chrisconnected

Watch iConnectAUDIO4+ Connect Absolutely Everything

I know you’ve been there. Somehow, even with a small assortment of gear, you find that you have exactly the wrong combination of plugs. It’s actually even worse if you’ve bought into the inexpensive mobile music revolution. iPads are chock full of apps; little boxes like the KORG volcas can be great fun. But… the iPads don’t have any ports, and compact devices (including our own MeeBlip) often have just MIDI in to save space. And then there’s trying to clock everything. That’s why I’m really excited by the promise of the iConnectAUDIO4+. (And I know from feedback, I’m not …

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syd

No Longer Invisible: Images of Women Working with Music Technology

Coinciding with International Womens’ Day, advocacy group and networking platform Female Pressure yesterday launched themselves on Tumblr. In a stream of photos, they’ve been sharing images of female-identified artists engaged in process with music creation technology. (Some randomly-selected images are here; see the rest via the link below.) The images alone are a humbling and inspiring for me, just because I see so many familiar faces – friends and artists that have been personal role models for my work, including in moments of personal struggle as an artist and writer. The idea, say Female Pressure, was partly a response to …

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Erika: Musical Restraint, Space, Future, BBSes, Detroit [Interview]

From being a long-time mainstay of the Detroit scene to, at last, debuting a proper solo LP with Hexagon Cloud, the one word that can sum up Erika for me is, simply, “inspiring.” And if Hexagon Cloud’s perfectly-calibrated analog sounds and imaginative musical frequencies indulge our futuristic sonic fantasies, here we get the chance to talk to Erika a bit about what lies beyond musical parameters, too. That ranges from Detroit (past the fetishization of ruined buildings, please) to the liberation of early-90s BBSing to the appeal of outer space. You can listen to Erika’s work and revisit some reflections …

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In Drawings, A Producer Looks at Big Acts’ Live Laptop Rigs, Deadmau5 to FlyLo

In a charming set of schematic doodles, self-described hip-hop producer deejers has assembled an exquisitely-researched compendium of live laptop rigs from top music acts. In the lineup: Flying Lotus, Skrillex, Bassnectar, Pretty Lights, Daft Punk – a reasonable sampling of artists playing big shows live on the US circuit. And, oh, yes, deadmau5, who despite claiming that everyone just presses play, has put together a fairly impressive controller setup with monome, Maschine, Lemur, and Pioneer EFX-1000. (Just one of those four controllers could let you assemble a track from scratch, let alone all four.)

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Can make the biggest acts' live shows tick - but can also rock a live performance like she's just landed from a flying saucer. Check. Laura Escudé, achieving superhuman levels of music-technological knowhow, can still share what she's learned with us Earthlings.

Live Music Tools at the Bleeding Edge: Laura Escudé, From Herbie Hancock Collabs to Solo (Live Berlin, Sat)

It’s one thing to talk about tools. It’s quite another to put them into action, to make them withstand the rigors of creative process and idiosyncracy, let alone the torture test of touring. Laura Escudé is as deep in the trenches, on a day-to-day basis, as just about anyone on the planet. The music tech guru has worked with some of the world’s best-known artists, bending technology to their imaginative desires and world-trotting live shows. (Think Herbie Hancock, Bon Iver, and Cirque du Soleil, among others.) But she’s still found time to develop her own, unique sonic voice and live …

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glitch_apclayout

Glitch Factory: A Complete Performance Environment for APC40 + Ableton Live

Some people release remixable stems. Some people release little tools or utilities. Glitch Factory is a complete tool set for live performance, combining performance presets, an Ableton Live set, and even remixable track stems. It’s like getting to borrow someone else’s computer to see how they play – after they first cleaned everything up and made it usable for you. It’s a chance to break out of your performance world and walk in someone else’s shoes for a bit, then use that starting point to warp things into your own musical aims. The work of Mr. Bill and Will Marshall, …

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What You Don’t Need to Make Music: With A Poly 800 and Renoise, Dkon Talks Music Making, New Label

Deceptikon morphs into Dkon — and talks to us about doing more with less. Photo courtesy the artist. Artist Zack Wright, for a handful of followers of what we used to call IDM, will be a blast from the past. Recording as Deceptikon on labels like Merck and Daly City Records, Zack is back. His name is now Dkon, and the story is more than just him: in the absence of a Merck to release adventurous music, Dkon is helping launch a new label entitled Tokyo Ghost Island, with an EP to be followed soon by new records from Jemapur, …

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Turntable Meets Cello, Sax, Laptop: How Archie Pelago Uses The Bridge and Ableton Live

With laidback, exotic grooves and richly-coordinated interlaced cello, saxophone, turntable, and electronics, Archie Pelago’s music relies on some serious technological savvy. To be sure, all you really need to play instruments and computers and turntables together is to get into a room and start jamming. But to realize their specific musical vision, the trio of Hirshi, Cosmo D and Kroba have turned to an advanced Ableton Live rig, centered around The Bridge to couple Serato and Live. Here’s a look at their music – and all the gory details that combine to make their setup tick. Grab the free EP …

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Touchscreen or Tangible? Use Both: A Practical, Affordable, Playable PC Rig with Usine

Touchscreens? Good, old-fashioned faders, knobs, and pads? Why not just use what suits the job – especially when you can choose both on the cheap? Nay-Seven shares some of his latest work with Usine, the brilliant, modular and touch-centric tool for Windows. It’s a futuristic rig that’s also down-to-earth. Touchscreen monitors can be had for around US$300 street, and the Akai LPD8 and Korg nanoKONTROL controllers each figure under a hundred bucks. Usine, the software, is a bargain for its depth at EUR120, and free and educational versions are available. Cost aside, though, this also puts sound making directly under …

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Guitars, Mysteries, and Magic: Inside “Tiger Flower Circle Sun” with Christopher Willits

How do you allow musical ideas to flower – technically, creatively, and when finding your musical voice? The floral images reflected in visuals and sound in Christopher Willits’ “Tiger Flower Circle Sun” are evocative imagery, but also an apt metaphor for Willits’ artistic process. The composer and artist spins unique, organic ambient worlds with layers of sound and pattern, transforming the timbres of his guitar. He’s also known for making custom software to craft his results, a prolific patcher in Max/MSP with a regular series on Ableton Live, Max, Max for Live, guitar recording, touring, and other topics translated to …

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