World Science Festival 2009: Bobby McFerrin Demonstrates the Power of the Pentatonic Scale from World Science Festival on Vimeo.

At the World Science Festival in June here in New York, specialists – including musical specialist Bobby McFerrin – gathered to ask what in music we humans hear universally, versus what is culturally specific.

Is our response to music hard-wired or culturally determined? Is the reaction to rhythm and melody universal or influenced by environment? Join host John Schaefer, Jamshed Barucha, scientist Daniel Levitin, Professor Lawrence Parsons and musical artist Bobby McFerrin for live performances and cross cultural demonstrations to illustrate music’s note-worthy interaction with the brain and our emotions.

You can watch a series of five video highlights, but the one above is perhaps the most striking. (I believe it’s already more than made the rounds around the Interwebs, but, well, we can say we were all busy creating digital music.)

Notes and Neurons videos

It’s funny just how low the average person’s opinion of their musical ability can be. Ask an average “non-musician,” and they’ll often claim to be deaf to rhythm and pitch. Push the issue, though, and typically you’ll discover quite the opposite. Listen as the crowd laughs at discovering they all share some basic intuition about how pitch works. These are, after all, science and neurology types, not musicians.

NK Berlin is a planetary hub for wild experiments made with music, technology, and electronics. When you can’t be in Berlin soaking it up in person, you can explore the oddities assembled on their MySpace page. A recent workshop by Andrey Smirnov and Guy Van Belle on Theremins led to these unusual videos, playing a potted plant:

…and a bunch of bananas (footage from the Theremin Center, Moscow).

Via the Pd list, though, it seems that the next NK workshop will go somewhere else altogether: music with microorganisms. Really – you’ll need a USB microscope. It’s electronic music in a Petri dish.

I could try to explain, but I’ll leave it to the description by organizers Marc R. Dusseiller & Kaspar Koenig:

We had a blast (ahem) Saturday night at the Yuri’s Night party at NASA Ames Research Center; stay tuned for video and more, including the results of the Futuristic Musical Design Challenge. But that’s no reason the party has to end. If you’ve listened through all 55 songs on the 45 Tribute and want still more music, Amon Tobin and Deru have kindly donated music mixes for the yuricdm.com minisite. It’s good listening to pick up your week:

Exclusive Free Mix: Amon Tobin, Back from Space

Exclusive Free Mix: Deru

And here are the direct links to listen / download:

Download the Amon Tobin Yuri’s Night mix [contains NSFW audio samples]

Download Deru’s Free Mix

Updated! If you were having problems with the links, it’s because I made a mistake generating URLs with Amazon S3, and some browsers (IE and Safari but evidently not Firefox) get picky. It should be fixed now.

For more on Amon Tobin, our friends at Current TV have this interview on the Foley Room album — not exactly news, but inspiring stuff, nonetheless. Anyone who’s a found sound sound design fan (as I know many of you are in your own work) should get a kick out of it:

Let us know what you think of the music in comments. (Truly — thoughtful criticism is welcome as well as praise.)

Hello from Ground Control: this week, I’ll be coming to you live from CDM’s micro-blog for Yuri’s Night Bay Area, ground zero for the global space rave celebrating human exploration of the cosmos. CDM’s challenge: to bring all the goodness up close and personal to you, from California to wherever you are on Planet Earth.

Watch the minisite now, during the event, and in the couple of weeks following at:

http://yuricdm.com

or subscribe to the yuricdm.com RSS feed.

Yuri’s Night needs special nerdster love for a number of key reasons — a huge lineup of music, art, and science, plus a special CDM event and booth:

• Music: The likes of Amon Tobin, Tycho, Christopher Willits, and many others … and our friend Ganucheau, too
• Motion: Interactive installations and visualists everywhere, including our man Joshua with his incredible Wii-powered SuperDraw, built with Processing
• Space and Science and Games: Here’s where I get especially excited — it’s an event on the airfield at Ames Research Center, not typically a place non-NASA employees can go, and we actually get to play there and listen some of the world’s top scientists. And Will Wright (creator of SimCity, Sims, and the upcoming Spore with its generative music) will be there, too, just in case your geek circuits weren’t overloaded yet.
• CDM @ the Hangar: We’re running a special Futuristic Music Design Challenge competition, and we’ll have the CDM booth for much of the evening where various musical / visual makers will be showing off their inventions (with more of our friends elsewhere at the event). So stop by and say hi.

As an addendum to why trying to make computer models musically creative can be so disastrous, maybe the problem is we fail to understand what creativity is.

Scientists funded by the National Institute on Deafness and Other Communication Disorders (NIDCD) have found that, when jazz musicians are engaged in the highly creative and spontaneous activity known as improvisation, a large region of the brain involved in monitoring one’s performance is shut down, while a small region involved in organizing self-initiated thoughts and behaviors is highly activated.

Study: Prefrontal Cortex In Jazz Musicians Winds Down When Improvising [scientificblogging]

That’s just one study, and I won’t pretend to be an expert in neuroscience. But what the scientists are describing is awfully close to the nuanced way jazz musicians will describe improv. It’s not not thinking. But it’s also not self-monitoring. It’s something else.