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iZotope’s Dynamic Delay is free – and wonderful

iZotope has a new delay out, and like many plug-in developers of late, they’re using a limited time free offer to rise above the din of Internet noise. But while the new “DDLY Dynamic Delay” is free, it’s not something cut-down. On the contrary: you might fall in love with this delay right away.

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Add a Free Softube Saturation Knob, Anywhere: Plug-in for Mac, Windows, or Reason

The Christmas gifts keep coming. On top of an excellent free NI delay, a free clap plug-in, and a free retro-inspired Max for Live drum machine, now you can add a free saturation effect – anywhere. Softube are making, simply put, some of the best amp and saturation models anywhere. I’m routinely using their stuff, as I’m sure many of you are, in Ableton and Propellerhead releases on top of dedicated Universal Audio UAD plug-ins. But having the convenience of a single saturation effect, with adjustable parameters, means you can create custom effect chains quickly. Toss some saturation on just …

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Pianoteq 5 Improves Piano Modeling, Without Eating Up Your Hard Drive

If you want a fake piano, you can have a fake piano. You can have increasingly-good models and samples in hardware, but you can really get a fake piano on your computer. You can buy entire hard drives just to store the gigabytes of samples. You can load massive instances of Kontakt with different recorded sounds for every note, every articulation. You can have new pianos, old pianos, countless Steinway samples. You can even have a ridiculously-tall upright. Or, you can have Pianoteq. Whereas others gobble hard drive space, Pianoteq uses sophisticated modeling techniques that skip the samples, meaning it …

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Rhythm, Recoded in Plug-ins, Ableton Live: A Conversation with WaveDNA

Music software is at its best when it goes beyond cookie-cutter regularity, and spawns something creative. And sometimes, the path there involves retooling how that music is made. That’s why I’m pleased to get to share this interview with WaveDNA. Liquid Rhythm is something unlike just about anything else in music software. It looks like a music theory class collided with a mandala. In colored patterns, arrayed in bars and wheels, you can produce all kinds of new rhythms, then integrate deeply with your host software. If you use Ableton Live, the integration goes further still. Whether you’re using Drum …

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Get a Multi-Sampled Mellotron, Free [Mac, Windows]

At 350 pounds (159 kg), the original Mellotron is not an easy instrument to acquire … or lift. But its 8-second tapes helped define a classic sound – Strawberry Fields, forever. Sample house UVI have been doing a lot of nice work lately – including some real rarities like the prepared piano at Paris research center IRCAM. They’re giving away their multi-sampled Mello emulation. It’s always tough to know how to best capture as a digital instrument something as idiosyncratic as the Mellotron; in this case, they’ve multi-sampled dozens of tapes on three different machines for the 28 sounds. It’s …

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A bare-bones UI belies a powerful engine - and a tool that could finally jump-start sound designers embracing an open format. Proprietary lock-in, no more.

Software Instruments, Freed From Sampler Formats: SFZ, Free Sounds, Free Sample Player

“Free As In Free Me From Proprietary Formats.” If you’re ready to explore sounds – as a novice sampler user or as an advanced sound developer – SFZ brings tidings of great joy. When they move from defining mere sounds or samples to describing whole instruments, sound designers need file formats. The problem has been that those formats tend to be particular to one sampler or another – just Kontakt, or just Logic’s EXS24, or just Gigastudio. Yes, there are converters, but because these samplers have different capabilities, converters cause problems. Being able to create instruments for these samplers is …

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Circuit-Modeled Dynamics, Plus One Free Plug-in, From FXpansion

Quietly, FXpansion have been making some well-loved, circuit-modeling instruments in the DCAM series. They may not be a household name, but just ask around artists – producers I know consistently bring up the DCAM name and just talk about it sounding damned good. Now, DCAM turns to processing and not just synths. DCAM Dynamics is a suite of plug-ins, each based on models of analog circuitry. There’s a good range of stuff here, covering the gamut from fine-tune adjustments to more creative applications, and I’m eager to try them. Best of all, the freebie here isn’t just a cut-down throwaway, …

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iZotope Iris: Paint with Spectra, Make a Real-Time Synth [Videos, Gallery]

Imagine working with sound design by painting with spectra, then applying those spectra to instruments you can play in real-time, and you’ve got the basic notion of iZotope Iris. The dream of combining graphics tools, a la Photoshop, with sonic ones has been in the minds of creative computer users for some time. Iris is a major landmark, though: instead of just being an editing tool, it turns sonic selection into something you can use in a synth. It lets you do your creative sound editing, but then play those sounds live, transforming the technique into an instrument. In fact, …

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Ozone 5 Arrives: More Visual, Space Age UI, and Updated DSP in Mastering Tool

Let’s get straight to it: Ozone has already established itself as a do-everything mastering tool. It’s a suite of interconnected modules handling frequency and dynamics, designed to work together in an integrated interface. It does so much, in fact, that it’s hard for an upgrade to do more, but Ozone 5 promises new sound and visual feedback that could further entrench this popular tool. And that could explain how Ozone 5 stole the Audio Engineering Society trade show in New York. AES is a flurry of knobs, dials, and faders, but some of the major buzz we heard was just …

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A New Plug-in Format, Really? Avid Answers Our Questions About AAX and Pro Tools

Alongside its Pro Tools 10 and HDX unveiling, Avid turned some heads by recently announcing it was replacing its RTAS and TDM formats to a new format called AAX, “Avid Audio eXtension.” Now, your first reaction may not be unbridled enthusiasm, exactly: it seems the last thing users are likely saying is, “yes, please, I’d like a new plug-in format to worry about.” But I wanted to give the engineers at Avid a chance to tell us what they were thinking and why they made the move. Avid’s product announcements have unfortunately coincided, presumably because of the financial calendar, with …

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