Zillion is a Generative Step Sequencer from Future-Retro with Loads of Possibilities, Performance Tools

Machines give us something that would have amazed musicians from centuries past: they let us make melodies without playing them directly. Now, there are three ways of doing that. One, there are tools that take what you play and turn them into sequences. Two, there are interfaces for making melodies with touch, sliders and knobs. And then there’s a third category: boxes that can actually generate new melodies, all under your control. You control the parameters of the sequence, but the content is algorithmically produced. Future-Retro’s Zillion does just about anything you would ever dream of in that third category. …

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A Giant LEGO Construction Makes Music with Maschine, Made by NI’s Devs

LEGOs and rapid, hacked construction have led to the development of hardware sold to musicians; Push and Maschine each saw hacked-together versions as prototypes before the more-polished versions we see today. So, why not use some of those toys and hacks to make something you can actually use, right now? Apparently what happens when you let the Native Instruments development team free to play for a weekend, that’s exactly what happens. LEGO Techno uses computer vision to allow the musician to make sequences with LEGO blocks. It’s not the first time we’ve seen this very idea – seems musicians gazing …

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Roland AIRA MIDI Implementation: Now Official for TB-3, TR-8 – and TB-3 Sequences Nicely

This wouldn’t normally be news, but for whatever reason, the Roland AIRAs went flying off the shelves – missing any MIDI documentation. Ahem. We covered a number of these details before, including a Max for Live patch for the convenience of those of you integrating with Ableton. The good news: the hackers were right, and got more or less the entire implementation via trial and error. So, this is still a good resource: AIRA Secrets: Here’s How to Take Command of Roland’s TB-3 and TR-8 with MIDI The TR-8, then, holds no surprises. I’m just hopeful we see extra functionality …

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One Day, One Track, 3 Roland AIRAs: How They Sound, Would We Buy Them?

It’s probably the greeting I’ve heard most in the past couple of months, apart from “Hello.” Sometimes even before “Hello.” Everywhere I go, people are asking me what I think of the Roland AIRAs – particularly the TR-8 drum machine. There are now reviews everywhere of the AIRA TB-3 and TR-8 (and some of the VT-3, as well). For CDM, we’re planning some additional detail, but we’re still awaiting our review hardware. Fortunately, I got to spend an action-packed day with the trio of AIRAs with Benjamin Weiss. So, I can do what I’d do in a bar: I can …

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Hexonator Resonator Makes Any Sound into Harmonies, Sequences

Resonators are a breed that could use some new life. Let’s not even talk about Ableton Live – use one of the presets in the built-in effect in that software, and any producers are likely to perk up their ears – and turn up their nose. But that’s why it’s nice to see the latest effort from Artemiy Pavlov and Sinevibes. The Ukrainian developer has just been on a roll lately with clever, Mac-friendly (Retina Display, even) creative plug-ins. And the latest is a fresh twist on a resonator. Six tuned resonators already makes a nice resonator plug-in, but Hexonator …

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Akai’s $199 Analog Drum Machine with Bass Synth: Rhythm Wolf Details

Remember when a $200 budget used to buy you a metronome and flight case, if you were lucky? Now, you have a range of great synths you can choose from. And now it’s Akai’s turn. The Rhythm Wolf is an integrated analog groove box – a 32-step sequencer, an analog drum machine, and a bassline synth in one. And it’s just $199 street. We’ve got all the details on the box, and should have more hands-on impressions later this week.

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Let your iPad Look Like Anything, Sequence Anything, with Lemur 5

Even before the world had seen the iPad, the promise of Lemur was a touchable interface that could become anything – a Star Trek-like world in which you could touch fluid controls directly to make live music and visuals. The reality, though, was more limited. Users were limited to a library of widgets. That included useful controls, like knobs, faders, and even more far-out physics-enabled X/Y pads, buct widgets, nonetheless. A major update to Lemur this week blows that wide open, in two ways. First, it overhauls how sequencing works, with both tighter timing and new objects, ideal for use …

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One Awesome Jam, Four Sequences, 32-Steps: New MTRX Hardware Sequencer Video

Fyrd Instruments’ MTRX is a beautiful-looking, boutique hardware sequencer. But its one drawback had been the 8-step sequencer. Now, this should give you steps: think four simultaneous sequences, 32 steps, and the ability to output on the MIDI port and USB port simultaneously. Commenters frequently complain that technology for its own sake gets in the way of music. Well, that may be so, but here, the sequence sounds excellent. Our own MeeBlip (in the older SE version) joins some other great hardware and software: the Shruthi open source hardware, Native Instruments’ Monark, and Madrona Labs’ Aalto – three of my …

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Review: MTRX-8, The Hardware Sequencer You Can Reprogram

The standalone MIDI hardware sequencer has had formidable competition in the age of the computer. But it seems ready to make a comeback in a big way. With more hardware, more affordable hardware, and more fans, all-in-one tactile control is just what the doctor ordered. Of course, having used a computer, you’re less likely to be accommodating of inflexibility. That’s why the MTRX-8 from Fyrd Instruments shows real promise. It works as a standalone sequencer, true, with MIDI in and out ports. But it also coincides nicely with a computer – from programmability over USB to doubling as a MIDI …

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Holiday Goodies: Sampled Sleigh, Jingle Bells, Free [Samples]

We open on a Christmas Eve dinner. The goose has been stripped to the bones, the third wine glass drained to its last drops. A typical-looking family leans back. Cut to a close-up on a scraggly-looking electronic music producer. He rolls his eyes at the next question. “Why don’t you play some of that music you make? Didn’t you used to play the viola?” “But, grandma, I make dark experimental techno and noise art.” “Dark what? Play Jingle Bells!” “Wait – I have just the solution. I remember, I just saw that free pack of samples on CDM. Let me …

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