A Machine and Lit-up Balls Dance to Timo Maas’ Music: New Daito Manabe Work [Details]

Fresh, sparkling, and minimal, Timo Maas’ music might already suggest balletic pirouettes by a chorus of machines. But our friend Daito Manabe has executed yet another opus – this time, making the music video kinetic. In “Tantra,” Japan’s Daito turns to the delicate tumbles of lit-up balls against robotic panels. Keep watching, as eventually you’ll see it all in slow motion, perhaps the nicest moment of the piece. The suggestive play of robotic repetition with some organic outcome fits this sort of dance music perfectly, it seems. Daito has gradually built up a body of work like this, from appearing …

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Bhoreal Makes Grids Color, Open, Controls Robots and Lasers; Final Hours of Funding

BHOREAL gets ready from MID New Media Design on Vimeo. It’s been almost a decade since the monome first began making appearances. Now, grids are everywhere – and that raises the question, where will the next innovation come from? What’s exciting about Bhoreal is that, far from simply cloning the monome, it realizes potential frontiers that the original monome couldn’t. And as Bhoreal reaches the final hours of crowd funding, the last chance to be first in line for the first hardware, it’s performing a lot of tricks to show off. Think lasers and robots. See the video at top …

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Meganome: A Massive Super-Monome Capable of Jazzy Rhythmic and Melodic Robotic Feats

Minneapolis-based artist Patrick Flanagan is no ordinary drummer or electronic musician. His rig does everything the hard way – and the results are fantastic. With robotic drum kit mechanically playing acoustic drums, his fingers command complex feats of rhythm and melody from an oversized, custom grid controller. There are idiomatic musical possibilities unlocked by software he’s built in Max/MSP and Java. Repeat increments, of the sort found in drum machines, produce complex rhythmic figuration on multiple drums – partly because, unlike the dumber implementation on drum machines, it’s possible to play multiple repeat increments at the same time. (In other …

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Fractals, Bots, Nodes, and Patternists: Onyx Ashanti’s Cyborg Music Meets the Ensemble [Guest Post]

Get ready: from one more-than-human musical cyborg, a robotic horde of beatjazz artists. Onyx Ashanti isn’t satisfied just augmenting his own body and musical expression with 3D-printed, sensor-laden prostheses. He’s extending that solo performance with bots that crawl around and gesture for feedback, then – inspired by the organic beauty of fractal geometry – is binding together performers with his system in a networked system of nodes. Just don’t call it a jam session. Call them patternists. If this sounds crazy, it is: crazy in just the way we like. But amidst this hyper-futuristic vision of performance, Onyx also writes …

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In Berlin, musicians and creators gather to work collaboratively on new means of creation and performance. Imogen Heap and her team are among the participants, presenting an interactive workshop on wearable tech. Photo from TEDGlobal 2012 in Edinburgh, by James Duncan Davidson.

Hack Into MusicMakers’ Future in Berlin [CTM Open Call]

Happy New Year, from the future. It’s too late for sci-fi movies with a dateline of 2013. If you want something futuristic, you’ll just have to get to work. That’s what we’re doing in Berlin at CTM Festival later this month, with some of our favorite artists and engineers and designers and artist-engineer-designers. And we’d love to have you join us. We’ll have live music to enjoy. That includes high-tech original creations — Sonic Robots’ real-life 808 drum machine and band, and Tarik Barri and Lea Fabrikant with their three-dimensional audiovisual space trip. Tim Exile will treat us to his …

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80s Roland engineers never imagined ... this. Welcome to the age of the Real. Photo: Jürgen Lösel.

A Robotic, Physical 808 Machine Advances Weird Science of Music, Tech Alike

So, you’re really hot stuff now that you’ve got a vintage Roland TR-808, huh? Ready to have your pride taken down a few notches? If you haven’t seen it, have a look at this. The MR-808 is a “real-world” replica of the Roland sounds. And when people throw around buzzwords like “post-digital” to try to describe the spirit of the age in which we live, this is what they’re trying to get at. In some sense, this creation is a tribute to the 808’s minimalism and essential design. And this is still a creation of the digital realm. The robots …

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Lego Mindstorm Robotics, One Kitchen, One Psycho Barbie: Bonaparte Music Video

BONAPARTE – 40°42’48.46 N 73°58’18.38 by JUL & MAT from JUL & MAT on Vimeo. Out of the screen, into your kitchen: digital tech can become magically alive when grown-up robotics meet child-like play. And it’s not trickery: this LEGO-powered robotic installation really is playing the parts of this song by Bonaparte. Peter Cocteau already showed the world that LEGO’s Mindstorms platform can become a fantastic drum machine, in his brilliant NXT-606. Now he’s back, with a robotic installation that “performs” the music video for German rock/electronic artist Bonaparte. Teaming up with Cocteau and French directing team Jul & Mat, …

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Gotye to Queen to Radiohead, The Songs of Hard Drives, Robotics, and Retro Gear

Beyond the viral-ready novelty, listen to the serenades of defunct hard drives, flatbed scanners, and garage sale-rescue computers and you might just hear a sense of urgency. As the discs whir, the chips bleet, and the solenoids ping percussion, this chorus of obsolete electronics seems to plea, save us from landfill doom. The latest breakout hit from repurposed retro machines is Gotye’s “Somebody That I Used to Know.” Here, it’s covered by a set of glockenspiel-playing solenoids and an HP ScanJet as the angst-ridden whine of the now-infamous vocals. An Amiga rounds out the band. Even the robotics can be …

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unravel

FOUND Installation Plays Narration, Robotic Music with Vinyl, Unravels Truth

One perhaps unexpected impact of technology has been to change the way we think about ourselves and our experience. Recording equipment – from photography to phonograph – has given us a new sense that memory itself might be fixed, unchanging, an accurate record of an unmoving truth. Except, of course, neither the recorded object nor the thing it is recording ever quite seems to work out that way. (Ask your local theoretical physicist, or for a more localized, humanized, sociological view, any loved one.) UNRAVEL is an installation that uses just those sorts of technologies to construct a narrative, and …

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scratchmarkup

Proposal: A Markup Language for Turntable Scratch Performance; Open Call

Scratching, captured. Photo (CC-BY-SA) karl sinfield / sindesign. Add this to the Internet of Things: imagine data recording scratching and scratch performances. Technologists Jamie Wilkinson, Michael Auger, and Kyle McDonald propose a new way of storing scratch moves as data. They’re not just working in traditional ways, either: they’re hacking turntables and optical mice and cameras, and imagine not only recording performances, but having machines recreate scratching. (Robots!) And they want your help. Kyle writes: i’m going to be leading a group at art hack day ( brooklyn, january 26th-28th www.arthackday.net/ ) about scratch markup language, a tool for recording …

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