Hidden as an extra, Mario Paint Composer was one of the first software creations to meld music creation with game. It’s been a novelty favorite among 8-bit fans — not really a serious tool, but a curiosity nonetheless. But that requires a copy of Mario Paint. Now you can get the Mario-infected goodness on your Mac or Windows machine, free. (Thanks, Wally!)

Mario Paint Composer [unFun Games]

The Mac software link is broken, so here’s a direct Mac download link (thanks, Hunter!)

It’s not really about Mario Paint Composer the tool, though. For some strange reason, this creation has inspired endless musical oddities, uploaded to YouTube. Witness, for instance, a somewhat randomly-chosen musical cue from the TV show Lost. (Composer Michael Giacchino’s work is lush and brilliant, missing out on the Oscar this year for Ratatouille. Here, however, in 8-bit glory it sounds like a theme from a B-grade action adventure game for SNES. I’m fairly sure I was lost in a jungle playing that at one point.)

The pièce de résistance?

Mario’s rendition of John Cage’s 4′33".

If you have any source of stress this weekend, any difficulty sleeping just keep watching … Mario … run …

All is well.

I wonder which compression codec they used to upload the sound to YouTube? The silence is really pristine — almost sounds analog.

Via our forums, April 22 is the magic release date for Max 5:

Max 5 release date [Create Digital Noise]

And if you’re lucky enough to be near Bellingham, Washington this week, you’ve got pretty good odds on winning the upgrade, plus a 100% chance of checking out some cool stuff. Atomic Afro, CDM regular and maestro of affordable Windows software, will be there.

Max 5 has been a long time coming, and it’s exciting to see the direction the software is taking.

In other news: the cycling74.com site is down possibly not down. So, we’ve learned the entire CDM readership was just sitting at their computers, waiting for the moment that the date got announced. Erm, that or it’s an unrelated bug, but I like the mental image.

As a result, we can’t look at videos of Max 5. We can look at the Monome, however, which runs on Max. What’s Max 5 like? It’s totally like Brian and Kelli’s cat. Just watch the cat. Max is like that now. Softer, more independent. Feline. Four-legged.

Site is back up, so you can check out the sample videos. Thanks, 7oi!

Everywhere I go, people bug me about when they’ll see better support for OpenSoundControl (OSC) in applications. Why use fancy-schmancy OSC when MIDI does the job? Well, OSC supports higher resolutions of data when needed, maps variables elegantly (when you’re controlling something like visuals and descriptions like musical pitch or filter cutoff make no sense), and plays nice over networks and with multiple computers. In other words, go ahead and use MIDI when it does the job — but we need something else when it doesn’t.

Here’s one way to get OSC from your favorite app: hack it in. Spotted today as Gav tells Create Digital Motion about gluing together Isadora and Ableton Live, the OSCGlue plug-in is a simple VST insert that listens to MIDI and sends OSC.

Here’s a phrase you won’t hear often on, say, Download Squad:

"PS The AmigaOS port will be up in a few days."

Welcome to the wacky world of trackers, the music production tools time forgot. While the rest of the world frets over the environmental impact of computing and the cost of digital tools, the music community has a solution: recycle that garage sale / $50 eBay computer as a powerful music tool that might even be better than what you’ve got now.

If you have something with a CPU, odds are pretty good MilkyTracker runs on it. That includes Mac OS X (PowerPC and Intel), Windows Vista and XP — oh, and 2003, 2000, NT, Me, 98, and 95, Windows CE, Windows Mobile, FreeBSD, and emerging builds for popular Linux distributions and, yes, AmigaOS. It’s not just cross-platform. It’s pan-platform. (Hey, just for old time’s sake, anyone want to start a Mac versus Amiga flame war in comments? Go for it. Be brutal.)

MilkyTracker has some other good news: as of this weekend, it’s fully free and open source (GPL).

The new release (unceremoniously titled 0.90.80) has new features, too: tabbed modules so you can see up to 32 modules at once on the desktop version, playing simultaneously and copying-and-pasting between, new resamplers (even including Amiga-style resamplers) for better sound quality, direct rendering, and lots of other goodies.

So, this means MilkyTracker is the tracker to beat, right? Wrong. Tracker preferences are personal and nuanced, and competing tools offer subtle, unique workflows, plus features like the ability to run as plug-ins or support ReWire, and support for gaming platforms and other devices. But if you’re looking for a tracker to try, this should definitely be on your list. And soon you may be able to get that Amiga out of the closet. Reusing beats recycling any day.

MilkyTracker

Proof in pictures that MT can run on lots of different platforms

Nathan Ramella has sent us a video of a new project called ammoBox. What is it? Well, I happen to know a bit about it, but Nathan has sworn me to secrecy, so I’ll just point out:

• It claims to be the "world’s first stream scratching, simul scratching, sequ scratching"
• Nathan was a co-creator of the Unofficial Ableton Live API (which now lives on Google Code if you’ve been wondering where to find updates on that) — so we know he’s got the chops for hacking
• Yes, that’s Ableton Live … yes, that’s a turntable … no, this isn’t quite the same as other things you’ve seen using that combination.

Any guesses?

Bay Area folk, come see this at our 2:30pm competition (and at the CDM Booth) at Yuri’s Night … and everyone else, stay tuned here and on that site for more details very soon.

If you want new ideas about design and interaction, ask a musician. Before the Wii remote, the iPhone, Microsoft’s Surface, and Minority Report, musicians were trying oddball ideas for music performance. That hasn’t slowed down, either, from the futuristic and space-y to down-and-dirty acoustic techniques. We’ve got quite a gamut coming up for our madcap, sound and noise-packed hour of competition happening this Saturday at NASA’s Ames Research center during Yuri’s Night, and we’d love to share them with everyone online.

For starters, here’s the rundown of the projects with links to project sites and artists, and all the judges:

Futuristic Music Design Challenge: Meet the Competitors, Judges

Join the event on Facebook

The projects: the Bubblegum Sequencer (previously on CDM), The Box custom hardware with colored lights + Reaktor ensemble, the surface-temperature tangible interface table Weather Report (previously on CDM), the strange polygonal Kromatron wireless instrumental interface, the Thimbletron gloves-as-samplers with lab coated performers project (previously on CDM), the bicycle wheel and analog tape Looping Pedal (previously on CDM), the computer-powered musical saw WaveSaw, the 28-string just-intoned microtonal casmolyra, the turntablist custom software ammoBox and the GrooveStep DS pattern maker (previously on CDM).

I’m also pleased to announce…

The judges:

• Roger Linn, father of the modern drum machine (in my opinion, anyway) and creator of the MPC60 for Akai, plus recent creations — and he plays the mandolin
• Liz Enthusiasm, lead singer of Freezepop (check out their albums or just play a Harmonix game) and evidently an expert on Dr. Pepper
• (Matt) Ganucheau, a mastermind of Yuri’s Night’s music and art, a composer and sound designer (and teacher of sound design for games), an electronic musician, and creator of the NSFW "foreplay robot" Moaning Lisa
• … and yours truly as emcee

Speaking of Roger Linn, Tom at Music Thing just posted an auction on the pre-Akai prototype.

Hopefully we’ll get to do some quick interviews with the judges, as well, for Planet CDM. Stay tuned on yuricdm.com.

My friend Ilia, aka Tonearm, has released his set of Windows XP-compatible shortcuts for Ableton Live. (Got to play out with Ilia last month and hope to do it again.) Ableton, if you’re listening, here’s another argument for more customization of the program.

Even if you’re not on XP, it’s worth having a look and even downloading the ZIP and readme for some inspiration as far as what could be possible with Live shortcuts.

Install the executable for Windows, and you get:

Sure, what with it being 2008 and all, “plug-in” to many people means audio processing. But what if you want an arpeggiator? Or something to harmonize incoming notes, or match them to scales? Or … well, just about anything else you can do with pitch and time with MIDI, from utilities to music effects? And what if your host’s built-in options are letting you down?

The good news: you’ve got lots of options. The bad news: a lot are on Windows.

We saw Chirp, a Mac/Windows utility for assigning QWERTY keyboards to MIDI input, earlier this week. But that’s led to some other discussions.

The MVelope MIDI Toolkit includes a whole range of free MIDI plug-ins for Windows VST hosts. There’s already MKey, a very nice, mature QWERTY keyboard (similar to Chirp, but a little simpler and functioning as a plug-in). In beta or “teaser” form are some other interesting utilities: a pattern-based arpeggiator (pictured, top), filter/router, chord generator, and eventually a Control Change-powered LFO you can drop anywhere you like. (I’d love to have that last one in Ableton Live, since I miss the readily-available LFOs found in tools like FL Studio.) Thanks to Peter for the tip on this one.

But ready to jump down the rabbit hole?

Since it’s now April 2, the music technology April Foolishness has been revealed for what it is.

Composer/educator Steve Horelick provided a sneak glimpse of future functionality in an “unreleased” version of Apple’s Logic Pro:

Logic 303: Logic TNT

… although I wouldn’t be surprised to see Region Animation in a future version of FL “Fruity Loops” Studio.

Moog Music claimed to introduce a Moog guitar in a video teaser segment — that video appears to still be up. Personally, I thought this wasn’t as classic as the Moogerfooger MF-433’s “pure analog silence” — but some people did think it was real. (Hmmm… a guitar with built-in Moogerfooger effects, perhaps?) Don’t miss the MF-433 reviews, though.

Update: Okay, one slight correction on the Moog story. Did I say April Fool’s joke? That may be April Fool’s actual real product announcement. Then again, what’s real? Maybe Moog Music isn’t real, either. Ummm…

The best Moog gag of the day, though, was the Minimalmoog, as seen on Matrixsynth. I love “THE OSCILLATOR.” Ubercoolische, my friend.

Not to be outdone, Clavia introduced the Clavia Left Lead, for left-handed people.

Most amusing of all: Sweetwater’s faux vocalist plug-in, as released to CDM, was criticized for being too feasible. Yes, folks, technology has progressed to the point that readers fully expect to see a plug-in that replaces your vocalist. Well, or maybe that says something about the opinion you have of your vocalist. Point taken.

Updated: from comments, MusicRadar came up with the MusicMask, which reads facial expressions. Again, I wouldn’t be surprised if someone did something real along the same lines. (I was just fiddling with a new facial recognition library for Processing. Okay, I’ll stop…)

Thanks to Matrixsynth for being on top of all the 4/1 stuff. And yes, I will commit here and now: at some point during 2008, CDM will slip fake news into RSS on a day that isn’t April Fool’s, just to see who’s paying attention. Don’t say I didn’t warn you.

Updated again: This is my favorite yet: multi-sampled, multi-mic ReFill for Reason, “Reason Accordions.” Thanks to Wax in comments.

Introducing Reason Accordions - the hassle free, creativity sparking way of adding studio-grade accordion sounds to your mix. With Propellerhead Software’s ground breaking Hypersampling technique, we have captured these fine accordions in painstaking detail using state of the art equipment and instruments.

Too bad. Ernie Rideout would have been all over the Keyboard review, seriously. See, it used to be hard telling which 4/1 announcements were fake. Now it’s just hard keeping up. I think there were more product announcements yesterday (with a handful of real ones, for extra confusion) than on the first day of winter NAMM.

Then again, music tech announcements are often surreal as it is, so 4/1’s faux releases just seem like another average day.

I know what you’re thinking. Plenty of music applications already have QWERTY input so you can play soft synths with your computer keyboard. Ableton Live does it by default; Logic and GarageBand have the Caps Lock keyboard. Why would you want a dedicated utility?

I thought the same until I saw Tanager AudioWorks’ Mac and Windows utility “Chirp” on Gearwire. The difference here is features, covering the full range of possible MIDI messages: