Sound from Silos: Live Experimental Audiovisuals Rumble a Man-made Cave [Watch, Listen]

Electronic music, once the exclusive domain of secluded art laboratories, has now made the connection to clubs inseparable. The rhythms of dance music draw a line from popular to research; the software and gear marketed for dance musicians cross-pollinating with more experimental tools, as music styles, textures, and timbres mix, as well. But now, finding a way out of that club context and its restrictions may be as vital as the emergence from the lab years ago. Making connections between Argentina and Germany, across an international collective of audiovisual artists, FxLD’s latest project invades a disused grain silo in Berlin. …

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Can make the biggest acts' live shows tick - but can also rock a live performance like she's just landed from a flying saucer. Check. Laura Escudé, achieving superhuman levels of music-technological knowhow, can still share what she's learned with us Earthlings.

Live Music Tools at the Bleeding Edge: Laura Escudé, From Herbie Hancock Collabs to Solo (Live Berlin, Sat)

It’s one thing to talk about tools. It’s quite another to put them into action, to make them withstand the rigors of creative process and idiosyncracy, let alone the torture test of touring. Laura Escudé is as deep in the trenches, on a day-to-day basis, as just about anyone on the planet. The music tech guru has worked with some of the world’s best-known artists, bending technology to their imaginative desires and world-trotting live shows. (Think Herbie Hancock, Bon Iver, and Cirque du Soleil, among others.) But she’s still found time to develop her own, unique sonic voice and live …

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