Fraction

Not Just Stuttering: Fraction Plug-in Slices Sound Live on Mac

Fraction by Sinevibes video demo from Sinevibes on Vimeo. Sinevibes has been on a roll lately. The one-man Mac plug-in shop keeps churning out elegant, attractive plug-ins with a consistent color-coded visual interface, variations on a theme that invariably include clever twists. And now, this. Fraction isn’t the first slice repeater plug-in. But it might be the most direct and intuitive. I’ve been playing with it for a bit, and it’s tough to describe just how much it’s able to do, or how quickly you can get at that range. Far from just adding some stuttering effects, you can add …

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traktor_iphone

With History, Traktor DJ Just Became Perfect Mobile DJ Solution

Who says DJs aren’t useful? With a mind-boggling amount of music released daily, the DJ might be more important than ever. The word “curation” is overused … how about selection, or filter? If you’re like me, you’ve grown reliant in at least some genres on mixes from favorite artists and journalists just to skim the good stuff of the top. The best is really amazing. The rest is really abundant. And, for that matter, who says mobile devices aren’t useful to DJing? (Stay with me – these two ideas connect.) Here’s the thing: Native Instruments’ Traktor DJ has skyrocketed to …

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Sector is a Stuttering Stochastic Sample Slicer, Using Probability and Curving Lines [iPad]

Now we know how an MPC would behave if it were engineered on planet Vulcan. If you’re tired of conventional slicers and step sequencers, Sector turns audio into glitchy, stuttering, elaborate electronic patterns. Sound is fractured into a massive circle, resembling nothing if not some sort of archaic astronomical calendar, as arcing lines connect one slice to another and brightly-colored dots in the center illuminate to show more conventional steps as they advance. Still too regular for you? Fret not. All of this is randomized for coin-flip pattern variations. Warp modes and modulation shapes, all controllable, add additional glitching and …

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Reason 7’s New Tools for Slicing, Stretching, Retiming Audio: Q&A, Tutorial Vid

Far beyond the simple sampling that first appeared in hardware, slicing, re-timing, and stretching audio keeps getting more sophisticated, manipulating recorded sound in musical ways. But a lot of the popularity of this technique traces back to Propellerhead and their ReCycle tool. By bringing together smart digital slicing with its REX file format for loops, ReCycle helped launch the looping craze in software. REX support has always been part of Reason, since the start. But the way sound works in Reason has gradually evolved, particularly as Swedish developers Propellerhead made Reason into less of a rack of synths and more …

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Reason 7 Arrives: Slicing, External MIDI, More – And All Rack Extensions Work [Details, Videos]

Reason 7 is available now, in the full version, upgrades, and entry-level Essentials editions. You can download the new release right away – including, intelligently enough, as a torrent for downloads even if Reason users get overexcited. (Cough, Ableton. Hope you’re paying attention.) There are lots of improvements, but the banner features are clearly integrated slicing and external MIDI sequencing. Those features have been a long time coming. The ability to sequence external MIDI gear seems a no-brainer for a tool with so many great sequencing tools and robust MIDI input control support. And integrated audio slicing is, oddly enough, …

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Propellerhead Reason 7: External MIDI, Integrated Slicing Get Serious, Overdue Love [Preview]

Happy 2013, everyone! Here’s CDM with the latest news. It seems there’s a new synth called the Korg MS-20! Or you can have a monosynth with filter saturation – that arrangement of three oscillator knobs looks cool. All of these things use a ground-breaking format called MIDI that allows digital instruments to talk to one another. And you can even get software for your computer that now supports MIDI output. So, you can use your computer to talk to your synth – that is, if you aren’t busy taking advantage of the computer’s ability to slice up audio. In case …

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samplr

Samplr is an OP-1-Inspired iPad App Focused on Touching, Slicing Waveforms

On computers and most hardware, waveforms have been a “look, but don’t touch” affair. Now, that view is coupled with multi-touch capabilities. Samplr is, as the name implies, an app that focuses on working with sound. With rhythmic slicing modes and multi-touch manipulation of samples, it’s a lovely-looking way to surf sounds from your fingertips. Some of the sonic modes, and certainly the visual appearance, take more than a passing inspiration from Teenage Engineering’s OP-1 hardware. That said, the actual modes are a bit different, though they draw on some of the “tape” concepts, and the actual workflow with touch …

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Shuffling, Slicing, and Glitching Audio, and Other Modular Max for Live Devices

For fans of slicing, dicing, glitching, reversing, and shuffling incoming audio streams, this Max for Live Device is for you. Shuffler 2.0 is the latest in a series of “modular” Max for Live devices from developer Isotonik Studios. Mappable to MIDI, the suite of Devices focuses on simpler tasks in ways that can be combined. There are interactive Follow Actions, for instance — a feature I’ve long argued should be native to Ableton Live — plus tools for more easily mapping MIDI to envelopes. There’s a convenient Looper. From last week, there’s a module called Smart, capable of mapping some …

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Grid Machine Slice: Custom Kontakt Sample Library, Gone Mad

I tend to tune out when it comes to sample libraries, but here’s one that takes the scripting capabilities of Native Instruments’ Kontakt sampler to extremes. The Grid Machine line developed by Lindon Parker (Channel Robot) and distributed by LoopMasters brings to Kontakt the sort of grid-based, sliced-up sample manipulation we’ve seen in the monome community and in custom tools in environments like Ableton Live and Renoise. Using KSP, the scripting environment in Kontakt, these produce entirely-custom instruments that cut, chop, stutter, reverse, mix, trigger, sub-loop, re-trigger, and modulate. You can change speed, mute, skip, reorder, and play patterns, and …

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slicemarkers

Renoise 2.7 Adds Sample and Slice Savvy; Tips and Inside Info from the Developers

Who says we should have only one set of assumptions when it comes to how music software should work? Renoise remains a vision of an alternate reality where mod trackers – musical editors with vertical, pattern-based views instead of horizontal, linear piano roll views – are our present and future. And Renoise keeps getting better and more modern, demanding less of a sacrifice from those coming from other music production tools while strengthening the unique elements of its musical workflow. We get a first look at the new features here for Mac, Windows, and Linux users, as well as the …

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