Roger Linn, father of the modern drum machine and creator of some of its greatest models (including the MPC60 and MPC3000), really is working on a new generation. I’ve seen some of that design work, and I’m confident it’ll ship in some form. But announced yesterday, that shipment won’t happen third quarter this year. Also, it seems that, while this was always a LinnDrum and not a SmithDrum, the product is tending even further toward the Roger Linn side and not so much the Dave Smith side – especially with Dave Smith’s own synth business going great guns.

I will say, I prefer a few months’ delay with fewer compromises (or in this case, maybe a lower price). The big names in the industry have such firm release dates that often some significant functionality slips instead of the ship target. Part of the reason a lot of people don’t talk about projects before they’re done really isn’t competitive secrecy – it’s because the evolution of a hardware design can be unpredictable.

But so you can decide for yourself, here’s the published note from Roger:

Update – July 9, 2009:

We’re still hard at work but regrettably won’t be able to meet our earlier estimate of a 3rd-quarter 2009 ship date. The recent changes in the economy have caused us to rethink our design, which had become too expensive. One problem is that Dave’s customers and my customers had different views of what the product should be, so we had been working on a more elaborate design that we thought would please them both. Then the economy tanked. Oops. The other issue is that Dave and his team have been having such success with their analog synths that they’ve been spreading themselves pretty thin trying to work on both projects.

So given these circumstances, we’d prefer not to state another release date estimate at this time, but when we do we promise to post it here along with any other information we’re able to release. Also, given that Dave and his team have their hands pretty full and that a beat-oriented product is more of a Roger product anyway, we’ll probably be selling it through Roger Linn Design instead of from both companies as we had previously considered.

I’d personally love to tell everybody all the details of the product design, features and price as we did with our initial designs of the product, but there’s that pesky problem of keeping the information from our competitors. So we need to keep tight-lipped for now and regrettably can’t answer any questions. Thanks also to those who have kindly asked to place advance orders. However, we don’t feel it’s right to accept orders until we are able to release the price or more information about the product.

And now I must get back to work. :)

- Roger

Advance Product Information: LinnDrum II

I know some people were wondering about this – it’s now official. Digidesign reports Pro Tools 8 is actually shipping now, with the integrated MIDI edit window, score notation editor (via recently-acquired Sibelius) right in the DAW, bundled instruments and synths, some amp simulation, “Elastic Pitch,” and additional insert slots.

None of this is huge news to users of competitive products, with the notable exception of Sibelius notation integration. I’m very keen to hear how people actually use that, because the score facilities in tools like Logic aren’t competitive with favored tools like Sibelius and Finale, in my experience. On the other hand, many people are perfectly happy keeping their scoring and audio editing workflows separate from one another – particularly if you’re using Pro Tools for audio editing and Sibelius to write that new string quartet. So as this ships, do let us know how you’re using it, or if it’s a non-starter.

So, what does it cost to upgrade?

Pro Tools HD 8 Upgrade: $249 US
Pro Tools LE/M-Powered Upgrade: $149 US
Pro Tools M-Powered Full Version: $299 US (for use with M-Audio audio interfaces)

If you bought Pro Tools systems or upgrades since October 3, the new release is (rightfully) free.

Of course, that still means you might still be tempted to just go buy one of the cheaper Mbox products with Pro Tools LE included. There are also upgrades for the Music and DV bundles.

Note compatibility: Vista SP1 (32-bit only, still no 64-bit) is supported, as is Mac OS X 10.5.5. 10.5.6 isn’t ready yet, and Vista requires Business or Ultimate, which as I said in the past I still find pretty odd given that Home Premium is basically identical from a support standpoint. (Digi’s choosing to be a bit literal with that.) On the other hand, only Leopard support is available, whereas on Windows XP Home and Professional remain supported with XP SP3.

Once this arrives, I’ll be curious to hear about you. I’m happy doing my work in SONAR and Live at the moment, so I don’t think I’d be a fair judge, but someone who uses Pro Tools daily would be. Be in touch.

Pro Tools 8 Shipping [News @ Digidesign.com]

The LinnDrum II (once the BoomChik) has become a somewhat mystical beast, looming over the horizon and taunting fans of synth and beat hardware. The collaboration between beat machine guru Roger Linn (of LinnDrum and MPC fame) and synth guru Dave Smith (of Dave Smith fame), the box has gone through various design revisions, each leaked and dissected by, well, people like me. Saturday brought a new set of news, as spotted by Tony Mission on Gearslutz.

Here’s what we know now:

We know that the LinnDrum will be a combination of Dave’s synthesis know-how and Roger’s approach to real-time sequencing and beatmaking. We know it’ll have digital and analog synth voices. We know it’ll do MPC-style real-time and 808-style step sequencing. It’s almost certain to retain onboard sampling, too. In fact, presumably the specs on Dave Smith’s site are still reasonably applicable.

What we don’t know is what the design will look like, or when it’ll ship. It won’t ship in 2008, so … 2009? The image above is not what the new LinnDrum II will look like. Roger released these images over the weekend, but they’ve already hit the wastebasket in favor a new design. On the design elements:

We’d prefer not to release details of the new design because it’s so cool that I don’t want to show our cards to the competition. However, I do want to thank all those who wrote in with suggestions because this interactive design process has very much helped to change what we thought the product originally should be into what we now know you really want.

Roger does tip his hand a bit in regards to what the philosophy of the new design is:

For those of you who are new to LinnDrum II, its new subtitle is “Beat-Centric Digital Audio Workstation with Integrated Analog Synthesis”. Inspired by how the MPC product line that I (Roger) originally created for Akai has evolved a new genre of musical instrument, LinnDrum II aspires to raise the bar beyond the current crop of high-end pad-oriented music production station products in order to enable musicians around the world to better realize the next wave of beat-oriented music.

“Beat-Centric Digital Audio Workstation with Integrated Analog Synthesis” doesn’t exactly roll off the tongue, but I like the philosophy here. It sounds a bit like the feedback people sent was that they want the finished design to stand on its own. (The passionate audience for the MachineDrum certainly suggests there’s a market out there for something different from the Akai and Roland units for all-in-one production.) I’ll certainly be the first to defend the delays. We can’t judge the LinnDrum II itself until it’s in our hands, but it is clear to me that if you want something different than what’s already available, you do have to be prepared to wait.

While you wait, you can sign up for updates:

Request for LinnDrum II or AdrenaLinn III Product News

LinnDrum II Product Page / News

Previously:
Dave Smith/Linn LinnDrum II Pre-order List Now; Specs

LinnDrum II: Former BoomChik Gets More Delayed But More Mature

US distributor Keyfax NewMedia reports that it has Yamaha’s Tenori-On in stock and shipping out now. (Pre-orders began at the beginning of May, but this is apparently the first the US unit has made it to our shows — unless you happened to win one from createdigitalmusic.com, that is, in April, in which case you know who you are.)

Every time I mention Tenori-On, despite the awe and lust it inspires in some musicians, someone raises the point of its somewhat retro-styled, simple sound bank. Fair enough: the minimal sounds are fantastic in the hands of creator Toshio Iwai and were specifically programmed and voiced to match his aesthetic. Other people, perhaps, not so much. So it’s interesting that reader Steven aka Nomad Cinema sends along this video (seen at top) of the Tenori-On paired with the absurdly deep luxury modular synth Kyma, along with a couple of beloved new analog synths. He writes:

In order to tap the real power of Yamaha’s new Tenori-on, it helps to pair it with external equipment capable of producing more satisfying sounds than the somewhat lackluster soundset included with the Tenori-on itself. In this video, no internal Tenori-on sounds were used whatsoever. Tenori-on is functioning purely as a sequencer with external equipment, including advanced sound-shaping from Kyma and analog synthesis from Alesis Andromeda and Dave Smith’s Prophet ‘08. Sequencer data coming from Tenori-on is processed in Ableton Live (utilizing midi scale and chord filters, as well as injecting some generative randomness) before reaching Kyma, Andromeda, and Prophet ‘08.

That to me remains the Tenori-On’s unique strength: to me it’s really an alternative step sequencer, exploded into an array of flashing lights and animated with game-like motion. This is to me also another way in which it isn’t a Monome, which feels more like an intelligent, programmable set of pads an an extension of your software, in comparison to the Tenori-On which seems to be re-imagining a giant pixel as a controller. I will be getting around to showing off some hands-on applications very soon, at long last.

Everyone is looking for the Zoom H2, a nifty portable flash recorder with a merciful street of around US$200 and a built-in mic. We know because you’ve all started hitting our ancient page on the H2. It in fact isn’t shipping yet; Sweetwater has an explanation on their site:

The Zoom H2 is expected to begin arriving in stores in August (slightly delayed by an improvement to the microphone design).

Just to demonstrate I’m not linking to them for affiliate cash, I’ll, erm, not link to them. But I expect you can find them (add a dot-com to their name) or try your favorite retailer and perhaps get a similar story.

It looks very nice, and I have to admit I’m myself looking for a new portable recorder. It seems like it’d actually be worth spending the extra US$100 and getting a Zoom H4, which adds XLR/line ins and phantom power for when you need them. (It’s also got four-tracking capability and effects, but the external mic in to me is the big draw.) Advice?

There’s such interest in this, I think we may need to make a portable recorder mega-page. Leave your suggestions here.

We broke the story on the H2 and deferred to our friends on O’Reilly on reviewing the H4. But you will find lots of reader comments (surprisingly, more H4 feedback on the H2 story — check out comments). Could help you make a smart purchasing decision; I’ll be using it to make mine:

Recording@NAMM: Zoom’s $199 USB H2 Mobile Mic/Recorder, Found in the Wild
O’Reilly Reviews Zoom H4 in Hawaii: Good, with Quirks

Software samplers are hardly in short supply, but Digidesign is hoping you’ll pony up extra to add a sampler especially built for Pro Tools. The pay-off in Digidesign’s new Structure sampler is extra integration: you can drag and drop audio Regions directly from a Pro Tools session into Structure, and you can control Structure with Pro Tools control surfaces as well as with MIDI.

Digidesign Structure Product Page

The other features here are mostly typical, but you do get an impressive sound library, with 20 GB of soundware from EastWest and A.I.R., including Quantum Leap Orchestral Elements; if you want more, you can upgrade to 40 GB of sound in EastWest’s Structure-ready library Goliath. Also interesting: unlimited nestable patches, plus 8-channel interleaved samples. At US$499 list, that’s a pretty compelling deal.

This is not Digidesign’s first sampler; the company helped build the market for computer-based samplers with its SampleCell product. If you happen to have a copy of the software version (discontinued some time ago), you can upgrade for US$199 for a limited time. Sounds like that does not include owners of more ancient SampleCell PCI hardware. (Too bad; I know a few lying around!)

Of course, while Structure is the one sampler from Digidesign, it’s not your only choice. Native Instruments’ Kontakt is an extremely powerful sampler, and like Structure, includes an RTAS plug-in for Pro Tools use, just to name one competitor. Unlike Structure, Kontakt and others also include native VST/AU plug-ins for other hosts, so you’ll probably want to skip Structure if you regularly swap DAW software. Then again, most people I talk to are pretty loyal to one DAW, and Pro Tools integration, combined with the good stuff Digi’s recently-acquired soft synth group has been coming up, could put you over the top.

I’m too much invested in native software like Live and Logic to do a proper review of Structure (hey, one person can’t — or shouldn’t — try do everything.) But if any of you Pro Tools users are thinking of getting it and want to write it up, drop me a line.

We first heard about the Mawzer modular control surface over two years ago. In CDM time, that’s like the Bronze Age. The idea was appealing enough: assemble controller layouts by plugging in different modules in whatever combination you like, Lego-style. (See below for someone using actual Legos; that’s another story.) Building specialized music hardware from scratch and dealing with production issues takes time, though, so for quite a while the Mawzer has been off the radar screen. Surprise: the Mawzer is nearly here.

The modular controller prototype has been making the rounds in performance. As of last month, the Mawzer’s creators began taking preorders for the device. And starting this week, the MAWZER is touring Europe in a series of workshops in the device. If any of you Europeans happen to be a stone’s throw from one of the workshops, we’d love a hands-on report! Do take photos!

Mawzer to Launch [Matrixsynth]
Mawzer Controller Demo bei Schneidersbüro [Sequencer.de; in German]
Mawzer News

In the intervening time, I have to admit I’m somewhat less interested than I was originally, just personally. If you want to go custom, it’s not just custom layouts that matter, but changing the form factor and controllers themselves. And since 2005, an increasing number of people have begun forming communities around building such truly custom controllers. I also notice that you can’t hot-swap modules; there’s a warning printed on the inside of the module bay. But those things said, I still love the concept, and I’d love to see the actual unit — if the overall form factor makes sense, this could be ideal. (It also looks especially nice for visualists; one of those performances involved VJing with Resolume.) If you are interested, here’s the preorder pricing, which I imagine looks less scary if you’re in Europe and aren’t suffering from an insanely weak US Dollar:

Prices are intented for first batch of production due July 2007 :
M1610 (empty case) : 627,40 €
Case to hold 16 modules with core system and LCD
M3210 (empty case) : 770,20 €
Case to hold 32 modules with core system and LCD
POTv410 / POTh410 module : 46,35 €
4 potentiometers in horizontal or vertical position
FADv110 module : 43,40 €
1 fader 10cm
ENCv410 module : 49,75 €
4 endless encoders
BUTv410 module : 48,25 €
4 push buttons with leds
XFDv110 module : 51,35 €
2 push buttons with leds + 1 fader 6cm
BLANK module : 6,00 €
Empty module

Related Project: stekgreif: Build Your Own Modular MIDI Controller out of Legos

Digidesign has announced Pro Tools HD 7.2 is shipping immediately, bringing new video support (QuickTime features and AVID integration), a new signal analysis/metering plug-in, and features for multi-channel field recorders. That’s all well and good, of course, but what we’re really waiting for is Intel Mac support as with LE; the prerequisite remains an Intel-based replacement for the Power Mac G5.

Incidentally, you don’t have to own HD to take advantage of the nifty new metering/analysis plug; there’s an RTAS version, too — see the free SignalTools download.

While the big news this week was Avid/Digidesign acquiring rival Sibelius, Finale 2007 now has an official launch date of Monday, August 7. New in this version: linked parts and scores, keystrokes for quickly changing expressions and articulations, Intel Mac support, and integrated video.

Any upgrades or new products that you’re waiting for? Let us know, and we’ll see if we can find out when you’re getting your love.

I

First up, Moogulator.com has details on the Korg RADIAS synth: apparently a last-minute redesign delayed shipment, but the RADIAS is now available. It seems that brilliant folding rack design we loved so much might mash someone’s fingers. (Hey, Moogulator, why did you have to point out it was someone in the US who mashed his fingers? You saying we’re more prone to acc– OW! I just sprained a finger typing.) No word on how Korg will deal with the danger of dropping this synth on your toes. Moving on …

In other news, Novation is shipping the ReMOTE SL ZeRO, the compact, keyboardless version of their ReMOTE SL keyboards. It ain’t cheap for a small controller at GBP229, but then again, Novation’s build quality is superb and the ability to automatically map controls and onboard LCDs to your favorite software could be worth it. That completes Novation’s SL line; 25-, 37-, and 61-key versions are all shipping, though 61-key models are in short supply. (Message to manufacturers: most of us still like lots of octaves.) More on this gear soon, once I can bear to deal with NoVAtiOn’s ARBItrarY CAPitalIZation oF THEir PROduCT namES.

Update 2006-01-13: We have learned that a BCD2000 user, Evinyatar has released an OSX compatible driver (Universal Binary, MIDI functions only), and has plans for more customizations. -JL

Behringer’s North American PR rep Derrick Davis tells us the BCD2000 isn’t shipping in quantity yet; Jaymis got his hands on a limited-release shipment. The Mac is currently unsupported; that much we can confirm, as we’ve received a couple of reports in which Mac users tell us they’ve been unable to get it working. (The device itself is not class-compliant and requires drivers for the control surface to communicate with the computer.) Behringer expects to ship in quantity soon, though Davis didn’t know whether Mac drivers would be included. It would be surprising if they were not, given the BCD’s fader and rotary controller siblings (The BCF- and BCR2000, respectively) are Mac-compatible. But, really, we won’t know until it ships. Stay tuned.