patches!

And totally off-subject: The keyboard I was using is a ReMOTE 37SL from Novation. Nothing to do with Maker or Maker Faire but very handy to have around … and well worthy of combining with other DIY hardware.