Ah, the seasoned OS zealot. Never fear: no actual issues of substance will ever distract them from one-dimensional tirades about how their platform is best. And so, in the last week or so, you may have run across angry Free Software advocates railing against the inclusion of Windows on the OLPC ("One Laptop Per Child") XO laptop — or, in a really surreal turn, people waxing poetic about XP, like this commenter on the Win Supersite: "We get a world wide audience of children who will embrace XP and gain valuable lifetime skills."

All of this is a complete waste of time, not because the OS question is unimportant, but because it’s detracting from the more important question of education, which was supposed to be the point.

Part of why the OLPC mattered — and continues to matter — is it raises questions about what computers mean for learning. That’s a question we haven’t asked enough recently in the US, let alone across the planet. Whether Negroponte and the remaining OLPC project leaders have lost their way or not, that central question of computers and learning seems to be lost in the usual blog banter. Fortunately, it’s a discussion I think will survive after the immediate technologies have faded away.

M-Audio has actually gotten in touch in response to frustrations about incompatibilities with OS updates — updates which, admittedly, have recently been frequent and sometimes troublesome on both the Windows and Mac sides. Niels Larsen, General Manger at M-Audio, responds in comments with some specifics on where drivers are, some new drivers that were released literally today, and some comments on the OS situation in general.  (I’ve copied it here just in case you missed it in comments.)

I’ve also heard from Digidesign/M-Audio public relations; I hope to have additional updates soon.

This is well worth reading whether or not you own M-Audio hardware.

Current TV has done a video featurette on a Handmade Music event held by CDM, Etsy.com, and Make in the fall. We’re finally getting back to these this summer, but this gives you an idea of the kinds of projects people are up to in the NYC area — hope some of you in the rest of the world can enjoy it.

Via The Storque, Etsy.com’s excellent online magazine. (See their previous coverage of these events.)
We could really use your help raising the visibility of DIY music tech — if you’re a Current member, or can register quickly, you can give the video a thumbs-up and give it a shot of being on the Current TV network. The way it works is, Current takes popular online videos and sticks them on the actual tube. And if you want your own fame and fortune and are near NYC, be sure to check out our call for projects.

Vote for DIY here:
Handmade Music Makers @ Current

If you’re on the East Coast of the USA and want to share some of your musical (and visual) projects with us, we have a number of opportunities.

Submit now! [Was briefly broken; now working!]

• Internet Week — Evening with MAKE Magazine: Thursday June 5, 6:30-9:30pm. We’ve already programmed part of this, but there should be a couple of spots left for unique DIY music/visual hardware and software projects. Part of a week-long celebration of the Internet in NYC.


• Hackers on Planet Earth Conference: Friday, July 18. This legendary assemblage of hackers at NY’s Pennsylvania Hotel is one of the world’s great geekfests. Tech author Steven Levy is keynoting. We’re throwing a big music and live visuals party, combining forces with some of the local 8-bit community.
• Handmade Music with Etsy + Make: We’re re-inaugurating our regular series with Make Magazine and Etsy.com. Dates TBD but we hope to bring this back as a regular event in Brooklyn.
• Mystery Event in Boston! If you’re in the Boston area, stay tuned. (Providence, New Haven, you’ll want to make the trip.)

Here’s what we’re looking for: DIY music software, hardware projects, 8-bit, custom gaming and gaming interfaces for music, live visuals, hacked solutions, visualizations and sonifications of Internet data (would seem especially appropriate during Internet week), interactive projects, physical computing, oddities, custom cases, weird stuff … the usual.

For HOPE, I’m particularly interested in keeping with the hacking theme, including open source projects, Linux audio, and unusual projects built with computers. With all the cool stuff happening in DIY electronics and hardware, software often falls by the wayside. And with all of these, I’d love to see more audiovisual projects.

Deadline: Right Now

Sign up here if you’re interested in doing these. I thought about setting a deadline, but honestly, with Make it’s first-come, first-serve, and with everything else, I’d rather know sooner than later, so if you’ve got something in-process, don’t be shy!

A Google Docs live form is embedded in this story below right on createdigitalmusic.com; if you’re reading via RSS, you’ll need to click through to the site to view it properly.

Alternatively, use the direct link

Feel free to forward the call!

To really work with music software as an instrument, you have to focus on a set of tools and get deep into what they can do. Today, we’re launching the first of a limited series of minisites that lets us do that. It’s called Kore @CDM, devoted to NI’s Kore and Komplete lines. We’ve built a special blog which will feature regular tips on how to work with this set of tools, basic and advanced tutorials, and downloadable content, all free and open. (The contents of the site will be Creative Commons-licensed, so you’re free to share and modify what we do, with credit to the authors.)

Kore Minisite @CDM, http://kore.noisepages.com

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Subscribe to Kore Minisite by Email

Why choose this product now?  I’ve felt really strongly, even having been critical of Kore’s first release, that Kore 2 has the potential to live up to its promise of creating a "meta-instrument" for working with sound and effects. Combined with the rest of the Komplete family, including Reaktor’s open-ended patching environment and the scriptable sampler Kontakt, NI has some deep tools — not perfect, not for everyone, but tools that matter to us. We want to really get into how to use them, and to develop a set of techniques and tools for others, both for sound design and live performance, in combination with hosts like Ableton Live. And this means not just doing stuff "by the book," but really seeing how far we can push these tools, sonically and in playability.

Kicking things off is Eoin Rossney, who talks about how to create feedback loops intentionally in Kore for special effects. It’s something mentioned in the manual, but there haven’t been instructions on how to accomplish it until now. Eoin takes that challenge on, and produces some really oddball sounds just by routing effects into themselves. Have a listen to the samples — just be sure to turn your speakers’ volume down first.

How to Route Feedback Loops in Kore - On Purpose [Kore @CDM]

Peter Dines, a Reaktor whiz and author of the Reaktor Tips blog, will also be writing and screencasting for us soon. Both Eoin and Peter have been CDM regulars, so it’s great to have them onboard.

Why we’re partnering with NI: So that we can provide as much content as we can for free, we’ve gotten sponsorship from Native Instruments to produce the site. But that doesn’t mean we want to make an "advertorial." NI has been generous enough to give us full control over the contents, and the goal isn’t a review, or an ad — it’s as much actual knowledge of these tools as we can provide. And, hey, it’s basically our job to demonstrate that by doing as good a job as we can and listening to your feedback. I’m happy to answer questions about why we’re doing things this way and what it means; we can talk in comments or contact the site.

Most of all, though, I hope you’ll check out the site. If you don’t own Kore or the other tools, we’ll still have sound and video samples and will include instructions for trying out projects in the demo, if you just want to kick the tires a bit. And definitely let us know what you think as we roll out more stories, because we want this to be as useful to you as possible.

Oh, yeah, and if you’re wondering about what the "noisepages.com" thing is about, you’ll be hearing more soon. Suffice to say the Kore site isn’t all we’re working on.

Bonus points to anyone else who had the "opportunity" to see the movie Deep Kore Core.

Background: Many laptop-based Mac OS X users are experiencing significant audio issues on Mac OS X Tiger and Leopard. On Tiger, the culprit appears to be the AirPort Extreme Update 2008-001 released earlier this spring. One workaround on Tiger is to simply turn off AirPort. On Leopard, the problem appears to be slightly more complex, but generally linked to 10.5.2; several software vendors are recommending music users avoid that update for now. (10.5 / 10.5.1 appear unaffected.) The issue is not universal on Leopard (some laptop Mac users report no problems), but if you are experiencing issues, the only current solution appears to be downgrading your entire system to an earlier release (via Time Machine or reinstalling).

Fortunately, on Tiger there’s a more specific temporary fix.

Tiger Fix: Musician Georgi Marinov has posted step-by-step instructions for reverting the AirPort Extreme Update to the previous release (2007-004). This fix will work only for Tiger users, apparently on specific MacBook Pro and Mac mini models.

tiger airport audio dropouts fix

I’d personally like to see Apple add some facility for uninstalling updates on all releases, as some other operating systems do. (Yes, you can use Time Machine, but that’s more of an argument for building this feature into Software Update.) But regardless, with any OS and any update (and certainly with this unsupported procedure), be sure to backup before applying any update to a critical machine.

If you do apply this, let us know if it works for you.

Previously:

Mac OS X 10.5.2: Music and Audio Problems on Apple Laptops? (Or Blame AirPort?)

Mac Audio Glitches: Serato Reports; Avoid 10.5.2, AirPort For Now

Photo: Telstar Logistics. (Hey, it was either that shot of SFO airport or another apple or tiger or something silly.)

Update: via Kris on comments, it appears the newest ("Penryn") Apple laptops are unaffected, presumably a side effect of using Broadcom chips. (That’s not to say the chip is to blame, but the software support for the different chips might be.)

While we’re having a weekend of Live tutorials, here’s another one for you, this time using your iPhone / iPod touch. Now, I’m not sure I’d want to do a whole set like this, necessarily — but here’s a thought: you could use this to do some sound checks out in the house instead of stuck behind your laptop listening through monitors. I’m sure there are other applications, as well. Enjoy!

The secret ingredient this time is i3L (pronounced “eye thrill”), the MIDI bridge app from VJ superstar group artificial eyes out of Turkey. They note that Mexican audiovisual collective Nortec are also making use of i3L (for video triggering).

See our iPhone/iPod touch music tool round-up from earlier this week for other goodies to load up on your device. To me, the iPod touch is the real bargain here; it’s going for under US$300, with used/refurb models going for a bit less — especially given you don’t need a mobile phone contract. Now if only there were a hard drive model…

Our friend Gustavo Bravetti is back with more Ableton Live tutorials. Looks like good fodder for working on some music making this weekend — especially if you’re not familiar with some of these techniques.

First up: cascading follow actions can break up endless looping repetition by triggering complex patterns. Gustavo throws in some "dummy clips" or "ghost clips" for adding additional automation.

Next, if you followed Gustavo’s bass drum tutorial with Operator and want to follow it up with some snares (and resonance), have a look at this:

More details at Gustavo’s iproducer column.

By the way, to anyone who wanted more "advanced" tutorials (or more beginning, for that matter — it’s all relative) — feel free to send us requests. Now I’m sort of intrigued by synthesizing drums; I’ve been chatting with a couple of our contributors here about Native Instruments’ FM8. The whole beauty of Operator is its simplicity, but maybe we should see if we can make an FM8 kit, as well. (And you’re not restricted to using Ableton’s own instruments in the Live Drum Rack, either.)

If you make stuff this weekend, or find tips of your own, let us know!

Apple’s "point" releases — those seemingly-harmless updates you get automatically in Software Update — do sometimes break stuff. I tend to ignore the updates until I’ve had a chance to confirm they’re okay. Case in point: it looks like 10.5.2 can result in glitchy audio on laptops.

Native Instruments has an official statement out on the problem, but according to them, this issue can affect software from other vendors, as well:

User feedback and internal testing indicates that recent changes introduced by Apple in Mac OS X 10.5.2 can cause audio dropouts and similar problems on Macbook/Macbook Pro computers. This issue is not limited to NI software in particular, but applies to performance-criticial music software in general.
Therefore, Native Instruments currently cannot guarantee the proper operation of its products under Mac OS X 10.5.2. If possible, users should refrain from upgrading beyond Mac OS X 10.5.1 until further information about this issue becomes available.

Now, I will say this: I am frustrated with Apple’s OS upgrade approach — and I think on any OS, media support is the most vulnerable area.