vintagedrumelements

Add Classic 80s Yamaha Drum Machine Sounds to Your Set, Free

Ready for some poppy, retro Cocteau Twins feeling in your Mac or Windows plug-in collection? The aptly-named “Vintage Drum Elements” does the job for free. The sound source for the plug-in drum machine is the classic Yamaha RX5, with its distinctive, synthetic sound sets. And while this is advertised for your synthpop and chillwave 80s fans, you get a range of cutting timbres you could easily apply to something else – not just Depeche Mode throwbacks. There’s also more than one kit. Four basic drum selections are included, including a harsher “synthetic” option and and “ethnic” variant, plus some really …

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‘R is for Roland’ is Coffee Table Pr0n For Synth Lovers

Blah, blah, the influence of the Roland drum machines, their musical/cultural significance… I’ve actually written those words before, so I’ll skip doing it this time. In case the YouTube subtitles aren’t working, let me translate the German from the making-of video below: “We decided to make a giant bit of pr0n for you because these old Roland boxes are so beautiful. Try to keep our finely-printed pages from sticking together.” Actually, the still above looks like something out of Blow-Up< – Antonioni for the studio set?

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Now Google Chrome Browser Does MIDI

It’s 32 years old. It’s supported by keyboards and electronic wind instruments and lederhosen. And now you can add your browser to the list. MIDI will never die. Yes, as of more recent beta and stable builds, Google’s Chrome browser has built-in support for hardware MIDI. Plug in a MIDI controller, and you can play – well, this Web Audio MIDI Synthesizer, anyway: https://webaudiodemos.appspot.com/midi-synth/index.html Chris Wilso is the author, and describes it thusly:

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Roland AIRA Modular: Tabletop, Eurorack, Digital, Analog, Our Comprehensive Guide

This is how much the world has changed: we aren’t just talking the resurgent, enduring synthesizer. Nor are we talking about retro reissues. We aren’t even talking the return of analog control voltage. We’re uttering “Roland” and “Eurorack” in the same breath. Roland has taken the wraps off their AIRA modular plans, and they’re extensive. Make no mistake, this is still AIRA, and it’s still Roland – these are devices that look and sound like the AIRA series. That is an obvious point of differentiation for the boutique makers, the sometimes one-person manufacturers, and the uniqueness of what they produce. …

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The 100m is probably a more appropriate model for whatever is coming from Roland next, but check out the stunning industrial design on the original System 100. This might inspire a custom Eurorack cabinet with keyboard, or two. Photo (CC-BY Notreshuggie.

The Last Time Roland Did Modular: The System 100

With widespread reports that Roland will soon have a new modular product, it’s worth remembering: Roland has done modular before. That legacy carried the name System-100. The original 100 semi-modular lineup of the late 70s, and the Synthesizer-101, might actually be more relevant today than it was when it first shipped. The clever concept here was to put a full-featured monosynth with a keyboard at the center, then add modules around it. That seems to make loads of sense to me, as it creates a playable instrument that can nonetheless be patched for more creative sound design options. The full …

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Car Stereo Done Right: with a 303 and a 606 Playing Acid

Remember the days when we had “car phones” permanently mounted in our automobiles, and we listened to cassette tapes? Ha – how dated. Now, we do things properly: adding a Roland TR-606 and TB-303 to the dashboard so we can make acid while we drive. No, I’m not entirely certain you want your insurance company to know about this. (Even less so if they’re unfamiliar of the usage of the word “acid” in this context.) Via the Facebook page of muno.pl, the excellent Polish electronic music/club site. Totally obligatory: Update – there’s more!

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Live Insanity: Ceephax Acid Crew [Video]

I had the craziest dream. Super vivid, and it just kept going. Seriously, like it seemed to last a decade. Instead of playing electronic music live on gear that made sounds, so you could keep track of what you were doing with physical buttons and switches and things, all the boys and girls were using laptops. But that wasn’t the weird part: what was strange was, people were just putting whole tracks on those computers. I know what you’re thinking – so they were DJing, right? But no! They were just playing tracks one after another all the same tempo. …

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Watch The Greatest Video About Music Production Ever

Well, we might have tried to give that honor to something before (McRorie, Hatebeak the parrot), but… this might top it. There’s just so much. The vacant, turned-on stare of that curly-haired guy. The glowing alligator. The KORG 01/W – oh, that KORG. KORG will never make a keyboard demo quite like this. The script… Do you know anything about techno? Watch. Now, does anyone know what the Hell this is, anyway? Answer: Why, it’s 1996’s Vibrations – and yes, that is Christina Applegate. Which means… uh, actually, they probably should have know something about techno but didn’t but who …

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Stereoping Adds Knobs, Programming to Vintage Gear Missing Them [Video]

The electronic musical instrument world is littered with cases of one person, individually solving a problem. This one gets even more specific. There’s some beloved MIDI gear out there that’s just a bear to program. Yes, you can use various knob boxes – but because some of the programming requires archaic System Exclusive messages, prepare yourself for some work. The Stereoping device adds knobs and custom firmware for that hardware. Amusingly, the product is available as a kit, but maybe that’s perfect – you spend a bit of cash and devote that time to the soothing task of soldering rather …

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Dave Smith Prophet 6 Synth: 6 Analog Voices, and a Dilemma

Never say never. Few would have imagined just a few short years ago that essentially all – not most, but all – the major 2015 electronic instrument news out of the annual NAMM trade show would come down to 70s-/early 80s-style analog synthesizers, in the form of keyboards and modular. Nor would you imagine two of the big names would still be Tom Oberheim and Dave Smith, alongside Korg and Moog. (Well, maybe Tom and Dave did – how ambitious were you three decades ago, gentlemen?) Certainly, no one ever expected to see the name Sequential Circuits again. But that’s …

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