Monolake Explains Great Mastering Technique in 44 Seconds

At last, you, too, can achieve great mastering. Mastering – a step by step guide to good sound by monolake Sadly, as Robert Henke concedes: i still think it needs to be louder and it lacks dynamics and punch. I STILL THINK IT NEEDS TO BE LOUDER AND IT LACKS DYNAMICS AND PUNCH! It’s like banging your head against a brick wall. No further comment at this time.

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A New Partnership, a New Series on Digital Sound and Art in Berlin; First Look at the Artists

Exploring the connection of the mechanical to sound, UK-based artists Stephen Cornford and Paul Whitty make reclaimed tape machines into instruments. All images courtesy LEAP. In performance and art, sound and music constantly pull against the formless abstraction of the computer, to find physical expression and realization. In physical control, in tangible production, and in exploration of space, artists explore techniques new and old to refine the still-youthful medium of electronic and digital sound. That adventure is at the heart of a new series at a gallery space in the heart of Berlin, LEAP – the Lab for Electronic Arts …

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Music Patchwork: Ableton Makes Max for Live Cheaper, Showcases Creations by Henke, Hawtin, More

As Max for Live matures, Ableton is working to convince more people to try this open-ended tool – and creations built for it – as a way of extending the experience of using Live for performance and production. For years, music software has focused on trying to do everything you need, to be a solution to problems you haven’t even considered yet. But recently, we’ve seen a move to software that considers customization and extension a core feature – not just the province of the hard-core hacker or DIYer, but something basic to the tool. FL Studio, Renoise, Reaper, Kontakt, …

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Decibel Log 3: Murcof, Mount Kimbie, Modeselektor, Teebs and More

Still from Robert Henke’s set at Optical 1 Our man in Seattle, Primus Luta aka David Dobson, continues his video coverage of the Decibel Festival for CDM with another set of feature coverage. All that coffee out there must be working. Take it away… Despite being the first event after an incredible night, which for many extended well beyond the 2am last call, Pravda Studios is packed early on day three for a full schedule of conference activities.  It comes as little surprise though, the first workshop is one most who are involved with the release of music today are …

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Decibel Log 2: Robert Henke, Room40 Label, Flying Lotus and Friends

The FlyLoTrio After Rocking Decibel – Ronald Bruner Jr., Flying Lotus and Thundercat The patter of rain against the window brings in day two at Decibel.  Early afternoon coffee is the ‘tall’ to order for the conference sessions in Pravda studios.  Robert Henke (Monolake) greets with a smile as he takes the podium for the first lecture “The Age of Abundance.”  It is a rare opportunity inside one of the minds behind Ableton, as he thinks on the future of electronic music eleven years after the founding of the company.  His talk revolves around the evolution of computer technology to …

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Lights and Music: The Harmonic Center of the Universe

The Harmonic Center of the Universe from Jesse Stiles on Vimeo. This beautiful, meditative installation of choreographed lights and sound, by way of Rucyl and Saturn Never Sleeps, is the creation of Chris Harvey, Olivia Robinson, & Jesse Stiles. The Harmonic Center of the Universe evidently narrowly escaped destruction last year during a thunderstorm, but perhaps Art is as much repair as it is creation. Artist Jesse Stiles specializes in such light shows. There’s a clear connection to the polytropes of Iannis Xenakis, with its own cascades of choreographed light – a reminder that lights can still have a place, …

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Ableton’s Robert Henke, And Why Sometimes Less (‘Fidelity’) is More

Ableton co-founder and general visionary Robert Henke (also known as Monolake) gave a full-length workshop in New Zealand recently. If you’re up for 90 minutes of discussion of musical and sonic techniques in Live, plus a look at his unique Monodeck controller, the whole video is there. But that’s not the main reason the video is making its way around the Interwebs. It’s because there’s a bit of a bombshell right at the beginning of the footage: He says, outright, you don’t need 64-bit sound to get “audio quality.” You don’t even need 16-bit all the time. Okay, maybe that’s …

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