R-is-for-Roland-2-copyright-by-Tabita-Hub

‘R is for Roland’ is Coffee Table Pr0n For Synth Lovers

Blah, blah, the influence of the Roland drum machines, their musical/cultural significance… I’ve actually written those words before, so I’ll skip doing it this time. In case the YouTube subtitles aren’t working, let me translate the German from the making-of video below: “We decided to make a giant bit of pr0n for you because these old Roland boxes are so beautiful. Try to keep our finely-printed pages from sticking together.” Actually, the still above looks like something out of Blow-Up< – Antonioni for the studio set?

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These are the Best Things at Musikmesse: CDM Best of Show Awards

What a week it’s been. Musikmesse in Frankfurt, one of the world’s largest gatherings of the music instruments industry, was host to a range of new gear, new technologies, and new revelations. I decided it’s finally time to crown my own picks as the most significant appearances at the show. Not because I have any particular right to do so, but I felt strongly enough about who was deserving. First, some honorable mentions:

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This is the Latest Music Gear, in Pictures: Musikmesse Photo Essay

Some people have to go to trade shows that cover nothing but various types of floor tiles. We’re fortunate that we get to go to one about musical instruments. Benjamin Weiss, seasoned German journalist and now product designer, as well, lets us see through his eyes at the show. I have to say, to anyone who has been to California’s NAMM show but not Musikmesse, the entire feeling is different. Space is spread out and oddly quiet; meetings include leisurely meals of Bratwurst and beer in the sunshine. Whereas the nerdiest sound technologies at NAMM are often relegated to hidden …

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Roland AIRA Modular: Tabletop, Eurorack, Digital, Analog, Our Comprehensive Guide

This is how much the world has changed: we aren’t just talking the resurgent, enduring synthesizer. Nor are we talking about retro reissues. We aren’t even talking the return of analog control voltage. We’re uttering “Roland” and “Eurorack” in the same breath. Roland has taken the wraps off their AIRA modular plans, and they’re extensive. Make no mistake, this is still AIRA, and it’s still Roland – these are devices that look and sound like the AIRA series. That is an obvious point of differentiation for the boutique makers, the sometimes one-person manufacturers, and the uniqueness of what they produce. …

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Roland Confirms AIRA Modular Next Week, Shows Revealing Picture

Roland apparently doesn’t want to leave too much to the imagination – or online leaks. Now, it’s official. Roland has posted a teaser image to their AIRA site. It’s marked with the catch phrase “Start Patching,” plus “Frankfurt Musikmesse 2015” (next week’s industry trade show here in Germany). So, we know a lot for sure now: It’s an AIRA product. It has patch cords. It’s modular. (The filename on Roland’s own site is “b_airamodular.jpg”) They’re doing a rack-mount SYSTEM-1. (That’s the AIRA SYSTEM-1 layout in the device on the top. It seems they’re breaking it out a bit like the …

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The 100m is probably a more appropriate model for whatever is coming from Roland next, but check out the stunning industrial design on the original System 100. This might inspire a custom Eurorack cabinet with keyboard, or two. Photo (CC-BY Notreshuggie.

The Last Time Roland Did Modular: The System 100

With widespread reports that Roland will soon have a new modular product, it’s worth remembering: Roland has done modular before. That legacy carried the name System-100. The original 100 semi-modular lineup of the late 70s, and the Synthesizer-101, might actually be more relevant today than it was when it first shipped. The clever concept here was to put a full-featured monosynth with a keyboard at the center, then add modules around it. That seems to make loads of sense to me, as it creates a playable instrument that can nonetheless be patched for more creative sound design options. The full …

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Roland Seems Poised to Enter Analog, Modular Worlds

Analog is back. Boutique synth makers have entered Eurorack, one by one (Dave Smith, Tom Oberheim). KORG has remade analog hits of yore, and now produces hardware like the SQ-1 sequencer that interfaces with analog gear. Arturia, once known only as a plug-in vendor, has analog Control Voltage ins and outs on its new hardware gear. Now, Roland seems next to climb on board the analog renaissance. The question is, just how far are they going to go? The answer should be coming in April at Musikmesse, and the first hint has just leaked out. Updated, April 8: we’ve received …

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808 Site Found: Five Drum Machines Now Live In Your Browser

It’s finally happened. The 808 is now a tab in your browser. And it’s brought friends. Sure, they’re called “hip hop, house, electro, techno, and acoustic” but – you’re not fooling anyone. (Least of all because some of those genres use the other machines.) That’s an acoustic kit, plus the Roland TR-808 and TR-909, Elektron Machinedrum, and Roger Linn’s Linndrum. This isn’t the first time we’ve seen drum machines emulated in a browser. But coding for the rich Web, and browsers in general, have each gotten a lot better, so the experience has improved. And, crucially, this isn’t just a …

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Car Stereo Done Right: with a 303 and a 606 Playing Acid

Remember the days when we had “car phones” permanently mounted in our automobiles, and we listened to cassette tapes? Ha – how dated. Now, we do things properly: adding a Roland TR-606 and TB-303 to the dashboard so we can make acid while we drive. No, I’m not entirely certain you want your insurance company to know about this. (Even less so if they’re unfamiliar of the usage of the word “acid” in this context.) Via the Facebook page of muno.pl, the excellent Polish electronic music/club site. Totally obligatory: Update – there’s more!

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On the Eve of New 808 Film, Techno’s Roots Matter More Than Ever [Videos]

If rock music had the Gibson Les Paul and Fender Stratocaster, hip hop and dance music have the TR-808. And if its sound seems sometimes overly familiar, even that is in some sense a hat-tip (pardon the pun) to its enduring ubiquity. Now, the Roland TR-808 gets its own full-length documentary, told primarily through the eyes of the people who repurposed its idiosyncratic sound to spin new musical genres and start a revolution. The film features extensive input from Arthur Baker, who acts as a centerpiece for the movie. Baker was the producer behind Afrika Bambaataa’s ‘Planet Rock,’ a record …

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