dbntapes

DbN Keeps 2014 Weird: Experimental Music, Made from Found Tapes

DbN – The Found Tapes Project 2014 from DA BOOK on Vimeo. If Auld Lang Syne and predictable “best of” lists are getting you down, here’s likely the weirdest-sounding New Years’ greeting you’ll get, to kick off 2014. Düsseldorf by Night (DbN) improvises strange, creepy-beautiful soundscapes from cassettes. It turns the flea market into a sample library. It looks like the terrific iPad app Samplr gets some heavy usage in this, as well. That’s a good choice – touchable waveforms keep everything happening live, with intuitive gestures, as would jamming on an instrument. Bonus: if you see DbN’s Found Tapes …

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AudioCopy, Updated for iOS 7, Now Includes Handy Free Pasteboard App for Sounds

In the long run, iOS 7 should be a step forward for audio. There are some pretty superb new features for routing audio between apps, better selecting from different mics, and other features. But as in many of these sorts of updates, we have to first navigate some compatibility issues first, and get the bugs ironed out. (Inter-app audio is coming to apps now, but there are still some bugs that mean it doesn’t behave perfectly yet – watch for updates from Apple.) AudioCopy and AudioPaste, the popular technologies for seamlessly “copying” sounds between different iOS apps, requires the use …

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Cops on Fire: Crazy Russian Hip-hop-opera Theater, Played Live on Novation Launchpad

Imagine combining sampling, controllerism, opera, hip-hop, rap, cops, live theater, sound effects, school-play cardboard props, and radio plays, and then doing it all in Russian, and you’re getting in the ballpark of what “Cops on Fire” was like. As described in English for the 2010 Moscow trailer (translated by uploader Sasha Pas): The “Cops On Fire” show is a fusion of theater, culture and contemporary urban music. The genre of the show is “hip-hopera” (hip-hop + opera). Hip-hopera = live hip-hop arias + original decorations + stage tricks and choreography by professional artists. Got it? These guys are dedicated to …

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Samples, No Computer: $99 Akai MPX8 Combines Pads, SD Card, MIDI and USB Port

Sometimes, there are designs that seem almost impossibly like an answer to a specific need. Let us illustrate. Wouldn’t it be nice to have a box that you could play, independent of a computer, that just let you mess about with samples directly from an SD card? And wouldn’t it be nice if it had MIDI jacks on it, too, and not only USB, so that you didn’t need the computer handy? That’s the MPX8 from Akai Pro. It’s dead-simple, so you’ll do most of your sample manipulation away from the hardware. (There’s a free Mac and Windows sample editor …

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Abuse Sampling for Sound Design: Free Tutorial, Rack in Ableton Live

The response to the breaking Live 9.1 news this week was fast and furious; we were honestly surprised at the vast readership of the story. A lot of you must have multiple displays or virtual desktops you want to use (or, now, even a Push). But sometimes the best upgrade is the one you can install in your brain. Improve your technique, and an array of musical possibilities open up. Take this terrific tutorial from DJ Vespers as an example, which involves varying very small sample slices in Ableton’s Sampler to create unique pads. It works especially nicely with Sampler’s …

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New Gold Panda Full-Length: Hypnotic Craft, Deep Feelings, as Always

Gold Panda is back with another full-length masterpiece. Here, any gauzy soft-focus fuzz is stripped away. The music is still warm, focused on chopped-up samples, and delicious, meditative repetition. But it’s more focused than ever, with a dry directness that lets his musical craft come further to the fore. There is some narrative and program explained on Gold Panda’s “Half of Where You Live.” Some of that is hard to miss – exotic percussion, clanging away as though you’ve ventured out onto the streets in some far-off city, references in titles and vocals to place. And there’s a sober comment …

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Four Tet Walks Through His Unique Live Rig for Red Bull Music Academy [Video]

Playing with laptops can become performative in conventional ways, just by adding instruments – voice, guitar, live drums, ukelele, or whatever it is you play. But it becomes more mysterious in the hybrid performance media that emerge from “playing” the arrangement directly, manipulating the larger bits of a track in the form of stems and samples. That can be really boring – the “press play” approach – or it can begin to embody an artist’s musical imagination. They can improvise with the composition. You’ll want to make sure you don’t tune out early in this video with Four Tet, shot …

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Reason 7’s New Tools for Slicing, Stretching, Retiming Audio: Q&A, Tutorial Vid

Far beyond the simple sampling that first appeared in hardware, slicing, re-timing, and stretching audio keeps getting more sophisticated, manipulating recorded sound in musical ways. But a lot of the popularity of this technique traces back to Propellerhead and their ReCycle tool. By bringing together smart digital slicing with its REX file format for loops, ReCycle helped launch the looping craze in software. REX support has always been part of Reason, since the start. But the way sound works in Reason has gradually evolved, particularly as Swedish developers Propellerhead made Reason into less of a rack of synths and more …

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If I Could Save Sounds in a Bottle… Interactive Experiment Does Just That

Re:Sound Bottle -second mix- from Jun Fujiwara on Vimeo. Sampling might feel sometimes like bottling up sounds. But in a project from Japanese designer Jun Fujiwara, the experience is delightfully literal – much to the surprise of people who try it out. As seen in videos, Re:Sound Bottle records sound snippets when uncorked, then remixes them into rhythmic music. Have a look. It looks like great stuff. Dear Jun, if you’re out there and read CDM, we’d love to hear from you! Description and original video below:

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Discover Music, Get Free Samples and Live Packs, Get Your Ocarina On

Some CDM commenters accuse this site of being shills for Ableton, of giving disproportionate coverage to Ableton Live and Push. Others accuse us of being hipsters, endlessly talking about things like 8-bit video game consoles and Nintendo. And so, I’m pleased to come to you today with a 30,000 word, peer-reviewed white paper relating the latest developments in high-end studio consoles, using a highly disciplined double-blind test to evaluate the impacts of analog summing on the behavior of migratory birds. Or… no, actually, let’s feed the trolls. It’s hard to believe, but our friend Brian Funk aka AfroDjMac has been …

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