instrumentsthree

A different breed of analog sound library for Ableton Live

Soundware is everywhere, from endless catalogs of loops to yet another pack of sampled vintage instruments. But apart from questionable quality as the market grows crowded, the other simple question is, just how should these packs be assembled? SympleSound is what happens when a sound designer decides to treat the sound pack like an instrument unto itself – not just content, but a set of tools.

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Seze Devres Photography NYC www.sdphotography.net

In An Avalanche of Modular, Here’s the New Gear You Need to Know

You know you’re at peak modular when Moog is reissuing 1970s synths for US$30,000. It wasn’t long ago that people were relegating modular synths to closets, selling them off, and even – really – throwing them in dumpsters. Now, the once-archaic racks of synthesizers connected with patch cords are suddenly cool. Moog rockstar chic aside, the trend is mainly driven by Eurorack, a format introduced years ago by Doepfer that has made it easier to manufacture and buy interchangeable rigs. Moog is making only a handful of those System 55 rigs, so even they acknowledge you probably can’t afford them. …

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The Monosynth, on Steroids: Dave Smith Pro 2 Synth Revealed

In a world full of monosynths, how do you stand out from the crowd? Easy: build a monosynth that thinks it’s a high-end synth workstation. Never has so much power been built into one note. Looking at the Dave Smith Instruments Pro 2, what you get is really something resembling the Prophet 12, an instrument that’s been getting loads of acclaim of late. The rich synth architecture, the controls and modulation, the ample connectivity opportunities (including CV) — everything’s there. In that basic mold, though, the Pro 2 has an architecture all its own – and, by default, it’s monophonic. …

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circlesremixed

Fax, Circles Remixed EP, and the Post-Ambient, in Mexico And Beyond [Good Listening]

“Post-” is a prefix that comes up in an art world struggling with overlapping genres and non-linear history, one you’ll no doubt here today on an anniversary of a truly terrible day in Manhattan. But what does it mean to come after something, and where can it go? It’s sometimes best to simply listen to music to answer that. A clarion, original musical voice from Mexico, Fax – Ruben Alonso Tamayo – treads lines between ambient, minimal techno roots, and straight-up minimalism in electronic music. It’s no surprise he’s also a designer; there’s a sense of color and surface taking …

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shruthi1_wolf

Open Shruthi-1 Synth Evolves Deep Sound Capabilities, New 4-Pole Filter, Ice-White Case

Inside this compact white box lurks a lot of sonic power and technical prowess. Perhaps that explains why the newest version of the open source Shruthi-1 now sports a crazy-badass wolf dog cartoon with glowing eyes. Since its launch, the Shruthi-1 has gradually evolved new features, with a fairly sophisticated combination of hardware and extensive software. At its core, it’s a “hybrid” synth with digital/virtual analog oscillators and real-analog filter. The digital oscillators allow it to change character, for classic virtual analog subtractive, or wavetable, FM, phase distortion, and vowel synthesis. The big news with the filter is that the …

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prevecrowd

A World of Sounds: Academik’s Francis Preve Shares Label’s Music, Studio Advice, Samples for Live

Francis Prève works the crowd. Photo courtesy the artist. The abundance of music, and the preceived ease of producing it, comes to some as bad news – or even harbinger of apocalypse. But load up a craft with quantity, and quality is what stands out. Francis Prève is a perfect Renaissance producer. With years of experience as a music technology journalist and sound designer, his own, signature flavor of tech-house is uniquely focused on timbre. His label, Academik Records, debuted last year at Austin’s South by Southwest, but it’s just now kicking into high gear. (If you are in Austin …

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