Meet Bazille, the Obscenely-Massive Monster Modular Synth Plug-in from u-he

Simple, lightweight, minimal. No, not really. This is a total monster, the grandest synth yet from plug-in maestro Urs Heckmann, aka u-he. ACE, aka “Any Cable Everywhere,” already introduced us to computer plug-ins with massive tangles of virtual cables – in a good way. Bazille, then, is the plug-in that ate the plug-in that ate Chicago. And after first making an appearance in 2009, it’s finally here, like a beast foretold in legend. Its oscillators are digital, with FM (frequency modulation) and phase distortion and the wild-sounding fractal resonance. And then it has analog-style filters. And then it has effects …

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white whale Makes your monome Into an Amazing Modular Step Sequencer

It seems everyone is getting in on modular gear these days, thanks to the Eurorack format. But many of these modules are variations on a theme – new models of old classic modules, existing synthesis components and filters that have just been reborn as a module. monome white whale, shipping this month, is something different. Connect a monome grid controller to a modular, and suddenly that array of light-up buttons becomes a probabilistic sequencer. It’s live performance oriented in a way too few modules are. The results are surprising and lovely. The solution isn’t cheap – you need a monome …

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Yeah, so put them together, and then, you know, stuff.

Midular are the Free MIDI Modules Every Ableton Live Setup Needs

Forget fancy effects or sophisticated plug-ins – day-in, day-out, it’s those simple MIDI modules you wind up using again and again and again and again. It’s like having a bucket of paperclips on your desk. It doesn’t have to be exciting. It’s the simple stuff that gets used. So, one of my favorite demos from the jam-packed sessions at MIDI Hack Day in Stockholm in May was unquestionably Midular. The idea was simple: make some basic modules that do stuff to notes and control events, then combine them in useful ways. It deserved an ovation. And now, you can get …

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Roland AIRA Series, 1.10: Everything Gets Smarter, USB Backup and Restore

Roland has updated the firmware for the first full AIRA line (TR-8 drum machine, TB-3 bassline sequencer, VT-3 vocal processor, SYSTEM-1 synthesizer) today to version 1.10. There are no new sounds – in case you wanted, say, a 727 drum kit for your TR-8. But instead, the whole range gets USB backup and restore, and functionality around working with patterns and MIDI gets a whole lot smarter. This isn’t just a few fixes; it really does polish off the AIRA series and address a lot of the points I found a bit limiting using them some months ago. And just …

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polyrhythmus

Polyrhythmus is an Insanely-Great, Free Generator of Rhythms, Arpeggios

Polyrhythmus is the machine generator of notes and rhythms many of us have long dreamt of. It does Euclidean rhythms – symmetrical divisions of time that beautifully produce common polyrhythms (not just for nerds, but modeling a lot of popular rhythms – see the research of Godfried Toussaint). It’s also capable of making other rhythms. It can be polymetrical or polyrhythmic. It’s … also an arpeggiator. It also automates parameters and MIDI Control Change messages. It has loads of modes. It’s modular. It’s dynamic. It’s amazing. It’s a music making nerd’s dream, friendly to anyone who loves rhythms, notes, and …

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M-Audio’s Trigger Finger Pro, in Videos: Think Three Devices in One

M-Audio’s first Trigger Finger might be the most ubiquitous controller in laptop music. Pads, faders, knobs. It was almost a stupidly simple equation, but it caught on. The Trigger Finger Pro is something different. It takes on three roles: 1. It’s a controller for included software. If you want hands-on control of software right away, M-Audio has bundled tools that integrate directly with the controller: there’s Arsenal, a kind of drum sampler-style tool M-Audio calls a “production hub,” AIR Drums, a dedicated drum module, and Hybrid 3, a very lovely synth, plus loads of sample content. But what sets Trigger …

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The Monosynth, on Steroids: Dave Smith Pro 2 Synth Revealed

In a world full of monosynths, how do you stand out from the crowd? Easy: build a monosynth that thinks it’s a high-end synth workstation. Never has so much power been built into one note. Looking at the Dave Smith Instruments Pro 2, what you get is really something resembling the Prophet 12, an instrument that’s been getting loads of acclaim of late. The rich synth architecture, the controls and modulation, the ample connectivity opportunities (including CV) — everything’s there. In that basic mold, though, the Pro 2 has an architecture all its own – and, by default, it’s monophonic. …

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LegoTechno: Sliding Lego Blocks Make Music with littleBits, Maschine, Arduino

Keep watching: this LEGO sequencer, playing a littleBits synth kit, does something amazing. Sliding tiles around actually changes the sequence, all reading the blocks, in a terrific real-world, physical user interface. (Well, it certainly pleased the crowds at the Music Hack Day at SONAR in Barcelona.) And yes, this means the team we saw earlier keeps working on this. Intrepid hackers can use the just-barely-hidden Lua back-end of Maschine to do their own custom scripting. More on that soon. In the meantime, let’s check out the details:

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If You Use Kontakt, Get Cool Bleep and Bass Instruments for Free

Bleeping amazing. There’s some great stuff you can get for free for Native Instruments’ Kontakt sampler. This week, two new instruments are available. First up, a device that makes chip music bleep sounds, and includes sophisticated sound controls and step-sequencing LFOs. The creator, Zombie Queen, describes it thusly: I’m assembling new bleeping device in Kontakt, last one was so twisting complicated, I’ve been getting lost in it myself. I wanted to re-utilize the engine, but simplify things a lot and add some new twists. I’ve got working ‘beta’ version, if you’d like to try it out. It’s focused more on …

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Meet the Strange, Wonderful 70s Machine that Used AI to Make Music

The 70s were one heck of a groovy time. When they weren’t postulating theories about the very underlying essence of all physical reality being reduced to computational models, pioneering AI scientists were … creating weird music sequencers? Seriously? The Singularity will be brought to you by Giorgio Moroder, perhaps? Yes, as we saw earlier this week, AI legends Edward Fredkin and Marvin Minsky somehow managed to take their research in philosophy, digital physics, and cognitive science, and make a weird box that most definitely is capable of blinking lights and making sequences of bleeps. The Triadex Muse really seems like …

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