Nina_Kraviz

Go Record Digging with Nina Kraviz, Finding Emotion in DJing and Production

Nina Kraviz appears in a film from vinyl store The Record Loft. It’s short, but she’s strikingly economical and insightful in talking about what it means to mix records, find records, and make records. The Siberian-born PhD dental doctor-turned-DJ/producer is especially noteworthy at the beginning of 2015. Last month, she helmed edition number 50 of the legendary DJ-Kicks series – the gold standard of what a mix should be. What’s nice about the interview is how quickly Kraviz gets to the emotional essence of all the dimensions of her work. Feeling, and capturing a moment, is at the heart of …

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Eat a Cucumber! A Musical Playground Gets Kids Hooked on Veggies, Music, and Electronics

Quick, we need kids to be able to express their feelings, they really ought to learn more about electronics, and – more veg. Definitely need to eat more vegetables. You know what we have to do. Let’s combine all that. Moscow-based collective/project Playtronica has gone wild with the Makey Makey “invention kit,” and built a whole range of projects around interfacing electronics to vegetables and other creative inputs. They have hands-on workstations for kids that look like your Farmers’ Market was taken over by Leon Theremin. Kids are making rhythms, recording sounds, making songs. And in a CDM-exclusive premiere, we …

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jekka

Video: A Heart-Breaking Solo with Autoharp and iPad, by Jekka

The iPad as folk instrument – alongside an earlier iteration, the Autoharp. In a heartbreakingly lovely video, Jekka of Moscow goes acoustic with Samplr.

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turbo-gusli

Play a Russian Folk Instrument with Your Mind, Or Turn Seashell Patterns, Likes Into Generative Art

::vtol:: “turbo-gusli” demo performance from ::vtol:: on Vimeo. Musical instruments: make a move, get a sound. Or, musical instruments: apply an algorithm, get a sound. Read the tattoos on your arm as a score, turn the black-and-white patterning of a seashell into generated audiovisual artwork, apply brainwaves to a folk instrument and let a robot play it… Such are the mental excursions of one ::vtol::, aka Moscow’s Dmitry Morozov. He’s been busy over the past year or so, wearing robots that interface with tattoos to make music and constructing surround sound umbrellas. And we still have more crazy-science goodness to …

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The Dazzling, Futuristic Lighting of Licht.Pfad, Transforming Clubs and Beyond

Light Installations Show Reel 2013-2014 from Licht.Pfad Studio on Vimeo. Seeing the future of light in performance, installation, and clubs doesn’t necessarily mean waiting around for some fantastic, new kind of lighting instrument. That requires big manufacturers making mass-market products, and their priorities don’t always align with artists. Instead, what we’re seeing is often traditional lighting technologies, choreographed in spectacular new ways. With elaborate computer control, the lights themselves form architectural patterns, dance, and come alive. Licht.Pfad have actually been behind a number of projects covered on this site. Using the visual development tool TouchDesigner, they’ve built their own tool …

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A Robotic Machine Worn on the Arm Turns Tattoos into Music

Symbols in on paper can be realized as music, so why not turn a tattoo on your arm into a musical score? That’s what artist Dmitry Morozov (“vtol”), Moscow-based media artist and musician, has done with “reading my body.” It does more than transform his body markings into sounds. He mounts a machine on his arm, as sensors scan the image from a stepper-motor driven path along rails. The strange robotic machine makes him a kind of cyborg photo scanner optical synth. And the results sound like a delicate solo on a violin, playing a lullaby to baby puppies. Kidding. …

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A Surround Sound System You Can Carry Like an Umbrella, ‘Anywhere’

Music is transformed by context, by instrumentation and space and setting. With amplified music, thinking about content alone isn’t enough. Visualists now work with projection mapping and lighting constructions and lasers and the like. It seems electronic musicians as a scene may benefit from thinking more about speakers. We saw recently 4DSOUND, an immersive architectural installation. But that requires carrying around columns. Here’s a multichannel system you can tote along with you, like an umbrella. The results look like a prop from a post-apocalyptic Terry Gilliam movie; it’s sound as object. pseudo multichannel personal autonomous sound installation with 10 panning …

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mM5

A Naked Man Plays Robots and Finds Love; A Quadriplegic Finds a Voice in Music

Man & Machine: A Naked Robotic Love Story from Jesse Roesler on Vimeo. Making music with machines, we all become somehow more than human. We are people, augmented by technology. Those technologies strip us bare, expose us as naked emotionally … sometimes, literally. Through the eyes of one filmmaker, here are two parallel images that drive that point home. Last week at Berlin’s CTM Festival, we began a week-long hacklab by touring the Generation Z exhibition with curator Andrey Smirnov. One thing Andrey repeatedly emphasizes about the revolutionary Russian artists who came together in the 1920s is their belief in …

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Reconnect with Electronic Music’s Revolutionary Roots, in Stunning Images [Gallery, Videos]

“On a western device, you push a button and get a result. On a Soviet instrument, you push a button and get something.” -Benzo When music was first electrified, it was nothing short of a revolution – literally. And as today’s technologies again attempt to fuse human and machine, there’s no better time to connect with past visions again. “Discontinuity” is the theme of the this year’s CTM Festival in Berlin. But it sets the stage for an unprecedented movement to put today’s machines back in context, across the barriers of time, and – increasingly, in a closer European/west Asian …

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BearAndSea

New Leaves: A Mix of 2013 Artists and Music to Inspire Your 2014

Ed.: If you, like those of us at CDM, find yourself again at the precipice of new musical possibilities, now is a wonderful time to get you bearings. It means as producers and music lovers that we try to find sounds not just to imitate or accept passively, but that can push us further. In German, there’s a wonderful New Year’s greeting that has no direct translation – “Guten Rutsch!” means literally a good “slide” into the new year. Matt Earp aka Kid Kameleon helps us navigate that slide, from the old to the new, that’s at the heart of …

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