rockmen-devices

This amp and FX pack shows what you can do with Reason

In music software, you have things that are modular, and things that aren’t. Modular environments like Reaktor and Max/MSP let you build things from scratch with essentially unlimited flexibility. DAWs tend to lock you into fairly rigid options for how you combine different instruments, effects, and other tools. Well, Reason sits somewhere in between. Every virtual synth, effect, and signal tool can be patched into another in a single, integrated environment – even as it still remains a production tool with a timeline and mixer (or mixers). In a great example of why that’s cool, hard-core Reason expert Marco Raaphorst …

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Reason 9 is available to download now.

Why you should care that Reason 9 just arrived

Reason 9 is here, updating that singular virtual rack of instruments and effects combined with song recording and arrangement. And a quick look at the features will likely have some people saying “fine, sure, but my DAW can already do that.” But – exactly. And also – can it, really? Because Reason has a of doing things in a, well, Reason-y way – one that keeps its die-hard fans uniquely loyal. And it sometimes has a way of doing things best.

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cubasis_ruismaker

Ruismaker is an iOS drum synth that feels like hardware, works like a plug-in

Software drum machines aren’t kingmakers the way hardware is. So Bram Bos of Eindhoven is not a household name the way, say, certain hardware makers are. But back in the 90s, Bram’s HammerHead Rhythm Station was one of the first pieces of software that showed what a drum machine in software could be. Flash forward to 2016. Bram is here with an iOS app that’s all drum synth – no samples. And while that puts it in a category with some other apps, it takes a slightly different approach. First, Bram advertises it as “the most hands-on” option for iOS. …

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lotsofnovationthings

Novation’s iOS app updates do Link, let you ditch the laptop

The iPad (and iPhone) are starting to look like the ultimate jamming devices – mobile, connected, and ready to play. And it’s doing what laptops can, in a less awkward form factor. Back-to-back updates from Novation are bringing their apps closer to that reality, today. Now, Novation are rubbing shoulders with Ableton in some wireless jam sessions set up at Barcelona’s SONAR Festival today. But what we’re talking about opens up possibilities for both use cases – laptops playing with iPads, and iPads replacing laptops.

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New live slicing functionality. Courtesy NI.

Maschine adds real-time slicing and other stuff you asked for

There are updates, and then there are updates. There are the updates that give you a bunch of new functionality – marketing tends to love these. And then there are the ones that just make a big slog through feature requests. Maschine “2.4.5” is not an exciting sounding update. But wow, does it ever add a long list of improvements users wanted.

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turingmachine

Music thing’s Turing Machine gets a free Blocks version

We already saw some new reasons this week to check out Reaktor 6 and Blocks, the software modular environment. Here’s just one Blocks module that might get you hooked – and it’s free. “Music thinking Machines,” out of Berlin, have built a software rendition of Music Thing’s awesome Turing Machine Eurorack module (created by Tom Whitwell). As that hardware is open source, and because what you can do in wiring you can also do in software, it was possible to build software creations from the Eurorack schematics. The beauty of this is, you get the Turing Machine module in a …

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reaktor

Reaktor Blocks works with modulars, Maschine, adds drums

Native Instruments keeps adding to Reaktor Blocks, the patch-and-play toolkit they’ve built atop Reaktor. And… it’s turning into kind of an awesome product in its own right. Reaktor Blocks 1.2 adds a bunch of the sort of stuff I think you or I would add to it were we in charge of the product. It’s suddenly got drums. It’s got a new sequencer that you can power with Maschine. It’s connecting via MIDI and CV to outboard gear and analog modular. In short, it’s something you actually want to play with.

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acidpro7screenshot

Sony have sold ACID, Sound Forge, more to MAGIX

It’s the end of an era – but maybe not such a golden era. Once upon a time, ACID and Sound Forge were each industry-leading software tools, originally developed by Sonic Foundry. Now, languishing alongside their stablemate, video editor Vegas, they’re seeing ownership pass from Sony (via its creative software division) to German software house and holding company MAGIX.

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Image 03-06-16 at 16.49

Ableton hacks: map anything, even Kontakt and Reaktor

Isotonik’s £22 PrEditor is the powerful mapping functionality Ableton forgot. It lets you customize the mappings of a variety of controllers to your music software, opening up custom controller arrangements and tailored interactions to support the way you play. And the latest version does still more. Hackers and patchers will love this – whatever tool they use. If you use Reaktor, that environment is available – doubly useful now because of Reaktor’s beautiful Blocks modular environment. (There are quite a few things I prefer in Reaktor, so being able to map its controls to my Push means I may completely …

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screenshot_419

One plug-in combines all the classic vocal effects you want

There have been vocal effects before – your vocoder, your pitch shifter, what have you. But the folks at iZotope set a more ambitious goal: be all the classic vocal effects. Put them a single plug-in full of modules. Then combine them in a way that makes them accessible, whether you’re preset surfing or dialing in your own sound. Encourage exploration without even requiring some advance knowledge. The result of that is called VocalSynth, and it’s out today. And wow, is this thing big – big enough that I imagine I might spend the rest of the year playing with …

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