ParamDrum TR Edition from Peter Dines on Vimeo.

Imagine a machine that lets you walk a thin line between control and chaos. You’ll be tweaking it, for sure – you’ll want to invest a sufficient amount of time shaping its sounds and adjusting its instruments to alter its flightpath. But once set in motion, it will give you variety and delicious insanity.

That’s the idea behind Peter Dines’ ParamDrum, a Reaktor drum machine with granular goodies inside providing sample manipulation and a set of clear sequenced controls for adjusting parameters. The “Param” bit refers to the parameters you’ll control – pitch + sample select + speed + size (of the sample) + smooth (granular) + swing. These parameters are unleashed against a sequence that you’ll likely never fully control – but that will never feel like it’s simply on autopilot, either. You can then load your samples into three players, which can be conceived as bass + clap/tom/snare + hat or something else entirely.

It may sound out of control, but “control” in the MIDI sense is essential. You can control step probability with MIDI velocity, tap in sequences with MIDI notes, and record playable automation with MIDI CCs from your hardware encoders. Pete has worked out a lovely template for Native Instruments’ Maschine controller, for instance.

ParamDrum, then, becomes a factory for variations. It allows you to iterate through plenty of results you don’t like to the one that’s perfect, for production or performance.

ParamDrum is a cheap US$12.50, though you do need a copy of Reaktor 5 (also included in Komplete) to use it. The upside is, it’s editable, and you get Pete’s immaculately well-organized patch macros, so it’s something you can modify easily or use as a model for your own patches.

Full details on Pete’s noisepages page, Modulations, which is also a new repository for his thoughts on sound design, Reaktor patching, SuperCollider learning, and other music technological geekery.

ParamDrum
modulations@noisepages

Planet ParamDrum

The other cool thing about ParamDrum in our throwaway technological world is that it’s already started to attract a little community of users.

Performance with Cubie from sadmb on Vimeo.

Music sequencing as a Rubik’s Cube-style game, or hypnotic, kinetic rotating wheels – your piano roll won’t know what hit it. New musical art is set to be performed in Argentina, but you can download both tools, free.

Computer interfaces for music date back decades now, but with ingrained notions of hardware sound sequencers, linear media like tape, and hundreds of years of notation in staves and bars, old habits can be hard to kick. Yet it seems that suddenly, a younger generation of audiovisual composers is exploding notions of how musical interface and sequence could work, fully embracing a virtual space in which they themselves have come of age.

Next month’s spectacular-looking 404 Festival could make anyone want to book a flight to Argentina. Two highlighted artists from this festival for me really embody the possibilities of new sequencing metaphors. Both are built in Java.

The tireless developers behind the modern tracker Renoise announced a new beta on Tuesday. While the devs themselves are calling this a “maintenance and improvements release”, they’ve introduced enough bug fixes, new features and workflow improvements, along with multiprocessor support, that any other company would have slapped a new major version number on the top and called it a day.

Here’s a short list of the changes:

As seen in the video from last month’s Music Makers event, LittleGPTracker is a tracker for Linux-based GP2X and GP32 systems. The GP-series boxes are terrific little game machines that, unlike proprietary commercial game systems from Sony and Nintendo, are completely open. (Well, even if there is a certain pleasure to hacking PSPs, Game Boys, and DS machines to play homebrew anyway.)

LittleGPTracker’s interface is modeled after LSDJ, the cult favorite tracker for Game Boys. That interface can be archaic at first if you’ve never seen trackers, but with adjustment, many swear by its unique approach to structuring patterns — it can push users in less linear directions than more conventional sequencer interfaces.

Because the GP isn’t a Game Boy, though, you get some major extras. There’s sample playback, in the form of 8 monophonic 16Bit/44.1Khz stereo sample playback channels. And you can drive external hardware (or even computers) using MIDI.

If you want to try out LGPT before you buy a GP, or if you want some tracker action at your desk as well as on the go, you’re in luck. There’s a desktop version available for Windows, and now even one entering testing on Mac; Linux might follow. Of course, you get made fun of by the developer for running the Windows and Mac releases instead of the mobile versions.

LittleGPTracker Home
LGPT on the GP2x Wiki