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RME Do Compact Audio with 4X Analog, Digital, MIDI

There are plenty of fairly good audio interfaces out there. Decent-to-middling, yes. But if you’re picky about getting something really top-notch in terms of audio performance and stable low latency, that list gets a whole lot shorter. Want it to be really compact? That list gets shorter still. “Pro” often translates to “rack mount” – but just because you want something light and small doesn’t mean you don’t want something serious. RME is a brand that very often winds up on that short list. And their new BabyFace Pro I suspect ticks a lot of the boxes you want. First, …

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This is the Latest Music Gear, in Pictures: Musikmesse Photo Essay

Some people have to go to trade shows that cover nothing but various types of floor tiles. We’re fortunate that we get to go to one about musical instruments. Benjamin Weiss, seasoned German journalist and now product designer, as well, lets us see through his eyes at the show. I have to say, to anyone who has been to California’s NAMM show but not Musikmesse, the entire feeling is different. Space is spread out and oddly quiet; meetings include leisurely meals of Bratwurst and beer in the sunshine. Whereas the nerdiest sound technologies at NAMM are often relegated to hidden …

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Music That’s All Human Body and Objects, No Instruments: Biotronica with Ain TheMachine [Interview]

Music is all around us, yadda, yadda – we hear these aphorisms all the time, but to most, making music is still about the classical idea of instruments. Not so for this Madrid-based artist, who has transformed his body and all the objects around him into an instrument. The results are mad and magical – and CDM’s Matt Earp talked to the artist to find out just how he put this all together, and what it has to do with music like flamenco. There’s a noisy, lively spot for co-working in Neukölln, Berlin called Agora – a space full of …

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Life After Slots: What the Mac Pro, External Hardware Mean for Production

“Pro” is a funny word. When people say “pros” in contrast to “amateurs,” “producers” rather than “consumers,” they mean something about relative seriousness. And in tech, they usually invoke these words when they’re looking down on tools they feel aren’t up to snuff. That’s fair. Especially in music making and digital art where money is tight, people invest in tools because they deliver, not just to show off. And they’ve usually been burned by something less-than-pro letting them down. So, when people see a machine from Apple dubbed the “Mac Pro,” they have certain expectations. The problem is, the upcoming …

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Not available in stores: the custom touchscreen solution, running an original sampler, that turns Hans Zimmer's musical ideas into reality. Mark Werry is the person who made it all possible.

Interview: Mark Wherry, Man Behind Hollywood’s Digital Musical Instruments, Hans Zimmer Collaborator

Computer innovator Alan Kay famously said, “The best way to predict the future is to invent it.” Mark Wherry is doing as good a job as anyone of inventing that technology. Powering scores from the latest Batman films to Inception, working closely with Hollywood’s leading meastro Hans Zimmer, the work Wherry is doing really does invent instruments in order to invent sounds. New samplers, new touchscreens, new rigs all have to come together just to keep up with the feverish sound design demands of film and game titles. And with sophisticated surround delivery, at a time when studio veterans complain …

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Analog, Meet Digital: MOTU Volta Connects the Mac to CV Synths, Effects Graphically

Computers speak digital signal. Analog synths and modulars speak control voltage. (It’s sort of a “men are from Mars, women find these metaphors insulting” kind of situation.) What if you could bridge the two elegantly and graphically, using a drag-and-drop, modular interface with calibration and control features? MOTU has developed a solution called Volta. It’s a plug-in that turns your audio interface into a control voltage device. It works with all MOTU audio interfaces that have quarter-inch outputs, and MOTU intends to make it work with any 3rd-party audio interface with DC-coupled quarter-inch outs. In other words, one software plug-in …

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Whither, FireWire? What the New Apple Laptop Port Changes Mean for Audio

By now, you likely already know that Apple came out with new laptops today. I could talk about the new features at the existing price points or about how the new machines are very pretty, but you can easily find that elsewhere. Instead, I want to address some unfortunate details on the new laptops in terms of ports. After all, small details can make a big difference for audio users. For connecting drives, audio interfaces, MIDI devices, and the like, you get: MacBook Pro: Two USB 2.0 port, one FireWire800 port, one ExpressCard/34 slot MacBook: Two USB 2.0 ports MacBook …

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