pushvspush

Push 2 hardware now works in Bitwig – including on Linux

There may be an Ableton logo splashed on it and integration designed specifically for Live. But one of the nice things about Ableton’s Push and Push 2 hardware are that, at their core, they’re open. Everything sends and receives standard MIDI messages. As we’ve seen, even the display is hackable. And that is admirable not only from an engineering standpoint, but because it means the hardware you invest in has a life beyond just specific drivers and software updates. Now, that extends even to rival software Bitwig Studio – which means you can even use a Push 2 on Linux.

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nativekontrolddc

Get dedicated hands-on control of your Ableton Live set with DDC

So, we all know we’d like to get our hands on software music making with something other than the mouse. Now — how? How do you actually make that physical knob or button do something useful on screen, and at the right moment? There’s the brute-force method, manually applying MIDI learn. There are fancy dynamic ways of assigning controls. But the former is inflexible and requires extra work, and the latter means that you typically can’t “lock” every control where you need it. (That is, the automatic methods sometimes “outsmart” you to the point of not allowing you to do …

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reaper

Here are ten reasons Reaper 5 upgrade will make users happy

Reaper 5 is out today. It’s the compact, tight, powerful music and audio production software whose users would like to know why more of you aren’t talking about it. And they have a point. Reaper 5 is US$60 with a bunch of included free upgrades, or a voluntary $225 for “commercial” use. Even the demo runs a full 60 days with no restrictions. Yet Reaper does a lot of things other DAWs don’t – even some of the priciest out there – in a compact tool that has exhaustive hardware and OS support, plus complete scripting. Now, what Reaper 5 …

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This iPad app (touchAble 3) just got a lot more powerful and usable, too. It now follows whatever you're doing with your hardware. So you can actually play, rather than squint at your gear and get confused.

Wish Granted: Ableton Live Control The Way You Wanted It

You want to improvise with Ableton Live. You want to reach out and turn a knob, and know what it’ll do. You want to be able to grab controls that have something to do with clips that are playing. Yeah, so Merry Christmas to us. Permit me being a little excited, as I am immensely grateful to the developers. It’s a rare case where you say “wow, I wish that this –” and then suddenly get what you asked for nearly before finishing the sentence. Just last month, we saw a way to get grids in order using LaunchSync, a …

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necktie

MIDI-Controlled Necktie Lights Up As You Play, with Internet-Enabled LEDs

As the consumer electronics industry struggles to work out what people want in wearable technology, the people are speaking. We want – no, need – neckwear that lights up in sync to music as we play. Clearly. Well, anyway, that’s what Hector Urtubia – aka Mr Book – is doing in his latest hack. It’s a proof of concept, but it’s good, nerdy fun. And it uses mesh networking and conductive thread. The ingredients: Pinoccio (yes, spelled without the ‘h’), an Internet-connected, compact, Arduino-compatible board. You can even access this board over the Web, so think Internet of Things here. …

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renoisecdp

Renoise Community Already Have Their Own Tool for CDP; Free, Easy Sound Mangling Results

Not to be out-geeked, it seems that while BT is stumbling around the command line, the community at Renoise have built a free tool around the archaic sound-mangling goodness of the now-available-for-free CDP (Composers Desktop Project). For those of you just joining us – that’s a strange and wonderful tool that processes sound files into crazy distorted, morphed new forms in various ways. The Renoise forum is all over this, having used Lua to code up a front end that makes processing files part of the workflow in Renoise. It’s … kind of incredible. Thank UK-based user afta8 and other …

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Let your iPad Look Like Anything, Sequence Anything, with Lemur 5

Even before the world had seen the iPad, the promise of Lemur was a touchable interface that could become anything – a Star Trek-like world in which you could touch fluid controls directly to make live music and visuals. The reality, though, was more limited. Users were limited to a library of widgets. That included useful controls, like knobs, faders, and even more far-out physics-enabled X/Y pads, buct widgets, nonetheless. A major update to Lemur this week blows that wide open, in two ways. First, it overhauls how sequencing works, with both tighter timing and new objects, ideal for use …

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TouchDesigner 088 Adds Crazy-Awesome Savvy in Mapping, Scripting, Sound and Music, More

Eye Vapor EEG Sonification 1 from Derivative on Vimeo. Smart. Even smart enough to visualize and sonify EEGs. TouchDesigner is not well-known in general circles, even after long-running availability. It’s Windows-only software for specialists. But there’s only one thing you need to know about it: it is consistently used in some of the best work artists are doing right now in multimedia. And in one go, the deceptively-named “088” is adding some massively-important stuff. Little wonder we’re hearing from a number of readers who are already excited. And there’s now a non-commercial license, too, fellow impoverished and overworked but lovable …

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Grid Tricks: How Launchpad S Differs, Emulate Push with Launchpad, 11 Launchpad Display, More

Life on the grid gets better and better. Yes, these blinky, lighty arrays of squares do continue to proliferate. But musicians are also hacking away to make them more useful. And they do that with perhaps nothing as much as the Novation Launchpad, a kind of workhorse of the grid world. While one of the simpler grid controllers available, Novation’s hardware is also uniquely affordable – and uniquely rugged, standing up to plenty of abuse. Here, we get to see how the Launchpad S differs from the original, how both Launchpads can emulate Ableton’s flashy-new Push, and what happens when …

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An Exquisite Corpse Game Jam, Made with OSC, Starts this Week

Game jams have already begun encouraging creative, improvisatory game jam, by gathering designers and artists together and motivating them with tight deadlines. But here’s a new concept: what if all the games could talk to one another? What if they could all respond to the same basic game inputs, but with differing results? Using the network protocol OpenSoundControl (OSC), a game jam this week tests what would happen. Each game is both transmitter and receiver, dealing with the position and color of a player (in two-dimensional space), and position and color of an “entity” (be that an alien, a hamburger, …

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