Remember when electronic sound gear hid in hulking, rack-sized cases? Korg’s Kaossilator series had already begun shrinking the desktop KAOSS Pad gear, but even the first-generation Kaossilator wouldn’t fit in your pocket, given its square shape and corners. (Well, unless you were wearing overalls.) The Kaossilator 2 and Mini Kaoss Pad 2, on the other hand, are scaled perfectly to your hand and would tuck neatly into a pocket in your pants or bag. And while I know some readers were hoping for a new Pro addition to the KAOSS line, these little bundles of joy have added some functionality that could make them musically useful. Being dedicated hardware, they also won’t suffer from a battery sapped by phone calls or the interruption of a Facebook message – and that input jack is built in.

We saw the new models at the NAMM show this month. The highlights:

The Kaossilator 2 is a PCM-based phrase synth, inspired by the original Kaosillator, for improvising melodic lines. What’s new is some handy recording functionality:

• Scale Key and Note Range so every note is “right,” effectively, as on the original
• Drum sounds
• Gate Arpeggiator with adjustable gate time and swing settings
• Loop recording to layer phrases and add as many overdubs as you like
• “Dual Loop Recording banks allow DJ-Style mutes and cross-fades”
• Record using the built-in mic; or use the mic input for recording of external input
• microSD/SDHC, so you can cheaply add up to 32G of removable storage

That crossfader, of course, is entirely new, and Korg does mention “dance music” in the sounds and focus. It’s easy, then, to imagine this as a pocket-able instrument for jamming or something you’d use to make musical ideas on the go, and it does look like a lot of fun.

The Mini Kaoss Pad 2 is an effects box to the Kaossilator 2′s synth – and it even has a built-in MP3 player, so you can load up sounds and tracks ahead of time:

• MP3 player with microSD card slot for data storage/exchange – or record performances and mixes
• 100 effect programs, with 3 favorite slots
• Looper, Vinyl Break, and Ducking Comp from the Kaoss Pad Quad (actually, need to find out if all the slicer effects from the Quad are there)
• Internal mic plus external audio inputs
• I’ll quote them directly on this: “Support for pitch change and cue point settings allows serious DJ play.”

Now, it’s a little hard to imagine DJing on something the size of a deck of cards, but, of course, I hope somewhere out there tries. I like the idea of putting your tracks on there and improvising a little mix, especially with the ability to record. Again, you could use it as a little sketchpad.

I got some hands-on time on the first morning of the show, and they’re a blast to play with, certainly. See the official Korg videos.

The other advantage of dedicated hardware here is, again, having a dedicated resistive touch interface. On a phone, the highly-sensitive capacitive interface can lead to missed triggers, and you have to fiddle around with menus and the like. There is something to be said for this dedicated gadget, at least for some. And it seems worth comparing, since many of you have a smartphone. What do you think – are you intrigued at all by these latest Korg gadgets?

With a US$160 street, if you are, they may be hard to resist. We’ll watch for when these start shipping.

http://www.korg.com/kaossilator2

http://www.korg.com/minikaosspad2

Previews of each, then the two together:

Zoom’s R8 promises to be everything you’d ever want to take with you on the go in one device. If they’ve pulled it off, it could be more invaluable in your backpack than even your computer. The R8 is a little bit of everything: stereo recording, multitrack editing, a 2×2 audio interface, an 8-voice sampler (complete with little pads), a drum machine (seriously), an effects box with modeling, a guitar tuner, a metronome, and a MIDI control surface. The big surprise: all of this is compact and lightweight and runs without a wall wart – USB power or batteries will do the trick.

I could talk dimensions, but I like Zoom’s way of describing it: “small enough to fit in a guitar case.”

Basic specs:
Recording and editing. Up to 24-bit, 48kHz recording of two simultaneous tracks. Mix up to eight tracks. Undo/redo. And if you forget your mic, there’s a built-in stereo mic, as we’ve seen on previous Zoom project gear. Record on SD for up to 32GB of space.

Onboard I/O. It’s simple, but significant for something this small: you get two balanced combo XLR – 1/4″ jacks for inputs, phantom power, and one channel has a Hi-Z switch for guitars and the like. Output is on two 1/4″ jacks.

Audio interface and control surface. The I/O and faders and knobs don’t go to waste when you’re connected to a computer via USB; you get 2×2 audio operation, plus a MIDI control surface. (I’m not sure if that’s class-compliant for iOS / Android / Linux, but I’ll find out.) Both the mixing and transport functions are active with your DAW on the control surface side.

Sampler, “rhythm machine.” Sample, loop, time-stretch, and trim samples which you can trigger along with track playback for quick composition. It’s no rival for a full sampler – sampler controls have to compete with mixing and editing controls, and it appears functions like slicing aren’t included – but getting this on a budget mobile project studio is pretty nice. You also get a 10-kit drum machine (or “rhythm machine,” as they prefer to call it), with step sequencer and phrase variations. The drum kit doesn’t appear to function with recorded samples, but … again, come on, your Portastudio didn’t do this, at least not without a separate drum machine plugged in.

Insert and send-return effects and amp models. 146 effect types are included, as well. You can use them to add a quick amp model and effects as you record your guitar, or add them live when the box is functioning as an audio interface.

Utilities. Guitar tuner. Metronome. There’s also Windows and Mac support, USB 2.0-speed file transfer of your WAV files from your sessions, and a footswitch input with optional footswitch accessory. Pop in four AA batteries, and you can run for up to five hours, say Zoom. There’s also a copy of Cubase LE included.

Full specs and features are up on the Zoom Japan site:
http://www.zoom.co.jp/products/r8/features/

Questions for Zoom? Want to see a review – and if so, any requests for how it’s conducted? Let us know.

Snack-sized, solid state HD video is cheap and affordable these days. Sure, a handheld video recorder like the Flip HD or Kodak Zi6 may not rival your real camcorder, but they’re dirt cheap, fit in your pocket, and with good lighting can put out really nice footage. There’s just one problem – the sound is often utterly dreadful. (I picked up a Zi6 this week because its audio is pretty reasonable, but it’s not stereo and I wouldn’t use it in an audio-critical situation.)

Hmmm… if only your favorite HD video handheld and something like the awesome Zoom H4n could combine…

It seems Samson/Zoom heard your wish. The Q3 has the stereo mic from the H4n – a really great-sounding mic for field recording, one that almost magically seems to make things sound good in tough situations. But it adds to that native MPEG-4 video recording. Pop in a 32GB SDHC card and the device promises up to 16 hours. (Or bring a few cards – they’re removable.) And you get high-quality stereo audio, something that even fairly pricey camcorders almost always lack. (Heck, even the supposed prosumer or even “pro” models are often downright awful in the sound department.)

Another unique feature: while most camcorders are limited to lossy audio, you can actually record full 44.1/48kHz PCM WAV. In fact, I could actually see carrying one of these to a gig alongside your pro camera; you can use the 640×480 picture as a reference and have an additional sound source.

There has to be a catch, right? Well, for starters this doesn’t give you HD video. Granted, the Zi6 and Flip HD are only 720p, and the sensors aren’t the best, but having that extra resolution can be forgiving and gives you a 16:9 aspect ratio to boot, plus lovely 60 fps. On the other hand, sensor quality and optics matter more than specs on paper; I’d settle for 640×480 picture if the video quality is good – and I can tell you right now, you’re unlikely to beat the Q3 on sound quality. (That said, a Q3 HD seems inevitable at some point.) Also, unlike an H4n, this doesn’t have a mic input jack, so you can’t easily switch over to a lavalier mic. Combined, that should mean if you’ve bought an H4n and a video camera, there’s no reason for buyers’ remorse. But this still has some use – and suggests some good stuff coming to us soon, too.

Availability: September (at least, so says @samsontech via Twitter – and in Q3, ironically enough). Pricing: Zoom says expect a US$250 street price.

Details from Samson:
Q3 – Handy Video Recorder

Via Darren Landrum.

Sometimes, audio products come in sexy, exciting packages. But sometimes, they simply solve a set of problems. And the products that fit into the latter category can be as beloved (dare I say sexy), if not more so.

Since I first saw a prototype in the fall, I’ve been eagerly awaiting trying out Cakewalk’s V-Studio 100. It immediately resonated with features I wanted to see in hardware. Rather than talk the specs, let’s talk about the kind of problems you might like to solve in your mobile rehearsal, production, and performance rig:

• You want to mix live, but don’t want to carry a mixer. You’ve got a laptop set, but you’re mixing it with other sources – and you want to be able to add live instruments / voices / Nintendo DS / circuit-bent creations to your main output without routing through the computer (which also saves your bacon when the machine crashes / you accidentally overload the CPU in Live)
• You want to record your live sessions. ‘Nuff said. Sure, you have a portable recorder, but then you have to patch it in…
• A lot of the time, you reach for the mouse because a control surface wasn’t convenient. And then there’s the fact that, while keyboards now often have mixer controls, the faders aren’t motorized.
• You want to carry less gear, but you really need an audio mixer and some live effects and some recording and a control surface for your software mix.

And, of course, yours truly has been sort of encouraging all of these problems with talk of Game Boys and iPhones and custom-built Theremins and actually playing live instruments and pushing your Live set to the envelope and … oh yeah, then you want to record the whole thing.

I can’t vouch for whether the V-Studio 100 fulfills all my wishes just yet, because I don’t have the thing here. But while there are inevitable compromises in multi-function designs, the V-Studio 100 is set up in a way that appears to come close to what I think a whole lot of us need as laptop musicians. And despite the Cakewalk name, it’s actually aimed at users of a variety of Mac and Windows tools:

• Control surface with motorized fader: One motorized, touch-sensitive fader, plus 5 rotary encoders, 11 buttons, transport controls; supports Mackie Control and SONAR’s ACT
• Standalone mixer: 8 ins, 6 outs, headphones – mix while in audio interface mode or on its own
• Built-in effects: 4 reverb types, 6 channels of EQ and compression – so you can add effects to instruments / vocals in the box without having to worry about adding latency by routing through the computer
• USB 2.0 audio interface: 8 in + mix / 6 out, 24/96, 2 mic pres with phantom power, Hi-Z guitar in, MIDI I/O, ASIO, WDM, WASAPI, Core Audio support
• SD recording: 2-channel recording to SD cards in both standalone and interface modes, so you can make recordings whenever. SDHC-compliant, so you can add up to 32GB cards – and the 8GB and 16GB cards have been surprisingly cheap.
• Bundled software, including Vocal Strip: The Vocal Strip to me is the star, with vocal-specific processing tools, but there are also specialized Channel Tools, Peak Limiter, and LE versions of Guitar Rig, Dimension, and Rapture, plus an entry-level SONAR for PC

So, it’s a:

• controller
• gig recorder
• practice tool
• audio + MIDI interface
• mixer
• effects box

You can pretty quickly see how much you get into a compact setup. Sure, you could get a single motorized fader as on the FaderPort, and tote a portable mixer, and an audio interface, and a mobile recorder, but having them all in one box is a heck of a lot more convenient – less to buy, less to lug, and less to plug. The SD portion has some of the rehearsal-friendly features people like on Roland’s mobile recorders: markers, looped playback, and even a metronome. Also, the use of Mackie Control means the controller potion could make a nice companion for the likes of Logic or Ableton Live, not just SONAR. There’s not a lot there to control, but just having transport and a fader map correctly is a relief.

Of course, my general excitement aside, what makes this live or die is the way the dividing line is drawn between the standalone and computer-integrated functions. That’ll be top on my list in testing.

Pricing hasn’t been announced, but the price ballpark I heard sounded quite reasonable, so I expect this will turn out to be a pretty good value. I’ll keep you posted. June is currently the planned date.

As you know, my policy is generally not to post press releases, but in this case I think there will be some delay before the same information is available on Cakewalk’s site. In lieu of the link, enjoy (excerpted):

Essential tools for music production in one affordable package
SONAR V-Studio 100 elegantly combines the most essential tools needed by today’s modern music producers and performing musicians in a compact and affordable package.

· High Speed USB 2.0 Audio Interface

· Universal DAW Controller

· Personal Digital Mixer

· SD WAV Recorder

· VS Production Pack suite of virtual instruments and effects (Mac/Win)

· SONAR VS digital audio workstation (Win)

Use SONAR V-Studio 100 with or without a computer

SONAR V-Studio 100 Hardware Features

High Speed USB 2.0 Interface

SONAR V-Studio 100 is a high quality USB 2.0 audio and MIDI interface utilizing world-class Roland engineering design and component technology.

· 8 in + mix / 6 out, 24-bit/96 kHz quality

· 2 mic pre-amps w/phantom Power, hi-z guitar input; MIDI I/O

· ASIO, WDM, WASAPI, Core Audio support

· Compatible with DAWs such as SONAR, Logic, Live, Cubase, and Digital Performer

Universal DAW Controller

SONAR V-Studio 100 is a universal DAW controller that supports all popular digital recording software for Mac/PC via Mackie control protocol, including Logic, Live, Cubase, and Digital Performer. Additionally, V-Studio 100 provides extended control capabilities over SONAR through the implementation of Cakewalk’s Active Controller Technology (ACT).

· 100 mm motorized, touch-sensitive fader

· 5 rotary encoders, 11 buttons and transport control

· Use with any DAW through Mackie Control protocol

· Advanced control of SONAR through Active Controller Technology

Personal Digital Mixer

SONAR V-Studio 100 is an ideal digital mixer for small groups or solo performers who need easy control of few instruments and vocals mics; DJs, MCs, and any electronic musician who needs to mix multiple sound sources. All users can enhance their live sound with the pro-quality on-board effects which offer easy routing and accessibility.

· Ideal for mixing small bands, solo musicians, DJs, home studios

· 8 inputs, 6 outputs plus headphones

· 4 types of reverb and 6 channels of EQ and Compression

Mobile SD Recorder Live Player

SONAR V-Studio 100 can capture that creative moment whenever inspiration strikes by providing high quality digital recording that can be used without being connected to computer. Record directly to the VS-100’s SD-card to capture song ideas, rehearsals, or live performances. Create backing tracks on your DAW of choice and transfer them to the VS-100’s SD-card for playback during live performance (even while recording). Likewise, recorded performances can be easily transferred from the VS-100’s SD-card for additional editing, tracking, and sweetening.

· Record away from your computer

· 2 channel wave recording and playback

· Capture rehearsals and live performances

· Play and record along to backing tracks

· Built-in metronome

· Insert markers during record and playback

· Loop a region for practicing parts or jamming

· Easily transfer audio to and from any computer via USB

SONAR V-Studio 100 Software Features

VS-100 Production Pack (Win/Mac) suite of effects and instruments includes:

VX-64 Vocal Strip is a seven-stage processor designed specifically for shaping and sculpting incredible sounding vocal tracks. Each of the VX-64’s stages have been fine-tuned to be vocal-specific, taking the work out of dialing in an entire chain of vocal processors.  The VX-64 features a new Cakewalk technology that employs phase-coherent, multi-band saturation to avoid unwanted distortion; unique filtering to avoid harsh artifacts at extreme high and low frequencies; and an auto-leveling circuit that prevents the tube saturation from sounding too harsh when high gain transients are processed by it. VX-64 also employs a new de-essing algorithm designed with Cakewalk’s LP64 linear phase effect filtering technology to remove sibilance without creating any frequency smearing.

Processing stages include:

• Input – simulates a tube pre amp
• De-esser – removes sibilance without smearing
• Compander – vocal compressor with an expander to reduce unwanted background noise
• Tube EQ – for adding character ranging from subtle warmth to intense heat to the vocal
• Doubler – advanced doubling effect providing the quality of actual re-tracking
• Delay – preset delays useful for vocal tracks with tempo sync
• Output – provide saturation control with a built in soft-clipping filter
• Order of processor stages is user definable with click & drag reordering

Channel Tools — provides easy and powerful control over individual placement of the left and right channels anywhere in the stereo field. Ideal for adjusting L/R channel placement, gain, pan/width, and phase; also provides a widening or narrowing effect to stereo recordings through adjustments to mid-side gain.

Boost 11 Peak Limiter — gives your tracks radio-ready punch through transparent peak limiting and volume maximization without additional coloring of the source material. Boost 11 employs a "look-ahead" limiter and PDR (Program Dependent Release) to provide professional results with a simple interface.

Native Instruments Guitar Rig 3 LE — built on the latest award-winning guitar amp modeler from Native Instruments; 3 amps and cabinets, 11 effects, tuner, metronome, and over 50 presets.

Dimension LE — a streamlined version of the acclaimed Dimension Pro instrument from Cakewalk. Dimension LE features over 400 sound programs, ranging from bass, organ, and electric piano samples to cutting-edge synth sounds, rhythmic grooves, and a special edition of Garritan Pocket Orchestra.

Rapture LE — is a special version of the award winning Rapture wavetable synthesizer. It includes over 200 programs and hundreds of oscillator shapes. Rapture LE is perfect for performing the modern synthesized sounds igniting today’s pop, dance, and electronic music.

Cakewalk Studio Instruments — a collection of four virtual instruments that provide a fast and easy way to create backing tracks using a photo-realistic, interactive user interface. Instruments include a Drum Kit, Bass Guitar, Electric Piano, and String Section.

SONAR VS digital recording software (PC only) — a special entry level DAW based on the powerful SONAR 8 audio engine but offering a streamlined user interface.