At the moment when synthesizers are getting more economical, Moog are firmly establishing what the synth as luxury item looks like – and it’s this. The Minimoog model D is an exact recreation of the iconic original monosynth, starting production of that machine for the first time in three decades, down to even tiny details of circuits. And it’ll cost you – US$3499, limited run in America only.
There have been vocal effects before – your vocoder, your pitch shifter, what have you. But the folks at iZotope set a more ambitious goal: be all the classic vocal effects. Put them a single plug-in full of modules. Then combine them in a way that makes them accessible, whether you’re preset surfing or dialing in your own sound. Encourage exploration without even requiring some advance knowledge. The result of that is called VocalSynth, and it’s out today. And wow, is this thing big – big enough that I imagine I might spend the rest of the year playing with …
The art of modeling at a handful of the best software shops continues to progress. And so it is that Universal Audio say they’ve simulated every tiny detail, “from speaker paper and heat dissipation, to filter caps and transformers,” of one of the world’s best-known amplifiers – the Fender Tweed. It’s the cranked sound of Neil Young; it’s the clear lead of Larry Carlton. It’s a lot of other things. It’s now on a computer, too.
In a gift to synthesizer lovers everywhere, the comiticians of Adult Swim have produced an extended retro electronica opus imagining an alternate-universe battle of the bands between Wendy Carlos, Vangelis, and Giorgio Moroder.
Reverb: it’s something everyone needs. And yet in hardware, you almost always see the same couple of boxes. It seems about time for a new player. And OTO Machines, known for their BISCUIT 8-bit effect box and filter, might have just the candidate. BAM, coming soon, emulates the reverbs of the 70s and 80s. And in the demo, it sounds amazing.
Soundware is everywhere, from endless catalogs of loops to yet another pack of sampled vintage instruments. But apart from questionable quality as the market grows crowded, the other simple question is, just how should these packs be assembled? SympleSound is what happens when a sound designer decides to treat the sound pack like an instrument unto itself – not just content, but a set of tools.
KORG’s runaway-hit volca series has proven small can be fun. But the volca FM promises more power in a small package. The volca FM, teased in California in January and demoed in early prototype form, is now official. And part of why we’re eager to get our hands on one is that it’s more than just another little synth box. Okay, so it’s a 6-operator FM synth that’s fun to play with – that you probably got right away. But it’s also a way of loading vintage FM patches, and has powerful editing features. Let’s look and listen.
Enough with pristine, immaculate in-the-box digital production. Let’s get back to grime and dirt. Gorgeous distortion is on offer any time Legowelt is on a sound system live. So it’s great to see the same approach in a free sample pack. This is not a “Top Deep House Production Kit.” It’s samples Legowelt dragged off of old Amiga discs, cranked to be even more evil.
We covered Andy Grobengieser’s lovely Minimoog LEGO kit proposal. But perhaps the iconic synth keyboard just isn’t open-ended enough in terms of sound design. You want kids to play with the wide sonic palette of the legendary Moog Model 55. Now, they can.
::vtol:: prankophone from ::vtol:: on Vimeo. If you pick up the phone and instead of a robocall or someone pocket dialing you, you get what sounds like a synthesizer that’s lost its mind, blame the Prankophone. Since we’re going to cover the latest from Ableton and Korg and so on in detail, we practically need a column for the quirky, prolific inventions of one vtol, aka Dmitry Morozov. Call it the Internet of Insane Things. (IoIT?)